Franz Vorraber

Franz Vorraber, Castle Chamber Orchestra – Franz Vorraber: Concerto classico for Piano & String Orchestra, Op. 37 (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 22:47 minutes | 451 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © K&K Verlagsanstalt

The “concerto classico” op. 37 refers, as it can be seen from the title, back to the classical structure and the motives in terms of Haydn. As customary habit at the time, rhythmic set phrases and harmonic collocations of today have been used and processed. In the theme of the first movement can easily be noticed. Thus, the formal arrangement between tutti and solo is obliged to the classical model. Some surprising twists, especially the intensifying rhythm throughout the piece, combine typical formula of the First Viennese School to contemporary elements. The simple theme of the second movement is enriched with complex harmonic turns. Due to the interjections of the piano, a harmonically opposed dialogue is created. The pianos’ harmonics, conducted with whole tones and additionally colored by the fifths of the strings, comes finally to a quiet ending. After a virtuosic opening, the third movement is designed concerto-grosso-style. The tutti is dominating the string orchestra. It is interrupted by the pianos’ soloist tours with a rather “groovy” basso continuo. The contrabass is taking the bass line in the middle part to calm the ensemble. After a wild cadence of the piano, the strings return with momentum and vividly end the work with copious virtuous piano figures. –Franz Vorraber

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Franz Vorraber, Castle Chamber Orchestra – Chopin: Piano Concerto No. 1 in E Minor, Op. 11 (Arr. for Piano & String Orchestra) (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 41:31 minutes | 816 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © K&K Verlagsanstalt

Chopin loves singing and as a singing poet of the piano, he inveigles into the universe of dreams. Chopin composed the piano concerto in e minor at the age of 20 during spring/summer of 1830 in Warsaw. It emerged shortly after his concerto in f minor and belongs to the standard repertoire of concert literature. In fall 1830, Chopin left Warsaw to go to Paris. This work is based mainly on polish dancing rhythms; especially prominent is the krakowiak in the last movement. Eventually, his work is characterized by its exceptional cantability. Chopin writes opera for the piano. He most likely performed this concerto himself in Warsaw in the same string casting it can be heard here. –Franz Vorraber

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