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Stoned Jesus – Seven Thunders Roar (Anniversary Deluxe Version) (2012/2014/2024)
FLAC (tracks) 24 bit/48 kHz | Time – 01:23:58 minutes | 1000 MB | Genre: Stoner Rock
Studio Masters, Official Digital Download | Front Cover | © Season of Mist
STONED JESUS hails from Kiev, Ukraine, and they are doubtlessly the biggest band to emerge on Eastern Europe’s stoner/psychedelic/doom scene recently. Started in 2009 by guitarist/vocalist Igor as his solo project, they toured Russia and Ukraine early 2010, releasing their highly-anticipated debut “”First Communion”” on the legendary Solitude Prod label few months later. 2011 saw them changing direction on “”Stormy Monday”” EP with more shows followed, confirming their reputation as one of the most spectacular bands to experience live. Recorded late 2011 in Moscow and Kiev, STONED JESUS’ second full-length “”Seven Thunders Roar”” showed their constant desire to reach beyond and push forward. Less doom and more psychedelic, it peaks with 13-min long “”I’m The Mountain”” epic, the most progressive and ambitious track from the band so far.
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Stefano Di Battista – La dolce vita (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 46:21 minutes | 537 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Warner Music Central Europe
Even when music is notated relatively precisely, as in music, a performer must make many decisions because the notation does not specify all elements of the music. The process of deciding how to perform music that has been previously composed and notated is called “interpretation”. Interpretations of the same piece of music by different performers can be very different in terms of the tempos chosen, the style of playing or singing, or the phrasing of the melodies. Composers and songwriters who perform their own music interpret their songs in the same way as those who perform the music of others. The standard choices and techniques available at a particular time and place are referred to as performance practice, while interpretation generally refers to the individual choices of a performer.
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Roberto Prosseda – Mozart: Late Piano Works (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:32 minutes | 1,14 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Universal Music Italia srL.
After the monumental integral dedicated to Mendelssohn, Roberto Prosseda concludes the complete cycle of Mozart’s solo piano works with non-equal tuning. Another great project that has received critical acclaim since the first album (Sonatas n. 1-6) released in April 2016.
Also for Late Piano Works Prosseda chose to record on a Fazioli F278 piano, at the Fazioli Concert Hall, tuned with the Vallotti temperament: a non-equal system, very widespread in Mozart’s time, which emphasizes the expressive differences between the keys. This particular tuning, very rarely used in the modern piano, makes Prosseda’s recording unique in Mozart’s piano discography.
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RIOPY – Meditation 333 (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 41:54 minutes | 766 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Warner Classics
Meditation 333 is RIOPY’s latest meditation-themed album, continuing his series of piano music designed for healing and peace. The master composer-pianist delivers 3 meticulously crafted piano tracks – part music, part audio-tools – to guide listeners through a deep personal meditation.
The three tracks: Meditation 3, Twilight Meditation, and Meditation 33 are bound by a single repetitive structure, whilst each track’s harmonies and melodies develop and build throughout the album.
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Richard Anthony Jay – Solo Piano I (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 46:12 minutes | 683 MB | Genre: Modern Classical
Studio Masters, Official Digital Download | Front Cover | © Burning Petals Records
The release of my first compilation album, consisting of brand new recordings of my most popular solo piano tracks from the last 15 years. There are 17 tracks, including “Everything’s Going to be Fine” and “Swan”, clocking in at almost 50 minutes of music.
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Rachel Chinouriri – What A Devastating Turn of Events (2024)
FLAC (tracks) 24 bit/44,1 kHz | Time – 49:30 minutes | 615 MB | Genre: Indie Pop
Studio Masters, Official Digital Download | Front Cover | © Parlophone UK
Alternative indie pop artist Rachel Chinouriri announces her long-awaited debut album What A Devastating Turn Of Events, out Friday 3rd May 2024 via Parlophone/Atlas Artists. ‘What A Devastating Turn Of Events’ is a culmination of the experiences, challenges and joys of Chinouriri’s life so far, explored through the prism of musical stylings honed through years of experimentation and creation. Ever-eclectic and brutally honest, the album traverses life’s light and shade, the writing and sharing a healing process for Rachel, and she hopes, her listeners.
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Piano Duo Scholtes & Janssens – Ten Holt: Canto Ostinato (2024)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:01:21 minutes | 499 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Challenge Classics
The second disc on Challenge Classics by duo Scholtes-Janssens presents one of the milestones of the European minimalism: Canto Ostinato by Simeon ten Holt.
Canto Ostinato was premiered in 1979. It is a piece that creates has several themes and implications: a different form of concert; a social process arising from the freedom that the players have to decide on the number of repetitions; the question of and time and space.
In 1963, the composer wrote in his diary that he had it in mind that a concert should be an ongoing performance, with visitors wandering in and out at will. Ten Holt was also fascinated by social processes during these highly formative years. He became interested in time and space. This theme manifested itself in a piece for four keyboards, at the time still entitled Perpetuum. He embarked on this on 19 January 1973. Perpetuum was completed in 1976 but was revised in the period 1976-79 and was then renamed Canto Ostinato. During rehearsals for the premiere, in April 1979, all of the themes that had been occupying Ten Holt seemed to coalesce: small elements that together made up a larger whole; a different form of concert; social processes arising from the freedom that the players had to decide on the number of repetitions; and time and space. Ten Holt never consciously went searching for this form, but when Canto Ostinato began to conquer the musical world it became clear that his solitary quest had drawn something universal from the mists, something that many listeners and musicians would recognise.
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Oliver Triendl, Norddeutsche Philharmonie and Marcus Bosch – Paul Constantinescu: Piano Concerto/ Wedding in the carpathians (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 53:04 minutes | 496 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © haenssler CLASSIC
Constaninescu stands out among the composers who followed George Enescu into the Romanian musical limelight during the first half of the 20th century. On the one hand, through his diverse oeuvre, which encompasses almost all of the genres from chamber music to film music, and on the other hand, through his own musical language, consisting of great colour and harmonic variety. Skilfully adapted ecclesiastic Byzantine modes and chants, modal scales, and the authentic and fascinating melodies of Romanian folk music merge with Constaninescu’s oeuvre, which stands balanced somewhere between Western tradition and a national musical idiom.
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Curtis Macomber, Norman Fischer – Give and Take (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 56:13 minutes | 958 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Albany Records
Violinist Curtis Macomber is considered one of today’s most versatile soloists and chamber musicians, equally at home and committed to works from Bach to Babbitt, with a discography ranging from the complete Brahms String Quartets to Roger Sessions’s Solo Sonata to the complete Grieg Sonatas. His playing has been praised by the New York Times for its “thrilling virtuosity.” Recognized as a leading advocate of the music of our time, he has performed in hundreds of premieres, commissions, and first recordings of solo violin and chamber works by, among others, Carter, Davidovsky, Perle, Wuorinen, and Mackey. In 2008 he premiered and recorded the Martin Boykan Violin Concerto with the Boston Modern Orchestra Project. As first violinist of the award-winning New World String Quartet from 1982 to 1993, Mr. Macomber performed throughout the United States and Europe, and, with the Quartet, recorded 14 discs and was appointed Artist in Residence at Harvard. A founding member of the Apollo Piano Trio, Mr. Macomber has been violinist of the Da Capo Chamber Players since 2007, joined the Manhattan String Quartet in fall 2011, and is a member of the New York Chamber Soloists. He was for many years the violinist of Speculum Musicae and has appeared with the New York New Music Ensemble, Group for Contemporary Music, and Sea Cliff Chamber Players in chamber music series. He is a regular participant at La Musica in Sarasota and at the Monadnock Music Festival.
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Chubu Philharmonic Orchestra – Beethoven: Symphony No. 9 in D Minor, Op. 125, “Choral” (Live) (2024)
FLAC (tracks) 24 bit/192 kHz | Time – 01:18:37 minutes | 2,59 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chubu Philharmonic Orchestra
Live recording of the 20th anniversary concert of the Chubu Philharmonic.We would be happy if you could listen to the achievements of the Chubu Philharmonic over the 20 years that have been nurtured by everyone.
It is Symphony No. 3 “With organ” of Saint-Saëns using the organ which Aichi Arts Theater Concert Hall is proud of.Please look forward to the performance of the soul with the thought of the 20th anniversary together with the theater organist Yurie Tsuzuki, Akiyama and Chubu Philharmonic will perform a rare masterpiece using the organ!
Christine Ebersole – After The Ball (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 39:34 minutes | 387 MB | Genre: Jazz, Pop
Studio Masters, Official Digital Download | Front Cover | © Club44 Records
2022 release from two-time Tony Award winner Christine Ebersole. Featuring American classics by composers and songwriters from Jerome Kern to Joni Mitchell in original arrangements by Broadway veteran Lawrence Yurman. These recording finds Ebersole at the start of a brave new chapter, reflecting on life, love and family now that the last of her three adopted children has flown the nest. After the Ball is produced by Ebersole herself, in collaboration with Yurman.
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Carlos González Martínez – L’orgue baroque en Aragon (2024)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:08:37 minutes | 635 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © HORTUS
A voyage delving into the historical music heritage of the city of Zaragoza in the Aragon region. Progressing through the Catholic liturgical calendar, this album presents tientos de lleno, partidos, de falsas, tocatas, versets and glosas by the most representative organists of the Aragonese 17th century, played on the organ – Gothic in origin – of the parish of San Pablo.
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Capella De Ministrers & Carles Magraner – Alegoría del Amor (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 47:20 minutes | 839 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CDM
Music in Valencia in the 15th-16th centuries. “Carols by various authors, in two, and in three, and in four, and in five voices, now again corrected…” (Venice, 1556) is the name under which the Songbook of the Duke of Calabria (or Songbook of Uppsala) was printed. On this album we find a selection from this songbook with works for two and three voices, some of them instrumental, under the title “Organ singing tones”, which are configured as composition exercises around the Gregorian modes.
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