Les Metaboles, Ensemble Multilatérale, Léo Warynski – Poulenc, Cavanna: Le Moine et le Voyou (2023) [Official Digital Download 24bit/96kHz]

Les Metaboles, Ensemble Multilatérale, Léo Warynski – Poulenc, Cavanna: Le Moine et le Voyou (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 57:12 minutes | 972 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © NoMadMusic

In 1994, Messe un jour ordinary intersected the vehement and shattering words of the mass with those, individual and derisory, of Laurence, a young drug addict who appeared in a documentary by Jean-Michel Carré. The meeting with the Métaboles choir and the Multilateral Ensemble, both conducted by Léo Warynski, persuaded its composer, Bernard Cavanna, to rewrite this iconoclastic mass to reinforce the presence of the voice and the choir.

A maze of voices and languages with incomparable dramatic, vocal and musical power, his words resonate even more within our societies, which are more withdrawn and globalized than ever.

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Les Métaboles – Brahms: Liebeslieder Walzer (2023) [Official Digital Download 24bit/96kHz]

Les Métaboles – Brahms: Liebeslieder Walzer (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 49:43 minutes | 870 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © NoMadMusic

New concert repertoire for Les Métaboles: the Johannes Brahms’ Liebeslieder Walzer, one of his most popular works written in 1869 and 1874 for piano four hands and choir. Behind Brahms the Titan, the ambitious heir to Beethoven and Schumann, also stands one of the greatest composers for the choir, a complicit observer of Viennese customs.

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Les Metaboles & Léo Warynski – The Angels (2021) [Official Digital Download 24bit/48kHz]

Les Metaboles & Léo Warynski – The Angels (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 45:56 minutes | 472 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © NoMadMusic

Avocal ensemble always brings a portion of mystery to a concert. One knows the layout of an orchestra: the instruments all have their place – who will be in front, who in back – but the distribution of voices seems subject to a changeable and secret logic.

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