Arcadia Quartet – Weinberg: String Quartets, Vol. 3 (2023) [Official Digital Download 24bit/96kHz]

Arcadia Quartet – Weinberg: String Quartets, Vol. 3 (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:32 minutes | 1,15 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos

As with the previous volumes in their survey of the quartets of Weinberg, the Arcadia Quartet have selected a pair of works from contrasting stylistic periods of the composer’s output. The Fourth Quartet was composed in 1945, shortly after Weinberg had moved to Moscow. The Quartet presents an abstract, psychologically universal picture – a testimony both to the composer’s artistic maturity and to the affinity that Weinberg had discovered with Shostakovich.

The Sixteenth Quartet was composed between 1 January and 15 February 1981. It carries a dedication to Weinberg’s sister, Ester, who had perished following the Nazi invasion of Poland and would have been sixty that year. Typical of his later compositional style, the writing is more muscular, harmonically complex, and intense.

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Arcadia Quartet – Weinberg: String Quartets, Vol. 1 (2021) [Official Digital Download 24bit/96kHz]

Arcadia Quartet - Weinberg: String Quartets, Vol. 1 (2021) [Official Digital Download 24bit/96kHz] Download

Arcadia Quartet – Weinberg: String Quartets, Vol. 1 (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:24 minutes | 1,14 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos

The seventeen string quartets of Weinberg span nearly half a century, from his student days in Warsaw to the end of his career in Moscow, and show his development as a composer more clearly than his work in any other genre. The Second Quartet, composed in 1939 – 40 whilst studying in Minsk, was dedicated to his mother and sister, who he would later learn had not survived the German invasion of Poland. Quartet No. 5, of 1945, was the first in which he added titles to each movement, and reflects the influence of Shostakovich over the young composer. The final quartet in this programme – No. 8 – was written in 1959 and dedicated to the Borodin Quartet. For many years the best-known of Weinberg’s quartets in the west, this single-movement work is divided into three sections with a coda. The Arcadia Quartet is a passionate advocate for these quartets, writing: ‘[Weinberg’s] music is like a glow of light surrounded by the darkness of the unknown, and it quickly became a goal of ours to attempt to dilute these shadows. With every recording and every live performance of his music, we intend to shine some light on this wide-ranging, profound phenomenon, which has remained overlooked for so long, and we hope that, with time, Mieczysław Weinberg will take his rightful place in the history of music.’
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Arcadia Quartet – Weinberg: String Quartets Nos. 1, 7 & 11, Vol. 2 (2022) [Official Digital Download 24bit/96kHz]

Arcadia Quartet - Weinberg: String Quartets Nos. 1, 7 & 11, Vol. 2 (2022) [Official Digital Download 24bit/96kHz] Download

Arcadia Quartet – Weinberg: String Quartets Nos. 1, 7 & 11, Vol. 2 (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:43 minutes | 1,14 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos

For this the second volume in their series of Weinberg’s string quartets, the Arcadia Quartet again presents three quartets from contrasting periods in the stylistic development of the composer. The first quartet of the self-taught teenager, written in 1937, in what Weinberg later described as his ‘neo-impressionist’ style, was heavily revised later in his life, and eventually republished as Op. 141, in 1985. (It is this revised version that has been recorded here, the original version surviving only in manuscript form, in places virtually illegible.) The seventh quartet dates from 1957, after a gap of twenty turbulent years that had witnessed the emigration of Weinberg from Poland to Russia, his introduction to Shostakovich, and his experience of censorship and imprisonment in 1953. In contrast to his earlier quartets, the mood is more intimate and withdrawn, yet defiant. The eleventh quartet was composed between 13 October 1965 and 25 December 1966, at a time when Weinberg was mulling over the composition of his first opera, The Passenger. It is dedicated to his first daughter, Victoria, and was premièred by the Borodin Quartet on 13 April 1967 in the Chamber Hall of the Moscow Conservatoire.
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