Alberto Mesirca – Vacchi: Complete Music for Guitar (2023) [Official Digital Download 24bit/96kHz]

Alberto Mesirca – Vacchi: Complete Music for Guitar (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:46 minutes | 1,11 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Brilliant Classics

Born in 1949, Fabio Vacchi stands among the pre-eminent Italian composers of his generation. Working primarily in the operatic field, he has had pieces staged at the Teatro alla Scala and by the Opéra Comique in Paris, the Opera de Lyon, the Maggio Musicale in Florence and the Teato Comunale in his home city of Bologna. Vacchi’s instrumental pieces have attracted similar high-profile performances. His chamber cycle Luoghi Immaginari (1987-1992), has been given across the world, including at the Salzburg Mozarteum conducted by Daniel Harding. Other pieces were commissioned by Claudio Abbado and by the Tokyo Quartet.

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Daniele Ruggieri & Alberto Mesirca – Music for Flute and Guitar (2018) [Official Digital Download 24bit/96kHz]

Daniele Ruggieri & Alberto Mesirca – Music for Flute and Guitar (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:19:54 minutes | 1,45 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Brilliant Classics

A brief history of 20th-century American music and a valuable, offbeat addition to the comprehensive Brilliant Classics library of guitar music.

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Alberto Mesirca – Bussotti: Complete Music for Guitar (2022) [Official Digital Download 24bit/44,1kHz]

Alberto Mesirca - Bussotti: Complete Music for Guitar (2022) [Official Digital Download 24bit/44,1kHz] Download

Alberto Mesirca – Bussotti: Complete Music for Guitar (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 38:51 minutes | 197 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Brilliant Classics

Sylvano Bussotti (1931-2021) counts among the most original and underappreciated composers working in the second half of the last century. He became famous – notorious – in the 1960s for ‘graphic’ scores which required considerable realisation on the part of the performer. His early work, however, is invested with a rhythmic regularity, a clarity of phrase structure and a lyricism reminiscent of Luigi Dallapiccola.
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