Renée Fleming – Broadway (2018) [Official Digital Download 24bit/96kHz]

Renée Fleming – Broadway (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:21 minutes | 1,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.

Renée Fleming, who is currently wowing audiences in “Carousel,” has announced her new album “Broadway.”

The new album by Decca Classics is set to be released on Friday, Sept. 7, 2018 and will include songs for the stage by composers such as Stephen Sondheim, Andrew Lloyd Webber, Pasek & Paul, and Rogers & Hammerstein. It will also include a duet with award-winning Broadway and film star Leslie Odom, Jr. The album will also include Broadway legend Rob Fisher as music supervisor and conductor of the BBC Concert Orchestra, as well as the incomparable bassist and jazz great Christian McBride, rising star pianist Dan Tepfer, and Grammy-winning producer David Frost.

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Renée Fleming – Brahms, Schumann & Mahler: Lieder (2019) [Official Digital Download 24bit/48kHz]

Renée Fleming – Brahms, Schumann & Mahler: Lieder (2019)
FLAC (tracks) 24 bit/48 kHz | Time – 01:01:21 minutes | 544 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.

Four-time Grammy winning soprano Renée Fleming releases her first full-length lieder album for almost two decades on 14 June. The release date coincides with her London musical theatre debut, performing the role of Margaret Johnson in the Tony-winning musical The Light In The Piazza at the Royal Festival Hall.

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Renée Fleming – Voice of Nature: The Anthropocene (2021) [Official Digital Download 24bit/96kHz]

Renée Fleming – Voice of Nature: The Anthropocene (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 56:54 minutes | 900 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.

On 8 October, Ren’ee Fleming will release Voice of Nature: The Anthropocene, her new album with Yannick N’ezet-S’eguin. Inspired by the solace Fleming found while hiking near her Virginia home during lockdown, the album explores the centrality of nature in Romantic-era song and highlights the peril and fragility of the natural world today.

Says Fleming, “This music begins in a time almost two centuries ago, when people had a profound connection to the beauty of nature. Now, in the Anthropocene, we see the effects of our own activity, and the fragility of our environment. Nature has been so good to us: we have not been so good to nature.”

Fleming and her collaborator, the Canadian conductor and pianist Yannick N’ezet-S’eguin, have hand-picked a selection of works in which composers and poets find human experience and love reflected in the world of nature. A celebrated performer of art song, Fleming draws on both well-loved and lesser-known classical repertoire, with music by Edvard Grieg, Franz Liszt, Gabriel Faur’e, and Reynaldo Hahn.

The album includes premieres of two new commissions from living composers. Pulitzer Prize-winning composer Kevin Puts sets “Evening” by the American poet Dorianne Laux, and Nico Muhly collages poetry from the 17th-century English theologian Thomas Traherne with excerpts from writings by Robinson Meyer, a journalist who covers climate change, in Endless Space. Originally premiered by Fleming at Carnegie Hall in 2017, Caroline Shaw’s Aurora Borealis, to a text by poet Mary Jo Salter, is given its world-recording premiere.

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Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Guilty Pleasures (2013) [Official Digital Download 24bit/96kHz]

Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Guilty Pleasures (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:37 minutes | 1001 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.

“Guilty Pleasures” is the long-awaited follow-up to Renees Grammy winner The Beautiful Voice. This album allows Renee to indulge in musical cherry-picking, singing songs and arias in eight different languages. The sheer, unabashed beauty of these pieces provides their thematic connection. Ranging from familiar favorites like the Flower Duet from Lakme (sung with Renees friend Susan Graham) to rapturous, rarely-heard melodies of Tchaikovsky, Dvorak and Rachmaninov, Guilty Pleasures is a collection of treats Renee has long wanted to enjoy: an album of pure gratification. A special treat is an aria from John Coriglianos The Ghosts of Versailles, a twentieth-century American opera that allows Renee the chance to sing in her native language.

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