Simón Gollo – Chausson: Concert in D Major & Chanson perpétuelle (2020) [Official Digital Download 24bit/96kHz]

Simón Gollo – Chausson: Concert in D Major & Chanson perpétuelle (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 50:25 minutes | 910 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © IBS Classical

Written between 1889 and 1891, the Concert is unique in the chamber music repertoire—scored for solo violin and piano with string quartet. Chausson entitled it Concert (French for concerto) rather than “Sextet,” but the work lies somewhere between a double concerto, in which the two solo instruments are pitted against an entire orchestra, and a sextet, in which all the instruments are more or less equal. Chausson dedicated the Concert to Eugène Ysaÿe, who played the solo violin part at the premiere in Brussels on March 4, 1892. The Crickboom Quartet played the remaining string parts, and Auguste Pierret, the pianist.

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Simón Gollo – Latin America & Hispanic Piano Trios (2023) [Official Digital Download 24bit/96kHz]

Simón Gollo – Latin America & Hispanic Piano Trios (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:48 minutes | 1,40 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © IBS Classical

The Reverón Piano Trio’s main goal is to introduce audiences to underrepresented music from Latin America alongside contemporary and standard repertoire. These artists are active promoters of Latin American music through their work as performing artists, scholars and entrepreneurs, and they have devoted their careers to the discovery, cataloging, performance, editing, and recording of this rich repertoire. In addition, the trio continues to commission new works, and is in the process of creating the Sphinx Catalog of Latin American Piano Trios. The three composers of this album, Villa-Lobos, Turina and Ponce were born within 5 years of each other. Manuel Ponce’s Trio Romántico, Joaquín Turina’s Piano Trio No. 1, and Heitor Villa-Lobos’s Piano Trio No. 1 were composed within fifteen years of one another in the first quarter of the twentieth century, and representing Mexico, Spain, and Brazil but also outside influences.

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