Jienat – Mira (2009)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 47:33 minutes | Scans included | 2,64 GB
or BD-Audio Rip (LPCM 2.0 Stereo to FLAC) 24bit/96 kHz | 47:32 mins | Full Scans included | 954 MB
Mira is a self-released album from the international band Jienat, mixed and mastered on two crystal-clear Blu-ray CDs. One CD offers the album as an audio-only Blu-ray disc; the second presents the album as a standard CD/high-definition SACD. The SACD presented a huge, totally believable soundscape, with various drums and voices emerging from a dense blackness. Mira is a world-music sonic spectacular, a voice-and-percussion workout that transcends geographic boundaries.
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Artist: Jienat
Title: Mira
Genre: Folk, World, Country
Release Date: 2009
Quality: Blu-ray Audio
Length: 00:47:56
Video: MPEG-4 AVC 134 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio: English DTS-HD MA 5.1 / 96 kHz / 7325 kbps / 24-bit (DTS Core: 6.1 / 48 kHz / 1509 kbps / 24-bit)
Size: 4.36 GB
Jienat’s album Mira heads down a different road than travelled by artists like Wimme or Mari Boine. The musician who is the force behind Jienat, Andreas Fliflet, has gone to great lengths to ensure that the recording of the musicians is as close to a live, immersive experience as possible: the CD comes packaged with a regular SACD, and a Blu-Ray, Hi-Definition version. Fliflet states in the liner notes that this is the first non-classical album to be recorded in 5.1 surround sound; the musicians were captured with multiple microphones to convey the sense of space, at very different locations, in which the music was created. The energy of each moment is thus conveyed in crystal-clear fashion.
The bulk of this album is acoustic: primarily drumming/percussion, and of course the human voice. Mira, in Spanish, means look – which I thought was the theme of the album, and in fact, there is quite a bit of Latin American influence that seems to run through the recording. The first two tracks, “Sissel” and “Andreas/Andre” both struck me as having the cross-rhythms that one would associate with Latin music. “Gille” provides really expansive percussive force, recorded in the street, from the Brazilian drum ensemble Swing do Pelo. There are also some nice touches with the inclusion of some found environmental sounds on some of the pieces here. But my expectation that Mira meant ‘look’ is something of a canard, since the track “Mira” is named after a female dog. For four minutes Fliflet joiks, sounding like a dog over live percussion – enough time to make me glad that I wasn not experiencing that track in virtual, mind-melting surround sound.
On the whole, Mira puts the focus squarely on pared down, wholly organic and human sounds. Jienat have created a playful release, and each tune is varied enough so that it feels a bit like experimental pop-joik: Mira may be the White Album of the genre!
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