Wiener Philharmoniker, Carl Schuricht – Bruckner: Symphonies 3, 8 & 9 [3 SACDs] (1961-1965/2019) SACD ISO

Wiener Philharmoniker, Carl Schuricht – Bruckner: Symphonies 3, 8 & 9 [3 SACDs] (1961-1965/2019)
SACD Rip | SACD ISO | DST64 2.0 > 1-bit/2.8224 MHz | 03:02:58 minutes | 7,34 GB
Genre: Classical | Publisher (label): EMI / Tower Records Japan – TDSA-121/3

ウィーン・フィルとの、人類の遺産とも言うべき旧EMIへのシューリヒトのブルックナー録音3曲を最新復刻。完全新規のマスタリングにより、最上の音質をSACDで再現。新規解説付

シューリヒトの代表的録音である旧EMIレーベルへのウィーン・フィルとのブルックナー3曲を集成。1961年から65年にかけて収録されたこれらの録音は、数あるブルックナー録音の中でも屈指の名盤として君臨し、バイブルともなっているまさに人類の遺産です。市販でSACDが発売されていましたが、今回、あらためて現況での最高音質を目指しマスタリングを行いました。英国にあるオリジナル・アナログ・マスターテープから96kHz/24bit(第3番は192kHz/24bit)でデジタル化したマスターを用い、SACD層、CD層別々にマスタリングを新規で行いました。新規解説付。永久保存盤です。1,500セット限定のシリアル・ナンバー付。

シューリヒトのこれらの録音は数あるブルックナー録音の中でも屈指の名盤として知られています。1961年から65年にかけてウィーンのムジークフェラインザールで収録されており、当時DECCAと契約していたウィーン・フィルが旧EMIレーベルへ録音を行ったのは興味深いです。シューリヒトは、ウィーン・フィルとは戦前からDECCAに録音を行っていましたが、1956年6月に収録した未完成とモーツァルトのハフナー交響曲を最後に両者のセッション録音は途絶えていました(この2曲の録音は超優秀録音。ステレオ録音のLPは激レア盤として著名)。尚、3曲それぞれ収録時期が異なっているためプロデューサーとエンジニアは同じではありません(8番のエンジニアは不明)。そのため音質差があり、やはり最後の第3番の質が高いですが、今回新規で本国のオリジナル・アナログ・マスターテープからの高品位マスターを取り寄せたところ、マスター本来の音は非常にフラットで、各楽器の見通しも良く、質が高いものでした。マスタリングによりその盤の印象は大いに異なるとはいえ、今回の復刻ではそのオリジナル性を重視しています。高音質化によって、シューリヒトの各曲の構造に対する解釈と、アーティキュレーションが天才的な境地にまで達していると言われ高く評価されている所以が聴き手に良くわかると思います。

このシリーズでは、SACD層では伸びのある高域と柔らかなニュアンスと共に高い解像度と豊かな音場を、CD層はまとまったしっかりとした音と共に押し出される実在感ある音色を目指しています。CD自体のポテンシャルも高く、むしろ両方の良さを堪能できるSACDハイブリッド盤としてもお楽しみください。今回のDefinition Series第24弾は、計2タイトルを発売いたします。

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Carl Schuricht – Mozart: Piano Concerto, K.595 – Brahms: Symphony No.2 (2017) [Official Digital Download 24bit/48kHz]

Carl Schuricht – Mozart: Piano Concerto, K.595 – Brahms: Symphony No.2 (2017)
FLAC (tracks) 24 bit/48 kHz | Time – 01:08:23 minutes | 423 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Audite Musikproduktion

January 8th, 2017 marked the 50th anniversary of the death of Carl Schuricht. This release of two live recordings made in 1961 and 1962 pays tribute to a renowned conductor who was only to enjoy great international fame in his old age – as one of the last representatives of the generation of old German conductors, and as a master of the classical and romantic repertoire Absolute faithfulness to the musical text and youthful vigour right up to old age: Carl Schuricht (1880-1967), one of the last representatives of the generation of old German conductors during the post-war decades, focused on clear structures rather than romantic pathos or personal eccentricity. These two Lucerne live recordings demonstrate the compelling persuasiveness of his inspired objectivity, especially when performing alongside the celebrated Mozart interpreter Robert Casadesus, whose choice of tempi is particularly striking.

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Wiener Philharmoniker, Carl Schuricht – Bruckner: Symphony No.9 (1962/2012) [Official Digital Download 24bit/96kHz]

Wiener Philharmoniker, Carl Schuricht - Bruckner: Symphony No.9 (1962/2012) [Official Digital Download 24bit/96kHz] Download

Wiener Philharmoniker, Carl Schuricht – Bruckner: Symphony No.9 (1962/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 56:20 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Erato – Warner Classics

With immaculate sound quality and sonics, renowned conductor Carl Schuricht leads the Vienna Philharmonic Orchestra through Bruckner’s historic Ninth Symphony. Commanding with gentle assurance and unparalleled artistry, Schuricht delivers an intense reading overflowing with vitality. The orchestra’s performance is powerful and detailed.
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Wiener Philharmoniker & Carl Schuricht – Anton Bruckner – Symphony No. 8 & Symphony No. 9 (2012, 1961 & 1963) {2x Hybrid-SACD} SACD ISO + Hi-Res FLAC

Wiener Philharmoniker & Carl Schuricht – Anton Bruckner – Symphony No. 8 & Symphony No. 9 (2012, 1961 & 1963) {2x Hybrid-SACD}
2xSACD ISO (Stereo): 5,11 GB | 2x24B/88,2kHz Stereo FLAC: 2,26 GB | Full Artwork | 3% Recovery Info
Label/Cat#: EMI Classics “Signature Series” # 50999 9 55984 2 0 | Country/Year: UK 2012, 1961 & 1963
Genre: Classical | Style: Romantic, Orchestral

First of all, let me tell you that I am not a musician in the proper sense. By this I mean that I am not a player (though sometimes I struggle with my double-bass…) but a listener.
(And for the record, I think that we, the listeners, are as important for the music as the players themselves, because if we are not there to attend, playing should be no less that infertile and meaningless)
For so many times I’ve read reviews wrote by musicians, also intended for musicians that have to know every term in it to understand why the interpretation was good enough, or not. From scholars to scholars.
In my case, listening to music has to do with pleasure and not with any other approach. I’ve always thought that when a well known conductor at the podium gives us his interpretation of a piece of music, he knows how to read a score quite well, and his decisions are taken seriously after a thoughtful study.
Then we come in, and we like it or we don’t. And for me that is all what matters.
Now, I will speak briefly about this SACD, because I cannot say anything more than this: it is a miracle. The way EMI remastered these old takes from 1961 and 1963 is astonishing. I am not saying that this SACD will sound as perfect as a new production, but… what levels of mastery had those technicians in the past that used to edit the tape sometimes cutting it with razor blades.
Not to tell the clarity that Schuricht gives to the music. He is probably an old fashioned conductor for nowadays standards, as we can say about Furtwängler, Klemperer or Jochum, for example. But those good old days gave us lots of great musicians that are now a source of inspiration for the new stars.
Schuricht’s Eight is the Nowak Ed. (with some liberties taken by the conductor, as the booklet says and I quote: “…he never forgot that the conductor was ultimately in charge of a performance.”)
The scherzos of both Symphonies are taken at a beautifil fast speed but allowing you to hear all the fine details. And how beautiful are both Adagios, two of the more wonderful pieces of music ever written.
This music finds the Vienna Philharmonic at its best. And if you like Bruckner’s music this is a must.
I do remember when I’ve read an article that said that Bruckner was a sort of province musician with boring ideas, as Brahms thought about him: a kind of “symphonic boa-constrictor”. Well, for me, it is absolutely impossible to understand what happened next, at the end of the XIX century, with Mahler, Sibelius, etc, without the music of Anton Bruckner, one of the greatest composers ever.
Go and get it. ~sa-cd.net

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