Cleo Laine and Tubby Hayes – Palladium Jazz Date (1961/2022) [Official Digital Download 24bit/96kHz]
Cleo Laine and Tubby Hayes – Palladium Jazz Date (1961/2022)
FLAC (tracks) 24 bit/96 kHz | Time – 42:31 minutes | 720 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
CLEO LAINE & TUBBY HAYES Palladium Jazz Date (Rare 1961 UK 9-track ‘Full Stereo’ LP on the rough Fontana label, recorded live at the London Palladium and featuring the Tubby Hayes Quartet and Cleo Laine with Orchestra having a side devoted toeach, front laminated flipback picture sleeve. The sleeve shows just a little light shelfwear & the vinyl remains near ‘as new’ with litle sign of play STFL570).
Read moreClaudia Thompson – Goodbye To Love (1959/2022)
FLAC (tracks) 24 bit/96 kHz | Time – 43:36 minutes | 751 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Sundazed Music – Modern Harmonic
Some mysteries really do last a lifetime. Jazz singer Claudia Thompson debuted with Goodbye to Love in 1959, making it her first and only album to ever grace the public’s ears. Alluring and mysterious, Claudia Thompson’s album remains as a testament to the singer’s stunning voice.
Read moreChristina Landshamer, Munich Radio Orchestra & John Fiore – Beethoven: Egmont, Op. 84 (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 42:52 minutes | 413 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © BR-Klassik
In September 1809, the Vienna Hofburg Theatre commissioned Ludwig van Beethoven to create new incidental music for Johann Wolfgang von Goethe’s “Egmont”. The tragedy had premiered in Mainz on 9 January 1789. It calls for incidental music; but various attempts, some commissioned by the poet himself, remained unfinished or were unsatisfactory. In Vienna, however, the production of “Egmont” was to include the music called for in several places. Beethoven set to work. Since the subject matter suited him – the tragedy is set in Brussels, which is under threat from Spanish troops, and deals with resistance against oppression and foreign rule – he made good progress. Nevertheless, the Viennese theatre premiere of “Egmont” on 24 May 1810 still had to do without music; the score was not completed until the third repetition. Beethoven’s music for the play had its premiere on 15 June 1810. The music itself speaks for the fact that the commission was close to Beethoven’s heart; it far exceeds the standard of the stage music of the time. This applies to the compositional demands, but also to the relationship of the music to the drama. Instead of mere illustration, Beethoven provided an interpretation and thus an additional level of meaning. The well-known Egmont Overture, the most dramatically dense piece of drama music, anticipates the plot, introduces the characters. A clear reference to the drama is made in the ending, which corresponds exactly to the symphony of victory called for by Goethe at the end of the tragedy. Five of the ten numbers are directly integrated into the stage action; the other five, in addition to the overture and the four inter-act music pieces, are less closely linked to the drama. A concert performance of the music, conceived entirely for scenic presentation, dispenses with the context to the play. Often only the overture was and is played. – The declamation texts written by Friedrich Mosengeil, authorised by Goethe and revised by Franz Grillparzer, have been supplemented here by passages from Goethe’s Trauerspiel and newly arranged by August Zirner.
Album 1 of the present recording offers the complete version with declamation and music; album 2 features only Beethoven’s music. The box is completed with Beethoven’s overture “Zur Namensfeier”, op. 115.
Read moreChristian Schmitt, Orchestra da Camera di Perugia – Mozart, Haydn & Krommer: Oboe Concertos (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:37 minutes | 1,02 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Stradivarius
This CD presents three of the most well known and most performed concertos for oboe in the instrument’s repertoire. It is often said that the classical era is full of intrigue and mystery, and the history of music is no exception. However, time hides as much as it enlightens, and the ancient adage “Veritas filia Temporis” (Truth is the daughter of Time) often solves these riddles.
Read moreChris Forsyth – Evolution Here We Come (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 49:12 minutes | 975 MB | Genre: Psychedelic Rock
Studio Masters, Official Digital Download | Front Cover | © No Quarter
To wit, if you think you know already what you’ll be getting into here—heady, Television-esque multi-guitar jams played with motorik precision and a fiercely American intensity: you know, a Forsyth record—well, go ahead and think that. I won’t stop you. Only… maybe the pulsing bass, curiously lurching drumbeat, and lunar synth squiggling of Sun Ra Arkestra maestro Marshall Allen that opens “Experimental & Professional” will set you back on your heels. But just for a moment, before Ryan Jewell’s drums and Tortoise alum Douglas McCombs’s bass twine into perfect alignment and then guitars—played by Forsyth and Tom Malach (of Garcia Peoples)—start chipping and hammering, twittering and sparring, the whole thing managing to evoke Remain in Light without sounding remotely like it.
Read moreBurak Çebi – Franz Schubert: Piano Sonata in B-flat Major, D 960 (2022)
FLAC (tracks) 24 bit/192 kHz | Time – 42:16 minutes | 1,53 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Prospero Classical
When Burak Çebi put together the repertoire for his album “Bright Spots”, his first intention was not to introduce the public to as many different composers from Turkey as possible. Instead, he was guided solely by his personal taste in the selection of pieces and chose works that he most wanted to record. Although he would describe himself and his “artistic existence” as European in many respects, his view of the music of his home country is by no means marked by Orientalism. Rather, it is a search for his roots, which are also always connected to the future. After working intensively on the conception of this album, Burak Çebi discovered more and more his own way of composing, ultimately telling his story as a person and as an artist.
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Buddy Rich – Sound Of Fury (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 47:50 minutes | 496 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Delta Music – Laserlight Digital
Bernard “Buddy” Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time.
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Bruce Springsteen – 1984-08-19 East Rutherford, NJ (2022)
FLAC (tracks) 24 bit/192 kHz | Time – 03:15:14 minutes | 7,52 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Live Bruce Springsteen
As measured by cultural impact and mass popularity, Bruce Springsteen’s 1984-85 World Tour was the apex. Considering its stunning scale, playing multi-night stadium stands, it’s easy to forget that 1984 was a rebirth of sorts, the start of a new era as much as a continuation of what came before it. On the biggest tour of his career, Springsteen was rebuilding the engine while the plane was flying.
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Bram van Sambeek – Bram van Sambeek Plays Bach on the Bassoon (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:28 minutes | 1,11 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © BIS
Following a rock/metal album recorded with his band ORBI [BIS-2297], Bram van Sambeek returns with his own idea of a dance album. For it he has selected four works by Johann Sebastian Bach that consist mainly of typical baroque dances – but just as van Sambeek’s metal album wasn’t made for headbanging, Bach’s dances weren’t meant for dancing, but rather to be listened to.
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Bottoms Up Euphonium Tuba Quartet – Bottoms Up! (2022)
FLAC (tracks) 24 bit/192 kHz | Time – 01:03:34 minutes | 1,92 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © MClassics
4 popular loo brass players who are active as orchestras and soloists gather.2 Euphonium + 2 Tuba Bottoms Up. The debut album of the Euphonium Tuba Quartet “Bottoms Up!””!
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Berlin Radio Symphony Orchestra – Fairy Tales and Legends (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:11:59 minutes | 742 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Jube Classic
The Berlin Radio Symphony Orchestra (Rundfunk-Sinfonieorchester Berlin) is a German symphony orchestra based in Berlin. In Berlin, the orchestra gives concerts at the Konzerthaus Berlin and at the Berliner Philharmonie. The orchestra has also given concerts in other German cities such as Aschaffenburg, Essen, Halle, Oldenburg, and Wiesbaden.
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Bavarian Radio Chorus, Munich Radio Orchestra, Andres Mustonen – Valentin Silvestrov: Requiem für Larissa (Live) (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:00:12 minutes | 585 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © BR-Klassik
Valentin Silvestrov is probably the best-known Ukrainian composer, and his Requiem for Larissa, now released on CD by BR-KLASSIK, was written in response to the unexpected death in 1996 of his wife, the music and literature scholar Larissa Bondarenko. She had stood by his side from the very beginning of his artistic career. It was in 1999, shortly before the turn of the millennium, that Silvestrov was finally able to complete his Requiem. He did not set a drama of the Last Judgement to music, as Mozart, Berlioz or Verdi had done before him, but rather wrote a lament – in seemingly endless, world-forlorn repetitions. The composer stepped out of the present and into the past, commenting on his life with Larissa with memories of music that had inspired her, and with profound allusions, retrospections and epilogues of the most personal nature.
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Baiba Skride – Lee Bradshaw: The Ties That Bind (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:14:19 minutes | 1,57 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Navona
Renowned as individual performers, Skride violist Ivan Vukčević and ‘cellist Harriet Krijgh also collaborate as part of a flexible European-based ensemble called Harriet and Friends and their knowledge of each other in their ensemble skills is paramount to the success of this album.
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Baden Powell – A Vontade (1963/2022)
FLAC (tracks) 24 bit/96 kHz | Time – 35:43 minutes | 655 MB | Genre: Bossa Nova, Latin Jazz
Studio Masters, Official Digital Download | Front Cover | © RevOla
released in 1964 on the Brazilian Elenco label, this LP marks a milestone in the music of Brazil. The guitarist combined the bouncy bossa groove with the much harder, more demanding rhythms of the Afro-Brazilian culture, which is especially characteristic in the north of the country (great: drummer João Batista Stockler Pimentel) and dispensed with all the usual orchestral arrangements, only a flute is allowed to interfere for once. The result, which went down in music history as an Afro-bossa, is as straightforward as it is fascinating – and develops an amazing suction effect in tracks like “Sorongaio”. Some of the great Powell classics, which immediately became standards, can be heard here in the original versions: “Berimbau”, “Candomble” and “Consoloção”, for example. But even the well-known girl from Ipanema has a completely different (more animalistic!) Charisma as usual…!
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