Melvins – Tarantula Heart (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 39:48 minutes | 496 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Ipecac Recordings
Precursors of grunge and tireless champions of all things abrasive, the Melvins are still trying new things on Tarantula Heart, their 27th studio album in a decades-long run of pushing the boundaries of unholy noise. The main thing that makes this monolithic album different from much of the band’s catalog is its construction. The Melvins first tracked a series of ideas, parts, and miscellaneous jams, and later edited songs together from the collected chaos, adding new parts to the Frankenstein-ed structures. They cited Miles Davis’ editing process on albums like Big Fun and On the Corner as a huge point of inspiration for this idea. The album begins with the most aggressive example of this patchwork approach, the 19-minute long “Pain Equals Funny.” It’s less a traditional song than a collage of the kind of sledgehammer riffs the Melvins excel at, connected by passages of distorted drum sounds, time-stretched digital processing, and formless feedback. “Working the Ditch” recalls the heaviness of the band’s Ozma era, opening with slow, dual drums before kicking into a storm of downtuned guitars chugging along at a grueling pace. King Buzzo growls and curses over the song until it starts to feel like being dragged half-conscious through a ditch. The odd punk of “She’s Got Weird Arms” is part Devo, part Gong, part Spinal Tap, and all Melvins, while “Allergic to Food” rocks out at a fast and frantic pace, featuring We Are the Asteroid/Ed Hall member Gary Chester on additional guitar, and recalling the psychedelic intensity of the Butthole Surfers. Tarantula Heart’s five tracks contain more than an album’s worth of weirdness and power. It’s a wild ride, even for the Melvins, and further solidifies their status as seemingly invincible practitioners of heavy, messed-up music.
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Melvins – Working With God (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 37:45 minutes | 508 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Ipecac Recordings
As the years turned into decades, grunge forecasters the Melvins became more and more mercurial in their overall concept of where the band began and ended. Prolifically released albums took the form of wild collaborations with outside guests or lineup switches denoted by variations to their name, like “Melvins Lite” or “Los Melvins.” Los Melvins were an incarnation including founding Melvin King Buzzo, longtime mainstay Dale Crover, and original drummer Mike Dillard. Working with God reunites this lineup (also sometimes referred to as “Melvins 1983” due to Dillard and Buzzo’s 1983 formation of the band) for an album that includes returns to the band’s early, sludgy power as well as some of the goofy juvenilia and lighthearted freakery of their 2010s output. Goofiness kicks things off as the album starts with a foul-mouthed parody of the Beach Boys’ oldie “I Get Around,” rewritten as “I Fuck Around.” Despite the Melvins replacing the original lyrics with F-bombs whenever remotely possible, it’s a pretty faithful cover, complete with better-than-expected falsetto background vocals. There are more acid-damaged moments of weirdness, like the demented introduction to “Brian, The Horse-Faced Goon,” and the hard rock guitar antics on speedy songs like “Hund” and “Bouncing Rick.” The best moments on Working with God are the ones where the Melvins lean into the syrupy, nauseous, downtuned proto-grunge they perfected on albums like Ozma and Bullhead. The slow tempos and simmering tension on tracks like “Caddy Daddy” and the lurking dread on “The Great Good Place” are classic throwback Melvins, but the album is padded out with riled-up outbursts like “Fuck You” and the truly bizarre choice to end with an a cappella cover of the barbershop quartet standard “Goodnight Sweet-Heart.” As they approach 40 years of existence, the Melvins are still the masters of their own depraved domain. On Working with God, they flippantly experiment with ridiculous ideas only to effortlessly lay down some songs as heavy as the ones they were making before Nirvana left Sub Pop. With nothing to prove and never having seemed too concerned about impressing anyone, the Melvins continue to take their wild-eyed chaos anywhere they choose — Working with God goes to some places that are strange and unforeseen even for them. – Fred Thomas
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Melvins – Five Legged Dog (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 02:29:50 minutes | 1,86 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Ipecac Recordings
Melvins will reinterpret their own catalog and showcase some new covers on the grunge giant’s massive new Five Legged Dog, a 36-track LP that doubles as the group’s first-ever acoustic album.
“I knew I wanted to do something ridiculously big. Thirty-six songs reimagined by us acoustically is certainly ridiculous but it works! The magic of the songs is still there regardless of it being acoustic,” Buzz Osbourne said in a statement of the pandemic-recorded album.
“Since we weren’t touring we had the time to do something of this size. I’m very excited about this record. Dale [Crover] and Steven [McDonald] did a fantastic job on this. I think it’s a very special record. I can’t think of anyone else who’s done something like this.”
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Melvins – A Walk With Love and Death (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:21:40 minutes | 885 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Ipecac Recordings
2017 release from US sludge-rock legends! Disc one is a ‘proper’ album & disc two is the score to a short film of the same name, directed by Jesse Nieminen. Featuring guest stars such as Joey Santiago, Teri Gender Bender and Anna Waronker, A Walk With Love and Death is like a one-stop shop of everything to love, hate and feel infuriated by about Melvins.
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