T-Bone Walker – Stormy Monday Blues (Sun Records 70th / Remastered 2022) (1970/2022) [Official Digital Download 24bit/96kHz]

T-Bone Walker – Stormy Monday Blues (Sun Records 70th / Remastered 2022) (1970/2022)
FLAC (tracks) 24 bit/96 kHz | Time – 35:46 minutes | 877 MB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © Sun Label Group, LLC

A great album from the legendary T-Bone Walker – a set issued right on the cusp of the 70s, at a time when Walker was starting to bring a nice current of funk into his music! The record resonates with the same strengths as some of his best from this period – a great groove that’s younger than the man himself, but which really shows that his legendary vocals and guitar work are right at home in the funky generation – so much so that even the familiar title track gets a wonderfully wicked reworking with a hell of a groove! The album’s one of those many obscure projects from producer Huey P Meaux from around the time, with arrangements credited to Jimmy Hones – on titles that include “Glamour Girl”, “T-Bone’s Way”, “Got To Cross The Deep Blue Sea”, “Louisiana Bayou Drive”, and “When We Were Schoolmates”.

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T-Bone Walker – Back On The Scene (2003) [DVD-Audio ISO]

T-Bone Walker – Back On The Scene
Artist: T-Bone Walker | Album: Back On The Scene | Style: Blues | Year: 2003 [1966 original] | Quality: DVD-Audio (MLP 5.1 96Khz/24Bit, Dolby AC3 5.1) | Bitrate: lossless | Tracks: 12 | Size: ~2.19 Gb | Recovery: 5% | Release: Silverline Records, 2003 | Note: Not Watermarked

Guitarist T-Bone Walker is one of the links–if not THE link–between the suave, intricate jazz styles of Charlie Christian and Lonnie Johnson and the crackling electricity of Buddy Guy and Jimi Hendrix. Not only is he massively influential as a guitarist, but he was a dynamic showman (played that guitar behind his head way before Hendrix did) and his original songs have become standards (“Stormy Monday Blues”). Originally entitled HOME COOKING, this 1966 album from blues wizard T-Bone Walker, where he’s accompanied by only three other musicians (with no drummer), proves the blues can be mellow without losing the sting or the zing. (more…)

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