Studio Masters

Jack White – Jack White Acoustic Recordings 1998 – 2016 (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:26:03 minutes | 1,71 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Third Man Records – Columbia

John Anthony “Jack” White is an American musician, singer, songwriter, record producer and actor. He is known as the lead singer and guitarist of duo The White Stripes, and has had success in other bands and as a solo artist. Here’s a special release – compilation of acoustic tracks from one of today’s most talented rockers.
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Jack White – Fear Of The Dawn (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 40:00 minutes | 828 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © 2022 Third Man Records, LLC

The first half of 2022’s two solo releases from Jack White (acoustic Entering Heaven Alive is out in July), Fear of the Dawn is a solid reminder the rock ‘n’ roll isn’t dead: Call it White’s Sabbath era. “Taking Me Back” is as heavy, and as ’70s, as anything he’s done, layered with fuzzed-out guitar, underwater drums, and in-and-out effects that make the whole thing sound so big it’s shorting out the system. The title track absolutely swings, its bass like an 18-wheeler plowing down a highway at midnight—steady while the guitar squalls, out of control and all over the place, refusing to between the lines. White works himself up into a tent-revival preacher froth—on the cusp of evangelism and madness—on “What’s the Trick”: “Stomping on a box that I thought was empty/ But there was something sharp inside,” he rants as a guitar maniacally runs scales through a monster filter. And that’s hardly the weirdest moment. White, a guy who has never seemed casual or like he takes his purpose lightly, is in a playful, experimental mood. “Into the Twilight” starts with a bit of Manhattan Transfer-style vocals, then leaps fearlessly into ’70s funk and disco camp, throwing in a William S. Burroughs sample (“When you cut into the present, the future leaks out”) and down-and-dirty keys. “Hi-De-Ho” kicks in with mystical vocalization before A Tribe Called Quest’s Q-Tip rolls up with some ’80s style rap—nodding to the obvious reference (“Hi-de-hi-de-ho is a Calloway vibe”) and unleashing some fun top-of-their-game nonsense: “Hurting real bad, like Stevie Wonder with contusions/ It’s a guitar chuck coming from Chuck Berry/ Hi-de-high tones from Minnie Rip, Mariah Carey/ Olajuwon post moves, Bron or Embiid/ Everybody got it in ’em, find yours and succeed.” “That Was Then, This Is Now” incorporates ’70s bubblegum glam metal á la The Sweet, “Eosophobia” rides a jackhammer rhythm that slides sideways into The Edge-style atmospherics and laser-show effects, and “The White Raven” features both a pounding, industrial grind and haunted-house howls. “My camouflage is invisible … my armor is invincible,” White sings, big, freewheeling and refreshed. – Shelly Ridenour
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