The Beauty Of Gemina: Minor Sun – Live in Zurich (2016) Blu-ray 1080i AVC LPCM 2.0 + BDRip 720p/1080p

Title: The Beauty Of Gemina: Minor Sun – Live in Zurich
Release Date: 2016
Genre: Electronic, Rock

Production/Label: TBOG Music
Duration
: 01:56:35
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: AC-3, PCM
Video: MPEG-4 AVC Video / 22000 kbps / 1080i / 25 fps / 16:9 / High Profile 4.1
Audio: German  / LPCM Audio / 2.0 / 48 kHz / 1536 kbps / 16-bit
Audio#2: German  Dolby Digital Audio / 5.1 / 48 kHz / 448 kbps
Size: 22.75 GB

After successful shows on an extended European Tour time had come for mastermind, singer and songwriter Michael Sele and his band to present their last album MINOR SUN in their homebased city Zurich. The spectacular concert at the legendary X-TRA Limmathaus Club in Zurich on the 19th of November 2016 should become one of the biggest highlights in the career of the band. Now it will be released on DVD/BLU-RAY in full concert length. (more…)

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Randy Newman – Little Criminals (2002) [DVD-Audio ISO]

Randy Newman – Little Criminals
Artist: Randy Newman | Album: Little Criminals | Style: Pop, Rock, Soft Rock | Year: 2002 | Quality: DVD-Audio (MLP 5.1 96khz/24bit, MLP 2.0 192khz/24bit + DTS 5.1, Dolby AC3 5.1, PCM 2.0 48kHz/24Bit) | Bitrate: lossless | Tracks: 12 | Size: 4.26 Gb | Covers: in archive | Release: Rhino | Atlantic, 2002 | Note: Watermarked

After Good Old Boys, one of the most ambitious and thematically unified albums of his career, Randy Newman seemed to beat a willful retreat for his next project, 1977’s Little Criminals. For the most part abandoning the carefully structured orchestral arrangements that dominated Good Old Boys and Sail Away, Newman cut Little Criminals with a handful of pop-friendly session musicians and L.A. Mellow Mafia regulars (including most of the Eagles), and his arch, cutting satire gave way to a lighter but less thoughtful tone, with the humor becoming less mean-spirited (though becoming much more venomous than “Rednecks” might have been difficult). Newman even revisited one of his favorite themes, the pointlessness of racial prejudice, with a metaphor so silly no one could fail to understand it. Or at least that’s what he thought when he wrote “Short People”; the song unexpectedly took off as a novelty hit, and the vertically challenged across the country began attacking Newman for what they saw as an affront to their dignity and well-being. As a result, Little Criminals became Newman’s first (and only) gold album in the United States, but this set wasn’t an especially good way to introduce the average record buyer to his work. Little Criminals lacks the scope of Newman’s best work, the music is skillful but bland, and several of the songs sound like padding (especially “You Can’t Fool the Fat Man” and “Jolly Coppers on Parade”). While the title tune, “Rider in the Rain,” “In Germany Before the War,” and “Sigmund Freud’s Impersonation of Albert Einstein in America” (which was written for the movie Ragtime but not used) are fine songs, much of Little Criminals sounds like Newman was treading water; it’s not his worst album, but it sounds like the work of a man figuring out what his next move should be. (more…)

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John Coltrane – Ballads (1962/2008) [Official Digital Download 24bit/96kHz]

John Coltrane – Ballads (1962/2008)
FLAC (tracks) 24 bit/96 kHz | Time – 32:08 minutes | 687 MB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks.com | Digital Booklet | © Impulse Records

A breathtaking album by the single most influential saxophone player (and perhaps jazz artist) in history. Featuring his stellar quartet of McCoy Tyner, Elvin Jones, and Jimmy Garrison, BALLADS finds Coltrane at his most pensive and lyrical. The result is one of the great jazz albums of the 20th Century. Absolutely essential. (more…)

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John Coltrane and Milt Jackson – Bags & Trane (1961/2015) [Official Digital Download 24bit/192kHz]

John Coltrane and Milt Jackson – Bags & Trane (1961/2015)
FLAC (tracks) 24 bit/96 kHz | Time – 37:01 minutes | 1,36 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks | Digital Booklet | © Rhino Atlantic

Recorded at Atlantic Studios in New York City in 1959, Bags & Trane features Milt Jackson and John Coltrane and was produced by Neshui Ertegün.

Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. With fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson’s originals (including “The Late Late Blues”) and three standards: a romping “Three Little Words,” “The Night We Called It a Day,” and the rapid “Be-Bop.” This enjoyable music has been included as part of Rhino’s Heavyweight Champion: The Complete Atlantic Recordings box.  –AllMusic Review by Scott Yanow (more…)

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John Coltrane And Johnny Hartman – John Coltrane And Johnny Hartman (1963/1995/2008) [Official Digital Download 24bit/96kHz]

John Coltrane And Johnny Hartman – John Coltrane And Johnny Hartman (1963/1995/2008)
FLAC (tracks) 24 bit/96 kHz | Time – 31:15 minutes | 599 MB | Genre: Jazz
Studio Masters, Official Digital Download – Source: HDTracks | Digital Booklet | © Impulse Records

A true jazz classic, this 1963 album paired tenor saxophone legend John Coltrane with the golden-voiced bass singer Johnny Hartman. Backed by McCoy Tyner, Elvin Jones and Jimmy Garrison, the duo moves through breathtaking covers of “Lush Life,” “My One and Only Love” and more. This album was inducted into the Grammy Hall of Fame in 2013. (more…)

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Joe Satriani – Not Of This Earth (1986/2014) [Official Digital Download 24bit/96Hz]

Joe Satriani – Not Of This Earth (1986/2014)
FLAC (tracks) 24 bit/96 kHz | Time – 38:38 minutes | 846 MB | Genre: Rock
Studio Master, Official Digital Download – Source: HDTracks | © Epic/Legacy

When Joe Satriani released Not of This Earth, he stated that his goal was “to make a ‘guitar-record- that would be enjoyed by all; not just a ‘guitar-chops-record’ but one with real music on it.” Remastered by John Cuniberti, analog mixes are 30ips 1/2″ tape, transferred and mastered to digital at 96/24. (more…)

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Joe Satriani – Engines Of Creation (2000/2014) [Official Digital Download 24bit/96Hz]

Joe Satriani – Engines Of Creation (2000/2014)
FLAC (tracks) 24 bit/96 kHz | Time – 53:39 minutes | 1,01 GB | Genre: Rock
Studio Master, Official Digital Download – Source: HDTracks | © Epic Records

Engines of Creation is guitarist Joe Satriani’s eighth album that was originally released in 2000. The record peaked at number 90 on the Billboard 200 chart, remaining there for three weeks. This was a different album for Satriani, he backed away from his typical blues/rock sound and decided to venture into the realm of electronic music. “Until We Say Goodbye”, the single on Engines of Creation, was nominated for Best Rock Instrumental Performance at the 2001 Grammy Awards. (more…)

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Asia: Symfonia – Live in Bulgaria 2013 (2017) Blu-ray 1080i AVC LPCM 2.0

Title: Asia: Symfonia – Live in Bulgaria 2013
Release Date: 2017
Genre: Rock

Duration: 01:17:43 + 00:09:30
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio codec: AC-3, PCM
Video: MPEG-4 AVC Video / 22993 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: English / LPCM Audio / 2.0 / 48 kHz / 1536 kbps / 16-bit
Audio#2: English LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit
Size: 16.45 GB

Live performance from rock supergroup Asia recorded at Plovdiv’s Century Roman Theatre in September 2013.
Accompanied by The Plovdiv Opera Orchestra, the band play tracks such as
‘Sole Survivor’, ‘Only Time Will Tell’ and ‘Heat of the Moment’. (more…)

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Berliner Philharmoniker, Sir Simon Rattle – Robert Schumann: Symphonien 1-4 (2014) [High Fidelity Pure Audio Blu-Ray Disc]

Сomposer: Robert Schumann (1810-1856)
Artist: Berliner Philharmoniker, Sir Simon Rattle
Title: Schumann – Symphonien 1-4
Genre: Classical
Label/Source: © Berliner Philharmoniker Recordings
Release Date: 2014
Recorded live at the Berlin Philharmonie in 14 – 16 February 2013 (3), 20 – 22 February 2013 (2), 31 October – 2 November 2013 (1 & 4)

Quality: Blu-Ray Audio

  BD Audio: 
  Duration: 02:05:32
  Video: MPEG-4 AVC 950 kbps / 1080i / 29.970 fps / 16:9 / High Profile 4.1
  Audio: German LPCM 2.0 /  96 kHz / 4608 kbps / 24-bit 
  Audio: German DTS-HD MA 5.0 /  96 kHz / 5989 kbps / 24-bit  (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)

  BD Video: 
  Duration: 0:43:49 + 0:35:34 + 0:34:33 + 0:27:05 + 0:25:48
  Video: MPEG-4 AVC ~20000 kbps / 1080i / 29.970 fps / 16:9 / High Profile 4.1
  Audio: German LPCM 2.0 / 48 kHz / 1536 kbps / 16-bit
  Audio: German DTS-HD MA 5.0 / 48 kHz / ~2250 kbps / 16-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 16-bit)

For Simon Rattle, Robert Schumann is “the echt Romantic”. And in fact, the exuberance of the period, its passion and its melancholy can be heard with unique intensity in Schumann’s music to this day. For the Berliner Philharmoniker, Schumann’s symphonies have always been part of their core repertoire. The 1953 Wilhelm Furtwängler recording in particular has attained cult status. And so it only stands to reason that the Berliner Philharmoniker should launch their Berliner Philharmoniker Recordings label with a cycle of the four Schumann symphonies.

The symphonies are available as a 2-CD + Blu-ray edition and as a limited vinyl collector’s edition. Both versions include a free voucher for a high resolution download of the four symphonies. The download can also be purchased separately by those who only wish to have the digital files.

The Schumann symphonies have accompanied the orchestra throughout 2013 – in Berlin and on tour in Europe and Asia. The Berlin Tagesspiegel wrote of a “defining moment”, while the Frankfurter Allgemeine Zeitung praised the “truly sensational quality”. Another special feature of this recording from the Philharmonie is the decision to use the early version of the Fourth Symphony from 1841, whose appeal for Simon Rattle lies in its extra “lightness, grace and beauty” compared to the established later version. The presentation of the product, its packaging and special features, go far beyond what standard CDs and LPs offer.

The linen-bound CD/Blu-ray edition includes the Schumann cycle in different formats. In addition to the traditional audio CDs, there is also a Blu-ray Disc which enables music lovers to listen to the recording in audiophile studio quality of 96kHz/24bit or as HD video. If you are looking for the recording in even higher resolution, there is an accompanying code which allows you to download a version online in up to 192kHz/24bit. An additional code grants 7 days access to the Berliner Philharmoniker’s video platform, the Digital Concert Hall. The release also includes bonus material such as behind-the-scenes videos and a comprehensive booklet with articles about the composer, his symphonies and the Schumann tradition of the Berliner Philharmoniker.

(more…)

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Hank Mobley – Workout (1961/2014) [Official Digital Download 24bit/192kHz]

Hank Mobley – Workout (1961/2014)
FLAC (tracks) 24-bit/192 kHz | Time – 40:22 minutes | 1,56 GB | Genre: Jazz
Studio Master, Official Digital Download | Source: HDTracks |  © Blue Note Records

Workout is the 1961 hard bop album released by tenor saxophonist Hank Mobley under Blue Note. The record features jazz aficionados Wynton Kelly, Paul Chambers, Grant Green and Philly Joe Jones. Workout features “The Best Things in Life Are Free” and “Three Coins in the Fountain”. (more…)

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Graham Nash – Songs For Beginners (2008) [DVD-Audio ISO]

Graham Nash – Songs For Beginners
Artist: Graham Nash | Album: Songs For Beginners | Style: Rock | Year: 2008 [1971 original] | Quality: DVD-Audio (MLP 5.1 48kHz/24Bit, MLP 2.0 48kHz/24Bit, DTS 5.1, Dolby AC3 5.1, Dolby AC3 2.0) | Bitrate: lossless | Tracks: 11 | Size: ~3.59 Gb | Recovery: 3% | Release: Rhino Records (R2 352572), 2008 | Note: Not Watermarked

Songs for Beginners is Graham Nash’s solo debut apart from Crosby, Stills, Nash & Young. Released in 1971, it is a collection of songs that reflect change, transition, and starting over. The set was recorded in both Los Angeles and San Francisco, in the immediate aftermath of Nash’s traumatic breakup with Joni Mitchell. Unlike the colorful dynamism of Stephen Stills’ eponymous debut recording, or the acid-drenched cosmic cowboy spaciness of David Crosby’s If I Could Only Remember My Name, Nash’s album is by contrast a much more humble and direct offering. It is a true, mostly introspective songwriter’s album full of beautifully performed and wonderfully recorded songs that reflect transition, movement, the desire to look backward and forward simultaneously. Like the aforementioned offering, this one is star-studded in its choice of players and singers: Crosby, Chris Ethridge, Jerry Garcia, Rita Coolidge, Clydie King, Venetta Fields, Dave Mason, Neil Young (under the pseudonym “Joe Yankee”), David Lindley, Bobby Keys, Phil Lesh, Dallas Taylor, and drummer John Barbata reflect some of the personnel on this heady yet humble session. The album is bookended by two of Nash’s best-known tunes, the anthemic “Military Madness” that remains timeless in the 21st century, and “Chicago,” that doesn’t. That said, they are among the weakest songs here — which reveals what a solid collection it is. Unlike many recordings birthed from personal angst, Nash’s engages in no self pity; instead, he focuses on the craft of songwriting itself. Despite its personal darkness, “Better Days,” with its swirling piano and pronounced bassline, is also an actual paean to self-determination and perseverance, the logic being that there were better days in the past, so there must be better ones in the future as well. “I Used to Be a King,” with Garcia on a gorgeous pedal steel and Lesh on bass, is a direct, mature response to “King Midas in Reverse,” a song Nash wrote and recorded with the Hollies. “Simple Man,” with its sparse melody and strings and a fine backing vocal from Coolidge, was written on the afternoon of the breakup with Mitchell. The violin-cello backdrop to Nash’s piano is particularly effective and makes this one of his most memorable songs. The parlor room country waltz that commences “Man in the Mirror,” features Garcia’s steel, Young’s piano, ex-Flying Burrito Brother Ethridge, and drummer Barbata; it shifts keys, tempo, and feel about a third of the way in with a very long bridge that transforms the song’s sentiment as well. Ultimately, Songs for Beginners is the strongest of Nash’s solo efforts (outside of his work with Crosby).

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Graham Nash – Songs For Survivors (2002) [DVD-Audio ISO]

Graham Nash – Songs For Survivors
Artist: Graham Nash | Album: Songs For Survivors | Style: Folk Rock, Country Rock, Soft Rock | Year: 2002 | Quality: DVD-Audio (MLP 5.1 48kHz/24Bit, DTS 5.1 48kHz/24Bit, PCM 2.0 48kHz/24Bit) | Bitrate: lossless | Tracks: 10 | Size: 3.74 Gb | Recovery: 3% | Covers: only front | Release: DTS Entertainment, 2002 | Note: Not Watermarked

Songs for Survivors is the first solo album in 15 years by Graham Nash. Nash is accompanied by a band of veteran West Coast musicians including Russ Kunkel (drums, percussion), Dan Dugmore (pedal steel, acoustic & electric guitars), and Victor Krauss (acoustic & electric bass). The recording experience, Graham explains, has been “one of the most rewarding of my life.”

Having played on hundreds of recordings, performed in numerous countries and written over 200 songs including, “Our House”, “Teach Your Children”, “On a Carousel”, “Wasted on the Way” and “Marrakesh Express”, Graham is one of the most durable musical figures to have emerged from the 1960s. As one of the founding members of the Hollies, Graham achieved international success as part of the British Invasion in the 60’s. Shortly after, he joined Crosby, Stills, Nash and Young, who are now in their 30th year of recording and performing together. In May of 1997, Graham (along with Stephen Stills and David Crosby) was inducted into the Rock and Roll Hall of Fame for his remarkable career. Nash recently finished a 2002 nationwide tour with Crosby, Stills, Nash and Young, and plans to headline a run of solo dates this fall. (more…)

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Franz Lehar – The Merry Widow – Renee Fleming, Orchestra, Ballet & Chorus of The Metropolitan Opera, Sir Andrew Davis (2015) Blu-ray 1080i AVC DTS-HD MA 5.1

Сomposer: Franz Lehar (1870-1940)
Conductor: Andrew Davis
Artist: Renée Fleming, Kelli O’Hara, Alek Shrader, Nathan Gunn, Thomas Allen, Metropolitan Opera Orchestra and Chorus
Title: The Merry Widow
Genre: Classical, Opera
Label: © Decca
Release Date: 2015
Quality: Blu-ray
Duration: 02:17:59
Video: MPEG-4 AVC Video / 27842 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: DTS-HD Master Audio / 5.1 / 48 kHz / 3330 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps)
Audio: LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
Subtitle: English, French , German
Size: 38,29 GB

Lehar’s evergreen comic operetta “The Merry Widow” is given a gala performance in this sumptuous new Metropolitan Opera production. With “elegance and glamour” Renee Fleming heads an all-star cast including Broadway legend Kelli O’Hara and veteran baritone Sir Thomas Allen. The scintillating score is given a “glowing, subtle performance” (New York Times) under Sir Andrew Davis. (more…)

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Fred Chapellier – Electric Communion (2014) [Official Digital Download 24bit/192kHz]

Fred Chapellier – Electric Communion (2014)
FLAC (tracks) 24 bit/44.1 kHz | Time – 01:28:07 minutes | 943 MB | Genre: Blues Rock
Studio Master, Official Digital Download  | Source: Qobuz | Artwork: Front cover , Booklet | © Dixiefrog
Recorded: “Caf ’conc’ des trois frontières”, Bartenheim, France in January 2014

Fred Chapellier has now joined the ranks of the top French blues rock guitarists. Semi-finalist at the International Blues Challenge in Memphis (the largest gathering of blues musicians in the world) and having toured with some of the best French vocalists, all this managed to propel him front stage.
With this ‘Electric Communion’ totally warm and dynamic, the logical continuation of his recent ‘Electric Fingers’, Fred confirms that he is more than able to succeed when recording in a studio as well as performing on stage.

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Elvis Presley – Elvis 30 # 1 Hits (2002) [DVD-Audio ISO]

Elvis Presley – Elvis 30 # 1 Hits
Artist: Elvis Presley | Album: Elvis 30 number 1 Hits | Style: Rock’n’Roll | Year: 2002 | Quality: DVD-Audio (MLP 5.1 96kHz/24Bit, MLP 2.0 96kHz/24Bit, Dolby AC3 5.1, Dolby AC3 2.0) | Bitrate: lossless | Tracks: 31 + 6 bonus | Size: ~5.21 Gb | Recovery: 5% | Release: RCA | BMG (RCA 07863 65053-9), 2002 | Note: Not Watermarked

RCA and the Elvis estate made no bones about their intention on replicating the blockbuster success of the Beatles’ The Beatles 1 with their own single-disc collection of number one hits — hence, the 2002 release of Elv1s: 30 #1 Hits. The idea of collecting all the number one hits is simple enough, but there are problems inherent with the concept, not the least of which is that RCA did this once before. Unlike the Beatles, who went through numerous changes in just seven years of recording, Elvis had nearly three times as many years’ worth of material and hits to choose from. Also, he hit on a number of different charts — not just pop, but also R&B, country, and adult contemporary. Furthermore, where almost all of the Beatles’ number one hits sampled at least part of their music, there are significant chunks of Elvis’ best material — including the visionary sides for Sun — that didn’t hit the top of the charts. All of this makes assembling a similar comprehensive sampler of Elvis’ biggest hits much more difficult, and it doesn’t help that RCA has decided not to have a rigid aesthetic and sample from different charts all over the world, resulting in a collection that feels more of a patchwork than it should, even if the bulk of the material is from the early ’60s; at least five songs feel like they should have been replaced with better, and better-known, sides. And, even if much of this material is exceedingly familiar, there also feels like there is a lot missing because, frankly, there is. No Sun singles and very little from his classic 1968 comeback or early-’70s hits like “Moody Blue,” not to mention sides that would showcase Elvis “the rocker” better than what’s here, which plays closer to Elvis the ’60s pop crooner than anything else. And, let’s face it, no matter what the packaging is, Elv1s: 30 #1 Hits can’t feel that new because of the veritable flood of Elvis collections RCA has issued since the King started having hits. This is a very good compilation, covering many of the basics, but it’s hardly close to the only Elvis disc you’ll ever need, and it’s not even that great of a starting place, since it lacks so much of his best material. (Also, even though this is one of the most carefully considered compilations of Elvis hits, it can’t help but feel a little shoddy since there are actually 31 number one hits here, with the addition of the JXL remix of “A Little Less Conversation” tacked onto the end.)

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