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Steve Kuhn Trio – Waltz Blue Side (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 49:36 minutes | 1,07 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Venus Records, Inc.
Throughout a career of a half-century and counting, Steve Kuhn has earned renown as one of the most lyrical and affecting pianists in jazz, with an unfailingly beautiful touch and a sophisticated sense of swing.
“Steve is an original stylist,” points out Dan Morgenstern, director of the Institute of Jazz Studies at Rutgers. “He’s one of the finest pianists out there today”. Jazziz magazine described Kuhn’s distinctive sound: “Few other pianists, regardless of genre, can tease such an evocative range of timbres from their instrument. Kuhn’s lower register is as dark and rich as Belgian chocolate, and his upper register has the light, translucent quality of ice-cold champagne”.
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Steve Kuhn Trio – I Will Wait for You (2015)
FLAC (tracks) 24 bit/48 kHz | Time – 01:07:08 minutes | 852 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Venus Records, Inc.
One of the veteran American pianists who release new recordings from Venus Records regularly, Steve Kuhn has been admired and loved by jazz fans both in the U.S. and Japan. I Will Wait For You features recording of the music of Michel Legrand. The lyrical, romantic and memorable melodies written by the French composer — many of which have become part of the standard jazz repertoire — are brilliantly interpreted and performed by a superb trio that includes George Mraz on bass and Billy Drummond on drums. Kuhn and co. add a muscular, driving sense of swing to the faster tunes while digging deep emotionally on beautiful ballads. A wonderful piano trio release!
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Silvia Frigato, Aldo Orvieto – Fano: Canti (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 58:19 minutes | 978 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Stradivarius
Guido Alberto Fano’s vocal chamber works form an important part of his musical output and mark the three crucial phases of his artistic growth. His earliest songs date from the last years of the 19th century, during his period of training and the start of his musical career in Bologna, using texts by local poets such as Angelina de Leva, Luigi Arturo Bresciani and Giuseppe Lipparini. Then, during the first fifteen years of the 20th century, his most “experimental” years, Fano began to draw inspiration from some of the most distinguished names in Italian poetry, including Boccaccio, Carducci and Pascoli. Finally, his last creative period, after the 1930s, saw a return to the vocal genre with seven pieces on poems by D’Annunzio and one by Carducci, all written in 1945. Fano usually calls his vocal compositions “canti”, a choice often shared by his colleagues of the so-called “generation of the eighties”. On the whole, Fano’s music reveals a commitment to avoid stereotypes and surrendering to the vestiges of easy appeal, demonstrating the composer’s sensitivity in responding to the ethical demands of modernity, with that determined solicitude which characterised the inner workings of the great composers of the early 20th century. – Vitale Fano
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