Various Artists – Hi-Res Masters _ Live [24Bit-FLAC] [PMEDIA] ⭐️

Various Artists - Hi-Res Masters _ Live [24Bit-FLAC] [PMEDIA] ⭐️ Download

Pink Floyd – Live at Knebworth 1990 (2021-04-30)
FLAC (tracks) 24 bit/44,1 kHz | Time – 07:20:21 minutes | 8,59 GB | Genre: Pop, Rock
Studio Masters, Official Digital Download | Digital Booklet, Front Cover

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Sydney Bechet – Really The Blues (2018) DSF DSD128 + Hi-Res FLAC

Sydney Bechet – Really The Blues (2018)
DSD128 (.dsf) 1 bit/5,6 MHz | Time – 42:32 minutes | 3,36 GB
FLAC (tracks) 24-bit/96kHz | Time – 42:32 minutes | 790 MB
Studio Master, Official Digital Download – Source: HDTracks | Artwork: Digital booklet | Genre: Jazz | | © 2xHD – Storyville Records

Sidney Bechet was one of the great jazz virtuoso who helped perfect the art of solo improvisations. He ranks perhaps as the second greatest genius in jazz history, after New Orleans’s most celebrated son, Louis Armstrong. The most striking element of Bechet’s playing is his unremitting continuity of invention. It is as if the music is there inside him, already assembled, and he has only to put the soprano saxophone to his mouth for it all to flow forth in a joyous cascade. This is a historic album of recordings made in the late ‘40s. If ever a man qualified as a jazz master it was Bechet.

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Corinne Bailey Rae – Black Rainbows (2023) [Official Digital Download 24bit/96kHz]

Corinne Bailey Rae – Black Rainbows (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 44:38 minutes | 908 MB | Genre: R&B, Soul
Studio Masters, Official Digital Download | Front Cover | © Black Rainbows Music

Black Rainbows is a musical project inspired by the objects and artworks collected by Theaster Gates at the Stoney Island Arts Bank in Chicago. Situated at the Great Grand Crossing neighborhoods of Chicago’s South Side, Stoney Island Arts Bank is a cathedral to Black Art, a curated collection of Black archives comprising books, sculpture, records, furniture and problematic objects from America’s past. As well as being a site for archive, the Arts bank is also a place for convening. Bailey Rae attended The Black Artists Retreat there in 2017 and performed in the space. Wide ranging in it’s themes, Black Rainbows’ subjects are drawn from encounters with objects in the Arts Bank. Taking us from the rock hewn churces of Ethiopia, to the journeys of Black Pioneers Westward, from Miss New York Transit Queen 1957, to how the sunset appears from Harriet Jacobs’ loophole. Black Rainbows explores Black femininity, Spell Work, Inner Space/Outer Space, time collapse and ancestors, the erasure Black childhood and music as a vessel for transcendence. The project will be released in various iterations – live performances, books, visuals, lectures, exhibitions, and more. Sonically, the album is a multi-genre mix of the progressive R&B, neo soul sound that will be familiar to fans but it also contains rock, jazz and electronic elements. The album was produced by S.J. Brown and Corinne Bailey Rae.

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Stu Mindeman – Woven Threads (2018) [Official Digital Download 24bit/44,1kHz]

Stu Mindeman – Woven Threads (2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 38:22 minutes | 421 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Sunnyside

It is remarkable how people and places from one’s past may become intertwined down the line. The Chicago based pianist and composer Stu Mindeman spent his toddler years in Chile. As an adult Mindeman revisited Chile, became tied to the culture, and decided to embark upon a project celebrating Chile’s musicians and legendary wordsmiths on his new recording, Woven Threads.

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Strand of Oaks – In Heaven (2021) [Official Digital Download 24bit/96kHz]

Strand of Oaks – In Heaven (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 42:43 minutes | 915 MB | Genre: Indie Folk, Folk Rock
Studio Masters, Official Digital Download | Front Cover | © Galacticana Records

To say In Heaven is about conquering grief would be oversimplifying everything Tim Showalter has achieved on the eighth studio album from Strand of Oaks. A stunning, hopeful reflection on love, loss, and enlightenment, In Heaven is a triumph in music making, and a preeminent addition to the Strand of Oaks discography.

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Third Coast Percussion – Between Breaths (2023) [Official Digital Download 24bit/96kHz]

Third Coast Percussion – Between Breaths (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 58:55 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Cedille Records

Grammy Award-winning Chicago-based percussion quartet Third Coast Percussion (Sean Connors, Robert Dillon, Peter Martin, David Skidmore) presents Between Breaths, an album of world premieres of works by four contemporary composers, plus a new work by the quartet itself.

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Lenora Zenzalai Helm, Tribe Jazz Orchestra Nonet – Journeywoman (2023) [Official Digital Download 24bit/96kHz]

Lenora Zenzalai Helm, Tribe Jazz Orchestra Nonet – Journeywoman (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:53 minutes | 1,38 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Zenzalai Music

Born in Chicago and living in Durham, North Carolina, Dr. Lenora Zenzalai Helm has been called a “voice of her generation” and a “national treasure” by Jazziz magazine.

She is a top-notch jazz vocalist, an exuberant composer, an inventive lyricist, an inspiring bandleader, and a dedicated teacher at North Carolina Central University (NCCU). On her new recording, Journeywoman, recorded with her Tribe Jazz Orchestra® Nonet, Helm brings together all the inventions and dimensions of jazz and the African diaspora. Helm’s new CD, her eighth as a leader, is a compelling 65-minute, multi-movement, 12-track work in which she sings about the life of an allegorical woman named Journey, her struggles with abuse, birth, death, self-definition, and her victories through self-love, perseverance and affirmation.

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Sonny Boy Williamson – The Sky Is Crying (2017) DSF DSD128 + Hi-Res FLAC

Sonny Boy Williamson – The Sky Is Crying (2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time – 37:49 minutes | 2,98 GB
FLAC (tracks) 24-bit/96kHz | Time – 37:49 minutes | 767 MB
Studio Master, Official Digital Download – Source: HDTracks | Artwork: Digital booklet | © 2xHD – Storyville Records

When ‘Willie’ Rice Miller, aka Sonny Boy Williamson, made these intimate, casual recordings in 1963, he was already (probably) 66 years old. Most of his long career was over; only two years later he would die in his little apartment in Helena, Arkansas. He was recognized as a giant throughout the blues world as a harmonica player, vocalist, songwriter, prolific recording artist, live performer and wildly colorful personality. Starting in 1951 and continuing into the ‘60s, Sonny Boy made some of the most influential blues records of all time.

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Sonny Boy Williamson – Keep It To Ourselves (2013) DSF DSD64 + Hi-Res FLAC

Sonny Boy Williamson – Keep It To Ourselves (2013)
DSD64 (.dsf) 1 bit/2,8 MHz | Time – 01;17:27 minutes | 3,05 GB
FLAC (tracks) 24-bit/88,2 kHz | Time –01;17:27 minutes | 1,45 GB
Studio Master, Official Digital Download – Source: AcousticSounds | Artwork: Digital Booklet
Genre: Blues | © Analogue Productions

An American blues harmonica player, singer and songwriter, from Mississippi. One of the greatest bluesmen ever. His harp, vocals, and songwriting have never been surpassed. All his records are classics, but this one is truly unique — it’s the cream of two rare, acoustic albums cut in Denmark in 1963. Gentle, personal blues with brilliant harmonica, accompanied by only Matt Guitar Murphy and Memphis Slim on piano. Original LP listed on Stereophile’s Record “2 Die 4” list. Analogue Productions’ SACD transfer presents these recordings in the best possible audio quality.

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Fay Victor – Blackity Black Black Is Beautiful (2023) [Official Digital Download 24bit/44,1kHz]

Fay Victor – Blackity Black Black Is Beautiful (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 40:09 minutes | 434 MB | Genre: Avant-Garde Jazz, Spoken Word, Vocal Jazz
Studio Masters, Official Digital Download | Front Cover | © Northern Spy

Blackity Black Black Is Beautiful is the very first solo record by Fay Victor, whose 30-year-long music career has covered everything from House, New Music, Jazz (Blues) and Free Improvisation. Her deep history with dance music, her genreless output, and her lived experience as a Black woman in the world shaped the brand new process she used to create this prismatic album which touches on all the decades of her life like diary snapshots. It’s a mesmerizing collection of composed work that could only be made by an extraordinary improviser.

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DeepEr – Careful! (2023) [Official Digital Download 24bit/96kHz]

DeepEr – Careful! (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 39:49 minutes | 805 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Sub Pop Records

You can’t get Deeper by standing still. That’s by design, says Nic Gohl of the Chicago quartet. “Does it feel good when you hear this song? Does your body want to move to it?” He asked himself those questions as he and bandmates Shiraz Bhatti, Drew McBride and Kevin Fairbairn wrote and recorded their third album, “Careful!” which is also their debut on Sub Pop.

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Allison Russell – The Returner (2023) [Official Digital Download 24bit/48kHz]

Allison Russell – The Returner (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 44:06 minutes | 531 MB | Genre: Pop, Soul, Female Vocal
Studio Masters, Official Digital Download | Front Cover | © Fantasy

Since the release of her first solo album two years ago, the self-taught singer, songwriter, poet, activist, and multi-instrumentalist, Allison Russell has redefined what artistry means in the 21st century. Outside Child, her often devastating, deeply moving, cathartic celebration of survivor’s joy, has become one of the most acclaimed albums of the past 10 years (various honors include three Grammy Award nominations, the Juno Award for Contemporary Roots Album of the Year, the 2022 Americana Music Association’s Album of the Year Award, two International Folk Music Awards, three Canadian Folk Music Awards, and four UK Americana Music Awards). Further still, Allison has consistently used her newfound platform to elevate, educate and inspire; curating the history making Once And Future Sounds: Roots and Revolution set for the Newport Folk Festival in 2021 and mobilizing this year’s triumphant Love Rising All-Star benefit concert in support of LGBTQIA+ causes in Nashville, are just two of the many examples where she’s raised her voice with power and purpose.

Now comes the second chapter in herstory, The Returner, a body-shaking, mind-expanding, soulful expression of Black liberation, Black love, of Black self-respect. Written and co-produced by Allison along with Dim Star (her partner JT Nero and his brother Drew Lindsay), The Returner was recorded over Solstice week in December 2022 at Henson Recording Studios in Los Angeles, and features an astounding all-female musical collective Allison dubbed The Rainbow Coalition: Allison Russell (lead vocals, harmony vocals, banjo, clarinet) , Chauntee Ross (SistaStrings) (harmony vocals, violin), Elenna Canlas (harmony vocals, synthesizers, keyboards, percussion), Elizabeth Pupo-Walker (percussion), Ganessa James (harmony vocals, electric bass), Joy Clark  (harmony vocals, acoustic guitar), Kerenza Peacock (violin), Larissa Maestro (harmony vocals, cello), Lisa Coleman (harmony vocals, piano, synthesizers), Mandy Fer (Sway Wild) (harmony vocals, electric guitar), Megan Coleman (drums, percussion), Meg McCormick (harmony vocals, electric guitars, electric bass), Monique Ross (SistaStrings) (harmony vocals, cello), Wendy Melvoin (harmony vocals, electric guitars, bass), and Wiktoria Bialic (drums, percussion). Special Guests: Brandi Carlile, Brandy Clark and Hozier joined the Rainbow Coalition Choir on “Requiem.”

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Carlo Maria Giulini, Wiener Philharmoniker – Bruckner: Symphonie No.9 (1989) [Japan 2019] SACD ISO + DSF DSD64 + Hi-Res FLAC

Carlo Maria Giulini, Wiener Philharmoniker – Bruckner: Symphonie No.9 (1989) [Japan 2019]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 68:37 minutes | Front, Scans NOT included | 1,83 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front, Scans NOT included | 1,66 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | Front, Scans NOT included | 1,44 GB

The Viena Philharmonic Orchestra conducted by Carlo Maria Giulini performing Anton Bruckner’s Symphony No. 9 in D minor. The reissue of classical music masterpieces by Esoteric has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound. This series marks the first hybrid SACD release of historical recording selections. These new audio versions feature Esoteric’s proprietary re-mastering process to achieve the highest level of sound quality.

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Steve Miller Band – Let Your Hair Down (2011/2019) [Official Digital Download 24bit/96kHz]

Steve Miller Band – Let Your Hair Down (2011/2019)
FLAC (tracks) 24 bit/96 kHz | Time – 30:47 minutes | 644 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Steve Miller – Owned

Let Your Hair Down is a follow-up to Steve Miller’s Bingo! from 2010, and the tracks for this new release were recorded at the same sessions at George Lucas’ Skywalker Ranch studio with Andy Johns engineering and co-producing, and like Bingo!, Let Your Hair Down finds Miller re-exploring his Chicago blues roots. Miller and his band have always included a few old blues numbers in their concerts, so these are road-tested gems that are obviously close to Miller’s heart and soul, and they include the last recordings of Miller’s longtime collaborator (and harmonica whiz) Norton Buffalo, who died of lung cancer in 2009 shortly after these sessions. Miller has always had the ability to adapt blues forms into his pop work, but this outing, like Bingo!, is a full-fledged blues record, not a pop one, and fans of his classic rock should be aware that Miller, although his lead guitar work is everywhere here, doesn’t do all of the singing, with Sonny Charles and others handling lead vocals on some of the cuts. That said, Let Your Hair Down feels like a more realized snapshot of Miller’s blues adaptations than even the highly admired Bingo! was, and although it’s difficult to imagine the blues being exactly joyous, there is a passionate joy in these time-tested grooves, and it’s obvious both of these albums have been a labor of love for Miller and his band. Miller doesn’t pop-style these cuts up, either – this is the blues as he sees it, and thankfully he’s as sly and charming as ever here. Highlights include a delightfully tense version of Muddy Waters’ “Can’t Be Satisfied,” a grooved-out take on Rosco Gordon’s “Just a Little Bit,” a Jimmy Reed cover, “Close Together,” fine takes on Willie Dixon’s “Pretty Thing” and “Love the Life I Live,” and a visit to Robert Johnson territory with “Sweet Home Chicago.” The next obvious step would be for someone to package Let Your Hair Down and Bingo! together in a single package, because both albums work as complementary bookends. AllMusic Review by Steve Leggett

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Steve Miller Band – Abracadabra (Remastered) (1982/2019) [Official Digital Download 24bit/96kHz]

Steve Miller Band – Abracadabra (Remastered) (1982/2019)
FLAC (tracks) 24 bit/96 kHz | Time – 37:30 minutes | 841 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Steve Miller – Owned

The Steve Miller Band were the hottest thing on American radio, and in record stores, in the late summer of 1982. Their album Abracadadra, released in May that year, was on its way to platinum sales in the US alone, and about to start a six-week run at No. 3 on The Billboard 200. On 4 September, the ace guitarist and his band were the kings of pop too, as the infectious title track from the album climbed to No. 1 on the Hot 100.

The song, written by Miller and co-produced by him with the band’s drummer Gary Mallaber, was a prime example of how the axeman from Milwaukee had mastered the art of creating excellent album rock with an ear for the commercial single. It was a combination that had worked brilliantly on two previous No. 1 US pop singles for the outfit, with 1973’s ‘The Joker’ and ‘Rock’n Me’ in 1976. “What’s expected of me is short tunes,” he told Rolling Stone, perhaps with an edge of frustration. “They just want that four-minute fix.”

After ‘Abracadabra’ climbed to the top, history was reversed: ‘Rock’n Me’ had gone to the top of the American chart by unseating Chicago’s ‘If You Leave Me Now.’ Now, the new hit was succeeded at No. 1 by the same band’s ‘Hard To Say I’m Sorry.’

‘Abracadabra’ had two non-consecutive weeks at the summit, becoming a gold single, and also hit No. 1 in Australia, Austria, Canada, Sweden and Switzerland. It reached No. 2 in the UK, becoming the band’s only top ten hit there in July 1982, held off the top only by Captain Sensible’s ‘Happy Talk’ and then Irene Cara’s ‘Fame.’ The Abracadabra album also became their only top ten LP in the UK, spending three consecutive weeks at No. 10.

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