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Yuko Mabuchi – Yarlung Records: Fifteen Years (2022)
FLAC (tracks) 24 bit/88,2 kHz | Time – 02:04:24 minutes | 2,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Yarlung Records
Yuko Mabuchi started playing classical piano at age 4, in her hometown of Fukui, Japan. As a teenager she was fascinated by American R&B, Hip-Hop and Blues. After hearing the music of some o f the Jazz greats, she fell in love with Jazz and after high school began her study jazz piano. She was soon performing locally as a soloist, and as a member of a local jazz trio.
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Yuko Mabuchi Trio – Yuko Mabuchi Trio (2017)
DSD256 2ch (.dsf) 1 bit/11,2 MHz | Time – 59:09 minutes | 9,34 GB
DSD64 5ch (.dsf) 1 bit/2,82 MHz | Time – 59:16 minutes | 5,85 GB
FLAC 2ch (tracks) 24-bit/96 kHz | Time – 59:09 minutes | 1,16 GB
Studio Master, Official Digital Download – Source: NativeDSDmusic | Artwork: Digital booklet | Genre: Jazz | © Yarlung Records
Yuko Mabuchi moved to the United States from her native Japan only recently, but when she plays American jazz she speaks the language perfectly. This albums associate producer and Yarlung special advisor Billy Mitchell describes Yukos playing as funky from the heart. Yuko was born in Fukui, on the west coast of Japan, north of Kyoto. This live concert recording session took place in Cammilleri Hall, the same concert venue designed by Yasuhisa Toyota, where Yarlung recorded Sophisticated Lady jazz quartet in 2014.
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Yuko Mabuchi Trio – Yuko Mabuchi Trio (Live) (2017)
FLAC (tracks) 24 bit/88,2 kHz | Time – 59:07 minutes | 1,04 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Yarlung Records
Yuko Mabuchi moved to the United States from her native Japan only recently, but when she plays American jazz she speaks the language perfectly. This albums associate producer and Yarlung special advisor Billy Mitchell describes Yukos playing as funky from the heart. Yuko was born in Fukui, on the west coast of Japan, north of Kyoto. This live concert recording session took place in Cammilleri Hall, the same concert venue designed by Yasuhisa Toyota, where Yarlung recorded Sophisticated Lady jazz quartet in 2014.
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Yuko Mabuchi – Yuko Mabuchi Plays Miles Davis (Yarlung 15th Anniversary Edition) [Live] (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:01:31 minutes | 1,18 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Yarlung Records
Yuko Mabuchi plays Miles Davis took the jazz world by storm when it was initially released, winning NativeDSD’s coveted Jazz Album of the Year, earning a special commendation from the City of Los Angeles, and pleasing audiences and critics alike. Advances in SonoruS Holographic Imaging technology enabled engineers Steve Hoffman, Bob Attiyeh and Arian Jansen to remaster a fresh version of this album in honor of Yarlung’s 15th Anniversary.
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Yuko Mabuchi – Yuko Mabuchi Plays Miles Davis (Live) (2019)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:01:18 minutes | 1,11 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Yarlung Records
Yuko Mabuchi Trio thrills audiences with every concert. Her January performance opening for Branford Marsalis in the 1,800 seat Renée and Henry Segerstrom Concert Hall whet international jazz appetites. She next headlined the Arlington Jazz Festival in Texas, and Yuko Mabuchi Trio performed in Blues Alley in April as part of the Cherry Blossom Festival in Washington D. C. European and Asian stages beckon. Yuko’s debut recording on Yarlung, “Yuko Mabuchi Trio,” was a top seller in the Yarlung catalog last year, in all formats. Yuko deserves this success. “The Absolute Sound” published a rave review of her Segerstrom concert. Elaborating further, Rick Brown writes in Yarlung News “Yuko Mabuchi combines sexy athleticism at the piano with serious musical poetry. The young fans in the house responded to both with great enthusiasm. So did audience members in their 70s and 80s. This was a fast up tempo set resulting in thunderous applause with audience members yelling and stamping their feet for the standing ovation at the end…. I recognized some audience members who had driven from San Francisco or flown in from Hong Kong and different parts of the country for the event….”
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