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Axel Strauss, Victor Fournelle-Blain, Yegor Dyachkov and Ilya Poletaev – Jaap Nico Hamburger: Piano Quartet (2023)
FLAC (tracks) 24 bit/192 kHz | Time – 11:57 minutes | 439 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Leaf Music
Jaap Nico Hamburger is the current Composer in Residence with Mécénat Musica in Montréal. His compositions include commissions for orchestra, opera, chamber music and solo works. His music has been performed and recorded in Canada, The Netherlands and Israel.
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Yegor Dyachkov & Jean Saulnier – Beethoven: Intégrale des Sonates et Variations pour violoncelle et piano (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 02:35:11 minutes | 2,51 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Les Disques ATMA Inc.
Cellist Yegor Dyachkov and pianist Jean Saulnier present Beethoven’s complete Sonatas and Variations for Cello and Piano in digital and physical formats. Comprising works from the composer’s Op. 5, Op. 17, Op. 66, and Op. 102, the complete sonatas will be released as a three-CD box set on October 28, 2022.
Spanning the composer’s three creative periods, Beethoven’s sonatas for cello and piano constitute a unique group within his oeuvre. “Recording the complete sonatas marks a milestone in an artistic career,” says cellist Yegor Dyachkov. “Most artists undertake such a project only once, and only after having spent a long time in the company of these works, so that the various possible interpretive paths reach a kind of equilibrium.”
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Yegor Dyachkov – Beethoven꞉ Sonatas and Variations for Cello and Piano (Vol. 1) (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:22:26 minutes | 1,36 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Les Disques ATMA Inc.
In the 1770s, thanks to Joseph Haydn and Wolfgang Amadeus Mozart, the cello began to play a more Flute. These works reveal not only Beethoven’s admiration for these two composers, but also his fondness important role in chamber music. Nonetheless, the sonata for cello and piano (or harpsichord) did not benefit from the changes that had transformed the violin sonata. In neither of the two forms of cello and piano sonata — for cello with simple accompaniment on the one hand, or for piano with cello obbligato — can we speak of real, organic collaboration between the two instruments.
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