The Dave Brubeck Quartet, Gerry Mulligan – Blues Roots (1969/2023) [Official Digital Download 24bit/96kHz]

The Dave Brubeck Quartet, Gerry Mulligan – Blues Roots (1969/2023)
FLAC (tracks) 24 bit/96 kHz | Time – 49:44 minutes | 1,08 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Columbia – Legacy

Although this is a blues-oriented set, there is plenty of variety in tempos and grooves. The 1968 Quartet featured the leader/pianist, baritone saxophonist Gerry Mulligan, bassist Jack Six and drummer Alan Dawson. The repertoire on this LP ranges from “Limehouse Blues” (which is not really a blues) to “Things Ain’t What They Used to Be” and several originals.

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Dave Brubeck Quartet – Time Out (1959) [Analogue Productions Remaster 2012] MCH SACD ISO + Hi-Res FLAC

Dave Brubeck Quartet – Time Out (1959) [Analogue Productions Remaster 2012]
PS3 Rip | SACD ISO | DSD64 Stereo & DST64 5.0 > 1-bit/2.8224 MHz | 38:32 minutes | Scans included | 3,04 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 38:48 mins | Scans included | 765 MB

Dave Brubeck’s defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move — Brubeck’s record company wasn’t keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz’s rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond’s ubiquitous “Take Five,” Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That’s a testament to Brubeck and Desmond’s abilities as composers, because Time Out is full of challenges both subtle and overt — it’s just that they’re not jarring. Brubeck’s classic “Blue Rondo à la Turk” blends jazz with classical form and Turkish folk rhythms, while “Take Five,” despite its overexposure, really is a masterpiece; listen to how well Desmond’s solo phrasing fits the 5/4 meter, and how much Joe Morello’s drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it’s really very good in spite of the people who like it. It doesn’t just sound sophisticated — it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it’s amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection.

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The Dave Brubeck Quartet – Jazz At Oberlin (1953) [Reissue 2003] SACD ISO + Hi-Res FLAC

The Dave Brubeck Quartet – Jazz At Oberlin (1953) [Reissue 2003]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Time – 38:40 minutes | Scans included | 1,64 GB
SACD to DSF 2.0 Mono DSD64/2.82MHz  | Time – 00:37:58 minutes | 1,5 GB
©  Fantasy Records | Genre: Jazz

Jazz at Oberlin is a live album by the Dave Brubeck Quartet. It was recorded in the Finney Chapel at Oberlin College in March 1953, and released on Fantasy Records as F 3245.

Critic Nat Hentoff wrote in Down Beat magazine that the album ranks with the College of the Pacific and Storyville sets “as the best of Brubeck on record”, and jazz critic Gary Giddins has written that it would “make many short lists of the decade’s outstanding albums”.

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The Dave Brubeck Quartet – These Foolish Things (2022) [Official Digital Download 24bit/44,1kHz]

The Dave Brubeck Quartet – These Foolish Things (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:09:20 minutes | 735 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Concert Archives – Delta

Big hits from the repertoire of jazz icon Dave Brubeck, from “Take Five” to “Unsquare Dance”, played by the master himself in the best music-making mood on the piano and his long-time comrades-in-arms Bill Smith (clarinet), Jack Six (double bass) and Randy Jones (drums). ): The concert of the Brubeck Quartet on May 15, 1995 in the Vienna Konzerthaus fulfilled the expectations of the fans, who had come in droves. And who were surprised that evening by the freshness and immediacy with which the pieces that had been known for decades were celebrated.

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