Ulster Orchestra – Stanford A Song of Agincourt & Other Works (2019) [24Bit-96kHz] FLAC [PMEDIA] ⭐️

Ulster Orchestra - Stanford A Song of Agincourt & Other Works (2019) [24Bit-96kHz] FLAC [PMEDIA] ⭐️ Download

Ulster Orchestra – Stanford A Song of Agincourt & Other Works (2019) [24Bit-96kHz] FLAC [PMEDIA] ⭐️
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:28 minutes | 1,07 GB | Genre: Classique
Studio Masters, Official Digital Download | Front Cover

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Howard Shelley, Ulster Orchestra – Steibelt: Piano Concertos Nos. 3, 5 & 7 (2016) [Official Digital Download 24bit/96kHz]

Howard Shelley, Ulster Orchestra – Steibelt: Piano Concertos Nos. 3, 5 & 7 (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:19:52 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Hyperion Records

Howard Shelley and the Ulster Orchestra return for a second volume in Hyperion’s new Classical Piano Concerto series. Daniel Steibelt—the man who dared to challenge Beethoven and lost—ruled the keyboards of northern Europe for a quarter of a century, his own concertos as sensationally popular as their composer was ostentatious.

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Howard Shelley, Ulster Orchestra – Dussek: Piano Concertos (2014) [Official Digital Download 24bit/96kHz]

Howard Shelley, Ulster Orchestra – Dussek: Piano Concertos (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:17 minutes | 1,15 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Hyperion Records

Following on from Hyperion’s hugely popular ‘Romantic Piano Concerto’ series, the ‘Classical Piano Concerto’ focuses on the lesser-known concertos from the dawn of the genre. Between about 1770 and 1820—the high classical period dominated by Mozart, Haydn and Beethoven—musicians including Clementi, Cramer, Dussek, Steibelt, Woelfl and others made their names as composers and performers of piano concertos. This series aims to be the first in-depth recorded survey of this forgotten repertoire.

This first volume features three of Bohemian virtuoso Jan Ladislav Dussek’s eighteen piano concertos, taken from different points in his career. As a group, these pieces are a fascinating study, with most of the earlier works largely reflecting the Mozartian model, and the later ones revealing stylistic traits sometimes at odds with the late eighteenth-century conception of the form, and anticipating future developments in the genre.

There could be no finer guide to the hidden gems of this repertoire than Howard Shelley, whose recordings of Clementi keyboard works, and Mozart and Hummel piano concertos, have received such acclaim. He appears here as pianist / conductor with the Ulster Orchestra.

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Ulster Orchestra – Kurt Weill: Symphony No. 2 & Violin Concerto, Op.12 (2022) [Official Digital Download 24bit/96kHz]

Ulster Orchestra – Kurt Weill: Symphony No. 2 & Violin Concerto, Op.12 (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 57:22 minutes | 1022 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © SOMM Recordings

Although Weill found fame in theatre-focused collaborations with Bertolt Brecht that produced the era-defining The Threepenny Opera, the onetime pupil of Ferruccio Busoni straddled the worlds of music-theatre, jazz, and the concert hall with music of daring aplomb and dazzling achievement.

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Ulster Orchestra, JoAnn Falletta – Paine: Symphony No. 2 – Oedipus Tyrannus: Prelude / Poseidon and Amphitrite, An Ocean Fantasy (2015) [Official Digital Download 24bit/192kHz]

Ulster Orchestra, JoAnn Falletta – Paine: Symphony No. 2 – Oedipus Tyrannus: Prelude / Poseidon and Amphitrite, An Ocean Fantasy (2015)
FLAC (tracks) 24 bit/192 kHz | Time – 01:07:44 minutes | 2,31 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © 2xHD – Naxos

This second volume of works by influential American composer John Knowles Paine from conductor JoAnn Falletta and the Ulster Orchestra contains one of Paine’s own personal favourite pieces, his Second Symphony. The programme also includes the Prelude to Oedipus Tyrannus, an immediate hit when first performed, and the world premiere recording of Paine’s last orchestral work, Poseidon and Amphitrite.

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