The Band – The Band (Remastered Expanded Edition/Remixed 2019) (1969/2019)
FLAC (tracks) 24 bit/192 kHz | Time – 01:08:14 minutes | 2,78 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

The Band is the second studio album by the Band, released on September 22, 1969. It is also known as The Brown Album. The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw on historic themes for “The Night They Drove Old Dixie Down”, “King Harvest (Has Surely Come)” and “Jawbone” (which was composed in the unusual 6/4 time signature).

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The Band – The Band (1969/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 43:36 minutes | 1,58 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

The Band’s self-titled album was their second studio album, originally release in 1969. The Bandreached #9 on Billboard’s Pop Albums chart in 1970, and it’s single “Up on Cripple Creek” peaked at #25 on Billboard’s Pop Singles chart in 1970. The album spotlights people, places, and historical folklore within the United States.

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The Band – Stage Fright (50th Anniversary Remastered Deluxe / Remix 2020) (1970/2021)
FLAC (tracks) 24 bit/192 kHz | Time – 02:02:13 minutes | 4,73 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © CAPITOL CATALOG MKT (C92)

Stage Fright is the third studio album by Canadian American group the Band, released on August 17, 1970. Engineered by Todd Rundgren and Glyn Johns, it features two of the group’s best-known songs, “The Shape I’m In” and “Stage Fright”, both of which showcased inspired lead vocal performances (by Richard Manuel and Rick Danko, respectively) and became staples in the group’s live shows. Newly remixed and remastered album + bonus tracks + Live at Royal Albert Hall performance

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The Band – Stage Fright (1970/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 35:46 minutes | 1,33 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

Stage Fright is The Band’s third studio album, originally released in 1970 by Capitol Records. All of the tracks on the album were written and composed by Robbie Robertson, only a few co-written with Richard Manuel and Levon Helm. The Band departed slightly from their earlier sounds, creating a darker rock album that didn’t focus on vocal harmonies as much as they had in the previous two albums.

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The Band – Rock Of Ages (1972/2015)
FLAC (tracks) 24 bit/192 kHz | Time – 01:19:44 minutes | 3,04 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

Released on the heels of the stilted, static Cahoots, the double-album Rock of Ages occupies a curious yet important place in Band history. Recorded at a spectacular New Years Eve 1971 gig, the show and album were intended to be a farewell of sorts before the Band took an extended break in 1972, but it turned out to be a last hurrah in many different ways, closing the chapter on the first stage of their career, when they were among the biggest and most important rock & roll bands. That sense of importance had started to creep into their music, turning their studio albums after The Band into self-conscious affairs, and even the wildly acclaimed first two albums seemed to float out of time, existing in a sphere of their own and never having the kick of a rock & roll band. Rock of Ages has that kick in spades, and it captures that road warrior side of the band that was yet unheard on record. Since this band — or more accurately its leader, Robbie Robertson — was acutely aware of image and myth, this record didn’t merely capture an everyday gig, it captured a spectacular, in retrospect almost a dry run for the legendary Last Waltz. New Orleans R&B legend Allen Toussaint was hired to write horn charts and conduct them, helping to open up the familiar tunes, which in turn helped turn this music into a warm, loose, big-hearted party. And that’s what’s so splendid about Rock of Ages: sure, the tightness of the Band as a performing unit is on display, but there’s also a wild, rowdy heart pumping away in the backbeat of this music, something that the otherwise superb studio albums do not have. Simply put, this is a joy to hear, which may have been especially true after the dour, messy Cahoots, but even stripped of that context Rock of Ages has a spirit quite unlike any other Band album. Indeed, it could be argued that it captured the spirit of the Band at the time in a way none of their other albums do. –Stephen Thomas Erlewine

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The Band – Northern Lights – Southern Cross (1975/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 40:35 minutes | 1,42 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

Northern Lights – Southern Cross is the sixth studio album by Canadian-American rock group the Band, released in 1975. It was the first album to be recorded at their new California studio, Shangri-La, and the first album of all new material since 1971’s Cahoots. All eight songs are credited as compositions of guitarist Robbie Robertson.

Northern Lights – Southern Cross was recorded using a 24-track tape recorder, which allowed Garth Hudson to include multiple layers of keyboards on several tracks.

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The Band – Music From Big Pink (Deluxe Edition / Remixed 2018) (1968/2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:44 minutes | 1,37 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

The songs on this superb album include The Weight, This Wheel’s On Fire, Tears of Rage and To Kingdom Come and the cover art was painted by Bob Dylan (the ‘Big Pink’ being the upstate New York house where The Band wrote the songs.

Bob Clearmountain has created the new stereo mix (which features on the CD and double vinyl) from the original four-track analog masters. The CD features six outtakes/alternates (including an unreleased A Cappella version of I Shall Be Released) and the seven-inch included is a recreation the original 1968 single for The Weight and I Shall Be Released.

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The Band – Music From Big Pink (1968/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 41:18 minutes | 1,72 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

Chart History/Awards
– Ranked #34 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.
– Inducted into the Grammy Hall of Fame in 1998.

Music from Big Pink is the debut studio album by legendary group The Band. It was released in 1968, and the title refers to “Big Pink”, a house shared by Rick Danko, Richard Manuel, and Garth Hudson where some of the music for the album was composed. Al Kooper of Rolling Stone gave the album a rave review, and the album also gained attention due to the fact that Bob Dylan co-wrote three songs (as well as illustrating the cover art himself). In the years since its release, Music from Big Pink has been praised by many; Roger Waters has called it the second “most influential record in the history of rock and roll” after Sgt. Pepper’s Lonely Hearts Club Band and that it “affected Pink Floyd deeply, deeply, deeply.”

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The Band – Moondog Matinee (1973/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 35:50 minutes | 1,34 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

Moondog Matinee is the fifth studio album by Canadian/American rock group the Band, released in 1973. It consists entirely of cover material reflecting the group’s love of R&B and blues music, with one exception in their interpretation of the theme from the film The Third Man.

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The Band – Islands (1977/2014)
FLAC (tracks) 24 bit/96 kHz | Time – 34:57 minutes | 715 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

When The Band announced their retirement from touring, it was with the important addendum that they’d continue to record together. In actuality, the only album that subsequently emerged was „Island“, which also served to finish out the band’s contract with Capitol Records. At the time of its release in 1977, it was received with some dismay by fans anxious for a repeat of the powerful „Northern Lights Southern Cross“ of two years previous. With the passing of time having removed the pressures of those expectations, „Island“ can be heard as an album that, while fragmented, includes some fine gems. The musicianship throughout is never less than compelling. Richard Manuel’s vocal on “Georgia On My Mind” is alone worth the price of admission–he sings it as if the thousand other classic versions never existed.

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The Band – Cahoots (Deluxe Edition / 2021 Remix) (1971/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 02:06:17 minutes | 2,22 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

Even after a 2000 remaster, the clarity of the 50th anniversary edition of Cahoots is a marvel. From that first crisp horn squeal of the joyous “Life Is a Carnival,” you can feel the life within. Guitarist Robbie Roberston (along with organist Garth Hudson, the only surviving members of The Band) oversaw the reissue, with a new stereo mix by Bob Clearmountain from the original masters that place you right there in Bearsville studio with them: Levon Helm’s idiosyncratic voice and Hudson’s accordion stunning on the cover of Bob Dylan’s “When I Paint My Masterpiece”; Richard Manuel’s vocals and Robertson’s slip-sliding guitar total knockouts on “Last of the Blacksmiths.” Van Morrison’s guest run on “4% Pantomine” is crystal clear, and the horns on “Volcano” are so bright as to make the original recording sound mired in mud. The calling card here, though, is an 11-song chunk of an unreleased recording of The Band’s Olympic Theatre concert from May 1971 in Paris. It includes a particularly jaunty take on “Across the Great Divide,” as well as live stalwarts “W.S. Walcott Medicine Show” and “The Genetic Method/Chest Fever.” There’s a stomping take on “Don’t Do it” (aka Marvin Gaye’s “Baby Don’t You Do It”) along with spark-plug covers of Little Richard’s “Slippin’ and Slidin'” and the Motown classic “Loving You Is Sweeter Than Ever,” which was also The Band’s Woodstock set closer. And you get bass-forward versions of “The Night They Drove Old Dixie Down” and “Rag Mama Rag” and what was likely one of their last performances of the jokey “We Can Talk.” It’s strictly a fans-only affair, but then again why else would you be listening to a 50th anniversary reissue? Other extras include a stripped-down mix of “Thinkin’ Out Loud” that is absent the original’s richness but puts the sweet harmonies on a pedestal, and instrumentals of “Life is a Carnival” and “Volcano.” And outtakes like “Bessie Smith” show The Band’s enduring legacy—and its influence on acts from Beachwood Sparks to Dawes. – Shelly Ridenour

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The Band – Cahoots (1971/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 43:14 minutes | 1,63 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Capitol Records

Cahoots is The Band’s fourth studio album and was released in 1971. It would be their last all-original studio album for four years. The songs on the album were all written or co-written by Robbie Robertson, with the exception of Bob Dylan’s “When I Paint My Masterpiece,” which is track two on the album. Other co-writers on the album included Van Morrison, Rick Danko, and Levon Helm.

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