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Vienna Symphony Orchestra & Hermann Scherchen – J.S. Bach: Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz) (2024) [Official Digital Download 24bit/96kHz]

Vienna Symphony Orchestra & Hermann Scherchen – J.S. Bach: Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz) (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 47:54 minutes | 950 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Archipel

The Musical Offering (German: Musikalisches Opfer or Das Musikalische Opfer), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (King Frederick II of Prussia), to whom they are dedicated. They were published in September 1747. The Ricercar a 6, a six-voice fugue which is regarded as the high point of the entire work, was put forward by the musicologist Charles Rosen as the most significant piano composition in history (partly because it is one of the first). This ricercar is also occasionally called the Prussian Fugue, a name used by Bach himself.

Tracklist:
1-1. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Ricercar a 3 (Remastered 2024) (06:18)
1-2. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon perpetuus super thema regium (Remastered 2024) (00:56)
1-3. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon a 2 cancrizans (Remastered 2024) (00:27)
1-4. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon a 2 violini in unisono (Remastered 2024) (01:12)
1-5. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon a 2 per motum contrarium (Remastered 2024) (01:10)
1-6. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon a 2 per augmentationem, contrario motu (Remastered 2024) (02:09)
1-7. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Fuga canonica in epidiapente (Remastered 2024) (02:25)
1-8. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon a 2 quaerendo invenietis [1] (Remastered 2024) (00:57)
1-9. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon a 2 quaerendo invenietis (Remastered 2024) (00:56)
1-10. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon a 2 perpetuus per augmentationem, contrario moto (Remastered 2024) (01:40)
1-11. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Canon perpetuus per giusti intervalli – Canon a 4 (Remastered 2024) (03:50)
1-12. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Sonata sopr’il soggietto reale – I. Largo (Remastered 2024) (05:41)
1-13. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Sonata sopr’il soggietto reale – II. Allegro (Remastered 2024) (06:10)
1-14. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Sonata sopr’il soggietto reale – III. Andante (Remastered 2024) (03:08)
1-15. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Sonata sopr’il soggietto reale – IV. Allegro (Remastered 2024) (02:56)
1-16. Wiener Symphoniker – Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz): Ricercar a 6 (Remastered 2024) (07:51)

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