Concerto Scirocco & Giulia Genini – Neri: Sonate da sonarsi con varij stromenti (2023) [Official Digital Download 24bit/96kHz]

Concerto Scirocco & Giulia Genini – Neri: Sonate da sonarsi con varij stromenti (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:24 minutes | 1,42 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Arcana

Born in Bonn around 1620 to Veronese parents, Massimiliano Neri was choirmaster at the Ospedaletto and organist at St. Mark’s in Venice, where he published his first volume of Sonatas and Canzonas. He presented his second collection of Canzonas and Sonatas to the Emperor Ferdinand III in Vienna in 1651, later becoming Kapellmeister to the Prince-Elector of Cologne in Bonn in 1664. His affections, however, remained Italian: he married the Florentine singer and composer Caterina Giani in 1654. Many of Neri’s compositions suffered extensive war damage in various periods; important musicological reconstruction has recovered parts of them that would otherwise have been lost forever. Concerto Scirocco offers a comprehensive selection of pieces that range from small groups to polychoral ensembles, all of which have a magnificent and typically Venetian opulence. The monograph is enriched by three motets, two by Neri and one by Caterina Giani, performed in collaboration with Voces Suaves; it provides a vivid portrait in sound of a greatly-valued 17th-century composer.

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Voces Suaves, Francesco Saverio Pedrini, Concerto Scirocco, Giulia Genini – Croce: Motetti & Sacrae Cantiones (2017) [Official Digital Download 24bit/96kHz]

Voces Suaves, Francesco Saverio Pedrini, Concerto Scirocco, Giulia Genini – Croce: Motetti & Sacrae Cantiones (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 52:22 minutes | 1,03 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Arcana

Less famous—at least these days—than his colleague, “rival” and almost contemporary Giovanni Gabrieli, Giovanni Croce also worked in Venice, but wrote less in the sacred polychoral style and more in madrigals for four or five voices (often profane, carefree and happy) than Gabrieli. That being said, here’s some of his works for eight voices—often polychoral then—released in Venice in 1596 for the motets, and in 1605 for theSacrae Cantiones, testimonies of his consummate art of melody and harmony. By comparison, the ensembles Voces Suaves—vocal— and Concerto Scirocco—instrumental—have chosen to include some works from the two Gabrielis, Andrea and his nephew Giovanni, and also from Guami and Merulo, all tight contemporaries going from the middle of the XVIth century to the start of the next one. Cornets, sackbuts, viols, dulcians and organs (the one built in 1565 in the Church of Mantua, in which the album is recorded, for that matter) answer to the voices in the very rich and yet intimate acoustics of the place.

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Concerto Scirocco, Giulia Genini – Music for the Eyes. Masques and Fancies (2022) [Official Digital Download 24bit/88,2kHz]

Concerto Scirocco, Giulia Genini - Music for the Eyes. Masques and Fancies (2022) [Official Digital Download 24bit/88,2kHz] Download

Concerto Scirocco, Giulia Genini – Music for the Eyes. Masques and Fancies (2022)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:03:59 minutes | 1,10 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Arcana

Acclaimed for its ‘rhythmic verve, spontaneity and riot of splendid colours’ (Pizzicato magazine on Giovanni Picchi’s Canzoni da Sonar con ogni sorte d’istromenti ), Concerto Scirocco now immerses itself in the English musical scene of the Elizabethan era, and more especially the genres of the masque and the fantasia.
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