Giuseppe Verdi – La Traviata (1977) [Deutsche Grammophon 1986]
FLAC (tracks) 24 bit/88,2 kHz | Time – 110:02 minutes | 2,1 GB | Genre: Classical
Official Digital Download – Source: HDTracks.com | Digital booklet | @ Deutsche Grammophon

Quite possibly the definitive studio recording of Verdi’s opera masterpiece, this stunning performance, brilliantly conducted by Kleiber, features multiple Grammy-winning tenor Plácido Domingo and the legendary soprano Ileana Cotrubaş. Originally recorded in 1977, this new high-definition release lends an unheard clarity to this already essential recording. (more…)

Dmitri Shostakovich: Under Stalin’s Shadow – Symphony No. 10 – Boston Symphony Orchestra, Andris Nelsons (2015)
FLAC (tracks) 24 bit/96kHz | Time – 01:04:50 minutes | 1,24 GB | Genre: Classical
Official Digital Download – Source: highresaudio.com |  @ Deutsche Grammophon
Recorded: Boston, Symphony Hall, 4/2015

In their inaugural release on Deutsche Grammophon, the Boston Symphony Orchestra and its Music Director Andris Nelsons are heard in live performances of Dmitri Shostakovich’s Symphony No. 10 and the Passacaglia from his opera “Lady Macbeth of Mtsensk.”
This album is the first in a series of five live-performance CDs entitled “Shostakovich Under Stalin’s Shadow,” to encompass the composer’s symphonies 5-10 and other works written in the period from the mid-1930s, when Shostakovich fell from Stalin’s favor, to 1953, the year of the dictator’s death. The goal of this new BSO/DG partnership is a complete Shostakovich cycle led by Andris Nelsons, one of today’s most exciting young conductors, and among the last of his generation to train under the Soviet musical tradition.
Symphonies 5, 8, and 9, plus Shostakovich’s incidental music to “Hamlet,” will be recorded during the BSO’s 2015-16 season and released in a two-CD set in 2016. In summer 2017, a second two-disc set will include Symphonies 6 and 7 and incidental music from the composer’s Suite from “King Lear.”

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Franz Schubert – Piano Sonata D568; 6 Moments musicaux – Mitsuko Uchida (2001)
FLAC (tracks) 24 bit/96kHz | Time – 01:07:32 minutes | 1,25 GB | Genre: Classical
Official Digital Download – Source: Qobuz |  @ Decca
Recorded: Grosser Saal, Musikverein, Vienna, August 2001

This is the penultimate issue in Mitsuko Uchida’s eight-album series, and thanks to her magical recreation of the E flat Sonata I’m already inclined to regard it as one of the best. Let me not make an exaggerated claim for the piece: it comes near the beginning of Schubert’s 12 completed piano sonatas, and the later ones are of course played more often because they’re greater. But this one is an enchantment, and weighing in at 31 minutes, as it does here, it sits proudly as the first of his grand four-movement sonatas, fully achieved and characteristic, purposeful and confident in the space it makes for itself.

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Franz Schubert – Fantasie D-Dur, Rondo h-Moll, Sonate A-Dur – Carolin Widmann, Alexander Lonquich (2012)
FLAC (tracks) 24 bit/44.1kHz | Time – 01:01:56 minutes | 565 MB | Genre: Classical
Official Digital Download – Source: Qobuz |  @ ECM Records GmbH
Recorded: October 2010, Historischer Reitstadel, Neumarkt

Carolin Widmann, who received praise and awards both for her accounts of Schumann’s violin sonatas and for the recital disc “Phantasy of Spring” (with music of Feldman, Zimmermann, Schoenberg and Xenakis) now applies her acute interpretive sensibilities to Franz Schubert. Widmann and Alexander Lonquich (whose own New Series disc with music of Schumann and Holliger was also a critical success) play the C-Major Fantasy of 1827 and the Violin Sonata in A-Major of 1817, as well as the B-minor Rondo of 1826 (the only one of these works published in Schubert’s lifetime). This is duo playing at a very high level, as Hans-Klaus Jungheinrich emphasizes in the liner notes: “Not once does Carolin Widmann and Alexander Lonquich’s intelligent and empathetic reading devolve into the trivial state of music for a domineering violin with piano accompaniment. Instead we are treated to a magically iridescent poem of changing colours, melodies and counterpoints.”

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