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Pia Davila, Linda Leine – Irgendwo auf der Welt (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:10:28 minutes | 631 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Es-Dur
Out of the drawers! Pia Davila and Linda Leine give new perspectives on “ostracised music”.
Erich Zeisl, Ilse Weber, Rosy Wertheim, Georg Kreisler – we know them all as great composers of the early 20th century. Above all, however, we know not only their music but also the stories about their humiliation, expulsion or death at the hands of those in power of the National Socialist regime. Many of their works are only slowly re-entering the public consciousness and concert halls, in this case mostly under the title of “Verfemte Musik” (ostracised music).
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Pia Davila – O luna mia (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:56 minutes | 1,12 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Genuin
In her debut album, Pia Davila portrays a day from morning to evening, spanning the centuries. She combines works by Tarquinio Merula from 1638 with Claude Debussy and four works by Lorenzo Romano and Aigerim Seilova from 2019 – all world premiere recordings! Dreamy soundscapes and expressive dramaticism, a cappella singing and accompaniment by electronic instruments: in this conceptual album, the soprano places herself in the service of the poetic idea, borne by her extraordinary and intense soprano voice.
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Pia Davila, Bernhard Reichel, Musica getutscht – Dolente partita. Madonne e Maddalena (Works by Monteverdi and His Contemporaries) (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 56:51 minutes | 1,02 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Coviello Classics
Soprano Pia Davila and the ensemble Musica getutscht under the direction of Bernhard Reichel show how Claudio Monteverdi and his contemporaries transferred the modern dramatic style from secular opera to sacred music during the Counter-Reformation. For example, they told the Passion of Christ in a completely new way – namely from the personal perspective of the Virgin Mary and Mary Magdalene. Both lament the painful parting from Jesus, not only as their savior, but above all as their son and lover.
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