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Peter Gordon – Innocent (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 39:31 minutes | 841 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Masterworks
Peter Gordon (born June 20, 1951, New York City) is an American saxophonist, clarinetist, pianist and experimental composer, whose influences include jazz, disco, funk, rock, opera, classical and world music. He has released several albums and composed scores for film and theater, and he has also toured and re-interpreted the music of Arthur Russell,on whose compositions he played, as well as that of Robert Ashley.
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“Blue” Gene Tyranny, Peter Gordon – Trust in Rock (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:58:23 minutes | 1,26 GB | Genre: Alternative, Indie
Studio Masters, Official Digital Download | Front Cover | © Unseen Worlds
Trust in Rock documents the last evening of an epic concert series held at Berkeley’s University Art Museum in November 1976, featuring an all-star ensemble of the Bay Area’s most unclassifiable musicians performing works by “Blue” Gene Tyranny and Peter Gordon. Tyranny’s cycle “No Job, No Warm, No Nothing” contains songs “concerned with influence, trust, self-reliance, and having to re-do what is true for you;” three songs by Gordon, with lyrics by Kathy Acker, are complimented by two earlier instrumental works. Their combined band crossed styles and institutions and time, and was assembled from the effervescence of the Bay Area scene in the 1970s. It included Gordon on saxes and the RMI Synthesizer; Tyranny on the piano; local video-performance artist Patrice Manget on vocals; Carl Young on saxes; composer-performer-guitarist Paul Dresher, who played in Tyranny’s band Edge of the Road along with percussionist Gene Reffkin; Steve Bartek of the Mystic Knights of Oingo Boingo on bass; and Mills College student Janet Cuniberti on the funky Clavinet and RMI Synth. Though some of the works on Trust in Rock also appear on Gordon’s Star Jaws and Tyranny’s Out of the Blue, many others are available here for the first time. Trust in Rock contains nearly two hours of what Ear magazine called “NEW MUSIC FOR ROCK BAND.”
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