Shane Fitzgerald – Way Too Late: Live at Kilburn Mill (2024) [Official Digital Download 24bit/48kHz]
Shane Fitzgerald – Way Too Late: Live at Kilburn Mill (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 30:30 minutes | 371 MB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © 5240297 Records DK2
Shane Fitzgerald is a versatile jazz, funk, blues, and rock guitarist from the South Coast. He writes, records, and produces his music while playing solo and full band gigs.
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Memphis Slim – And The Real Boogie-Woogie (1959/2024)
FLAC (tracks) 24 bit/48 kHz | Time – 41:42 minutes | 491 MB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © Premium – Tone – Miracle
Memphis Slim, one of the greatest blues pianists of all time, performed in London and Paris between ’60 and ’61.Disc 1 recorded 1960-7 at the City of London Recording Studio with 18 songs backed by Alexis Corner of guitar and Stan Greig of drums, and disc 2 recorded 1961-7 at a studio in Paris with almost 14 solo piano sessions. This is the first time I’ve seen this video.Since then, you can enjoy powerful and brilliant vocals & piano by Slim who chose permanent residence in Paris 2-disc set.
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Fernando De Luca – Foucquet: Pièces de clavecin (2024)
FLAC (tracks) 24 bit/44,1 kHz | Time – 02:37:10 minutes | 1,68 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Brilliant Classics
First recordings of the complete surviving keyboard works by a forgotten figure of the French Baroque.
Brilliant Classics has revived the names of many composers from obscure corners of history. Few of them have been as buried by the past as Pierre-Claude Foucquet, who was active in Paris in the first half of the 18th century. Yet anyone listening to this first complete recording of his music for harpsichord will surely wonder why. Three volumes survive: two books of Pièces de Clavecin, and a third entitled Caractères de la Paix. This was the first to be published in 1749. By then Foucquet had been organist at the magnificent Church of Saint-Eustache for some years, and he would go on to take up the post of titulaire at Notre Dame. He was following in a distinguished family line, his father and grandfather both having been organists at Saint-Eustache.
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Fats Domino – Blueberry Hill (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 26:57 minutes | 285 MB | Genre: R&B
Studio Masters, Official Digital Download | Front Cover | © Finest Recordings
The music for “Blueberry Hill” was composed by Vincent Rose and the lyrics by Larry Stock and Al Lewis. It was published in 1940 by Chappell & Company and was recorded ten times that year.
Sammy Kaye recorded and released the first recording of the song on RCA Victor Records with vocals by Tommy Ryan on May 31, 1940.[3][4] Gene Krupa’s version was issued on OKeh Records on June 3. Singer Mary Small recorded a vocal version on the same label with Nat Brandwynne’s orchestra, released June 20, 1940.
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London Concertante – A Night at the Opera (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:45 minutes | 1,14 GB | Genre: Classical, Opera
Studio Masters, Official Digital Download | Front Cover | © CMG Records
London Concertante present a sensational evening at the opera with an array of the finest opera arias and overtures, including works from Puccini, Verdi, Rossini, and Mozart.
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G.A.P. Ensemble – J.S. Bach & Shostakovich: Salvation (2024)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:19:18 minutes | 729 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Brilliant Classics
‘I play Bach every day,’ said Shostakovich in 1950, at an event to mark the bicentenary of Bach’s death. ‘For us, Bach’s legacy is an embodiment of flaming emotion, soulful humanity and true humanism, which stands in contrast to the dark world of raw evil and contempt for humanity.’
Taking their inspiration from these words, and from the palpable influence of Bach on the solid forms and fluent counterpoint of Shostakovich’s own music, this quartet of musicians presents an entirely original pairing of the two composers, in which cantata arias and a major song-cycle are linked and interspersed by instrumental interludes.
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Ensemble SuperMusique – Le fil d’Ariane (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 50:03 minutes | 526 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Ambiances Magnétiques
Founded in 1998, Ensemble SuperMusique (ESM) is directed by Joane Hétu and Danielle Palardy Roger. This variable geometry formation entirely dedicated to the interpretation of current music and improvisation is among the rare ensembles whose repertoire is exclusively made up of works of current music. The ESM is made up of the most prominent instrumentalists and composers of Montreal’s vibrant current music scene. Since its founding, the ESM has commissioned more than 50 works that combine written music and improvisation.
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Ego Michael – Pity Party (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 35:21 minutes | 415 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © MgProducer Inc
I am a musician with over 25 years of experience in playing the piano, keyboard, organ, mixing, mastering and producing. I have played in various events and venues, including tours, workshops, and concerts.
My style is a mix of jazz fusion, r&b, and new age. I like to incorporate different genres into my music, creating a unique sound that is both pleasing to the ear and soulful.
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Chorale Joker & Ensemble SuperMusique – Démantibulé·es (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 54:29 minutes | 944 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Ambiances Magnétiques
Under the artistic direction of Joane Hétu, this concert features a wind quintet (flute, clarinet, saxophones and trombone), a disparate ensemble of electric or synthetic instruments (synthesizers, oscillators, samplers and rigged percussion) and members of the Joker Choir, who come together to present four creations evoking the scattered pieces of our pandemic moods.
Démantibulé·e·s (Dismantled) is the state in which the COVID-19 pandemic has left us. Bruised, shaken, but still very much alive and far from insignificant. In this concert by the Ensemble SuperMusique and the Joker Choir, the works of Joane Hétu, Jean Derome and Maxime Corbeil-Perron speak to us of both the negative and beneficial effects of the crisis. In a joyful mix of instrumentation, voices and electronics, the show evokes the reappropriation and reconstruction of our lives.
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