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Wayne Shorter – Moto Grosso Feio (1974/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 42:17 minutes | 1,41 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records
Moto Grosso Feio is the thirteenth album by Wayne Shorter, recorded in 1970 but not released on the Blue Note label until 1974. The album features four originals by Shorter and an arrangement of “Vera Cruz” by Milton Nascimento.
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Wayne Shorter – Etcetera (1965/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 43:13 minutes | 1,48 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records
Recorded in 1965 but not released until 1980, Et Cetera holds its own against the flurry of albums Wayne Shorter released during the mid-‘60s, a time when he was at the peak of his powers.
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Wayne Shorter – EMANON (2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 02:07:19 minutes | 1,31 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records
Wayne Shorter was 15 when he first wrote and Illustrated his first comic book in blue ballpoint pen. That was in 1949, and Shorter has traveled great distances since, becoming an influential saxophonist, a 10-time Grammy winner and one of the most highly regarded composers in modern jazz. But as any fan of Shorter’s can attest, he has held onto his teenage fixation with superheroes and sci-fi, as well as the comic book arts – so it’s fitting that his highly anticipated next release, Emanon, released on Blue Note includes an original graphic novel — a cosmic-heroic odyssey written by Shorter with help from the screenwriter Monica Sly, and featuring art by Randy DuBurke — along with three albums of new music. With Emanon, Wayne Shorter shares his artistic multiverse. Everyone will create his or her own experience with the novel and music—but be prepared for that experience to involve the unknown.
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Wayne Shorter – Adam’s Apple (1966/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 41:19 minutes | 1,37 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records
On Adam’s Apple, Wayne Shorter leads an all-star rhythm section, which features drummer Joe Chambers, pianist Herbie Hancock and bassist Reggie Workman. This 1966 masterpiece finds Shorter at the peak of his career, with his saxophone soaring from start to finish. The album showcases one of his best known compositions, “Footprints.” Other standouts include “El Gaucho” and the title-track. The album remains one of music’s greatest masterpieces.
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Wayne Shorter – Native Dancer (1974) [Japanese Reissue 2000]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 43:26 minutes | Scans NOT included | 1,75 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 851 MB
Genre: Jazz
Some jazz purists would say that Wayne Shorter went downhill in the 1970s, when he passionately embraced electric jazz-fusion and co-led the innovative Weather Report with Joe Zawinul. But remember: Those are the same people who also claim that Miles Davis’ stunning Bitches Brew has no value and that Chick Corea’s visionary Return to Forever was a complete waste — so it’s hard to take their opinions seriously. The fact is that the 1970s were a highly productive time for Shorter, and it wasn’t until the 1980s that the tenor and soprano saxophonist really declined creatively. One of Shorter’s best-selling albums from the 1970s was Native Dancer, a Brazilian-oriented jazz-fusion masterpiece that boasts Herbie Hancock on acoustic piano and electric keyboards, and employs such Brazilian talent as singer Milton Nascimento (a superstar in Brazil) and percussionist Airto Moreira. Everything on this melodic, consistently lyrical effort is a jewel, and that includes Hancock’s “Joanna’s Theme” as well as pieces by Nascimento (“From the Lonely Afternoons,” “Ponta de Areia,” “Tarde,” “Lilia,” and “Miracle of the Fishes”) and by Shorter himself (“Ana Maria,” “Beauty and the Beast,” and “Diana”). Reissued on SACD, Native Dancer is clearly among Shorter’s most essential albums.
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