Stephanie Lamprea – Becoming a Landscape (2021) [Official Digital Download 24bit/48kHz]

Stephanie Lamprea – Becoming a Landscape (2021)
FLAC (tracks) 24 bit/48 kHz | Time – 42:13 minutes | 474 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Centaur Records, Inc.

Colombian-American soprano Stephanie Lamprea is an architect of new sounds and expressions as a performer, recitalist, curator and improviser, specializing in contemporary-classical repertoire. Trained as an operatic coloratura, Stephanie uses her voice as a mechanism of avant-garde performance art, creating “maniacal shifts of vocal production and character… like an icepick through the skull” (composer Jason Eckardt). Her work has been described as “mercurial” by I Care If You Listen, “dynamic” by critic Steve Smith (Night After Night), and that she “sings so expressively and slowly with ever louder and higher-pitched voice, that the inclined listener [has] shivers down their back and tension flows into the last row.” (Halberstadt.de) She has received awards from the Concert Artist Guild, St. Botolph Club Foundation, the John Cage Orgel Stiftung in Halberstadt, Germany, and the Puffin Foundation. Stephanie was a featured TEDx Speaker for TEDxWaltham: Going Places.

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Stephanie Lamprea – Georges Aperghis: 14 Récitations, Op. 46 (2023) [Official Digital Download 24bit/48kHz]

Stephanie Lamprea – Georges Aperghis: 14 Récitations, Op. 46 (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 53:53 minutes | 557 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © New Focus Recordings

Soprano Stephanie Lamprea releases her performance of Georges Aperghis’ genre defining 14 Récitations for solo voice, highlighting her precise approach to the notation. These works, written in 1977-78, stretch the voice into fertile extended technique territory, mixing sensuality with virtuosity in ways that had a profound impact on the solo vocal repertoire.

“Colombian-American soprano Stephanie Lamprea presents a virtuosic interpretation of 14 Récitations (1977-78), a concert-length avant-garde song cycle for unaccompanied female voice.

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