Cut Circle, Jesse Rodin – Josquin : I. Motets & chansons (2023) [Official Digital Download 24bit/96kHz]

Cut Circle, Jesse Rodin – Josquin : I. Motets & chansons (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:54 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Musique en Wallonie

Josquin des Prez: the name evokes beautiful, brilliant, even magical music–but more than five centuries since he composed his last note, we are still discovering how to hear him. In this album, originally conceived to mark the composer’s quincentenary in 2021, Cut Circle strives to treat Josquin not as a sleepy relic of the distant past but as a stylish, sensitive, playful, ecstatic composer. We foreground his revolutionary precision and drive while embracing reactions to the music that are visceral and emotional.

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Cut Circle – Josquin I. Motets & chansons (2023) [24Bit-96kHz] FLAC [PMEDIA] ⭐️

Cut Circle - Josquin  I. Motets & chansons (2023) [24Bit-96kHz] FLAC [PMEDIA] ⭐️ Download

Cut Circle – Josquin : I. Motets & chansons (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:54 minutes | 1,23 GB | Genre: Classique
Studio Masters, Official Digital Download | Digital Booklet, Front Cover

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Cut Circle & Jesse Rodin – Messes anonymes: Missa Gross senen – Missa L’ardant desir (2021) [Official Digital Download 24bit/88,2kHz]

Cut Circle & Jesse Rodin – Messes anonymes: Missa Gross senen – Missa L’ardant desir (2021)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:09:43 minutes | 1,22 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Musique en Wallonie

What makes a piece of music difficult? This album introduces a pair of riveting, technically ambitious, historically important, and never-before-recorded polyphonic masses of the fifteenth century, performed by an ensemble that has developed a new approach designed to honor the music’s variety and unflagging intensity. Both works stand out for their notational complexity. They are also exceptional for the skill they demand of the performers: we find hair-raising rhythms, intricate counterpoint, and long melodic phrases. Rather than mitigate these challenges with a large ensemble and a generous acoustic, this recording enhances them: the performances are one-on-a-part, featuring energetic tempi, close miking, and minimal reverberation. This approach is unforgiving—but together with bright vowels and a flexible vocal technique, it has the benefit of allowing the music to come across with uncommon directness and clarity.

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