Hank Mobley, Al Cohn, John Coltrane, Zoot Sims – Tenor Conclave (1956) [APO Remaster 2014] SACD ISO + Hi-Res FLAC

Hank Mobley, Al Cohn, John Coltrane, Zoot Sims – Tenor Conclave (1956) [APO Remaster 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 43:57 minutes | Scans included | 1,77 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 806 MB

These four sides should not be hard to locate, as the primary participants in this November 30, 1956, session have all issued them within their individual catalogs. However Tenor Conclave was first released as credited to the “leaderless” Prestige All-Stars — consisting of tenor saxophonists John Coltrane, Hank Mobley, Al Cohn, and Zoot Sims. Providing support are pianist Red Garland, bassist Paul Chambers, and drummer Art Taylor. The Mobley-penned title track commences the effort with the quartet of tenors showing off their stuff in high-flying style. It takes a couple of passes and somewhat of a trained ear to be able to link the players with their contributions, but as is often the case, the whole tends to be greater than the sum of the parts. After a brief introduction with all four rapidly reeling off short riffs, Mobley charges ahead into truly inspired territory. The midtempo take of “Just You, Just Me” keeps things lively with a light swinging pace that is custom-made for bringing the combo’s jocular side to the surface, particularly toward the end as they “trade fours,” with each tenor blowing four bars before passing the melody on. The other Mobley composition is “Bob’s Boys,” and by all accounts it is the most compelling piece on the outing. The blues-based tune rollicks as Coltrane, Mobley, Cohn, and Sims find themselves configured in a seeming myriad of sonic face-offs. Wrapping up Tenor Conclave is an ultra-cool and sophisticated “How Deep Is the Ocean?” Cohn commences the long and luscious reading with a subtle strength, suggesting the powerful undercurrent flowing throughout the number. Also, listeners are treated to what is possibly Garland’s finest interaction, leading right into Sims, Chambers, and finally a sublime Coltrane caboose.

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Hank Mobley, Al Cohn, John Coltrane, Zoot Sims – Tenor Conclave (1957/2014) DSF DSD64

Hank Mobley, Al Cohn, John Coltrane, Zoot Sims – Tenor Conclave (1957/2014)
DSF Stereo DSD64/2.82MHz  | Time – 43:57 minutes | 1,73 GB | Genre: Jazz
Source: ISO SACD | ©  Prestige Records

This unusual meeting of four tenor saxophone players from different “schools” was part of the Prestige Friday afternoon jam session series but far from a typical outing. The giant forebears of Coleman Hawkins, Lester Young, and Charlie Parker inform the backgrounds of the performers on this LP — Hank Mobley, Al Cohn, Zoot Sims, and John Coltrane — and other influences such as Ben Webster, Dexter Gordon, and the Sonnys (Stitt and Rollins) show up, too, depending on which of the four protagonists you’re talking about.

With the Red Garland Trio supplying the underpinning, the four tenors meet on the common ground of the blues (“Bob’s Boys”), “I Got Rhythm” (“Tenor Conclave”), and two old standards. (The originals are by Mobley.) Rather than the stylistic differences, what stands out here is the compatibility and spirit of the four meeting on this common ground in an uncommon session.

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Hank Mobley, Al Cohn, John Coltrane, Zoot Sims – Tenor Conclave (1956/2016) [Official Digital Download 24bit/192kHz]

Hank Mobley, Al Cohn, John Coltrane, Zoot Sims – Tenor Conclave (1956/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 43:51 minutes | 1,02 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Prestige

Recorded in 1956, “Tenor Conclave” lives up to its name, bringing together the mighty tenor saxes of John Coltrane, Hank Mobley, Al Cohn and Zoot Sims. All four play on all four tunes, backed by an equally impressive rhythm section of pianist Red Garland, bassist Paul Chambers and drummer Art Taylor. This album would be re-released under Coltrane’s name in 1962.

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Al Cohn – All that Jazz, Vol. 122: Jazz Missions to the Soviet Union 1959 & 1962 (2019 Remaster) [Live] (2019) [Official Digital Download 24bit/48kHz]

Al Cohn - All that Jazz, Vol. 122: Jazz Missions to the Soviet Union 1959 & 1962 (2019 Remaster) [Live] (2019) [Official Digital Download 24bit/48kHz] Download

Al Cohn – All that Jazz, Vol. 122: Jazz Missions to the Soviet Union 1959 & 1962 (2019 Remaster) [Live] (2019)
FLAC (tracks) 24 bit/48 kHz | Time – 01:15:00 minutes | 430 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Jube Legends

Al Cohn (November 24, 1925 – February 15, 1988) was an American jazz saxophonist, arranger and composer. He came to prominence in the band of clarinetist Woody Herman and was known for his longtime musical partnership with fellow saxophonist Zoot Sims.

Dwike Mitchell (born Ivory Mitchell Jr.; February 14, 1930 – April 7, 2013) was an American piano player and teacher. He began his career as pianist for the Lionel Hampton Orchestra before joining Willie Ruff to form The Mitchell-Ruff Duo jazz group.

Larry Clinton (August 17, 1909 – May 2, 1985) was an American musician, best known as a trumpeter who became a prominent American bandleader and arranger.
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Al Cohn – The Progressive Al Cohn (1956/2021) [Official Digital Download 24bit/96kHz]

Al Cohn - The Progressive Al Cohn (1956/2021) [Official Digital Download 24bit/96kHz] Download

Al Cohn – The Progressive Al Cohn (1956/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 36:32 minutes | 556 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla

Al Cohn’s Tones (also released as The Progressive Al Cohn) is an album by saxophonist composer and arranger Al Cohn comprising two sessions, one recorded in 1950 and the other from 1953, which was released on the Savoy label in 1956.
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