Jean-François Heisser, Orchestre de Chambre Nouvelle-Aquitaine – Beethoven: Les 5 concertos pour piano (2017) [Official Digital Download 24bit/44,1kHz]

Jean-François Heisser, Orchestre de Chambre Nouvelle-Aquitaine - Beethoven: Les 5 concertos pour piano (2017) [Official Digital Download 24bit/44,1kHz] Download

Jean-François Heisser, Orchestre de Chambre Nouvelle-Aquitaine – Beethoven: Les 5 concertos pour piano (2017)
FLAC (tracks) 24 bit/44,1 kHz | Time – 02:58:25 minutes | 1,52 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Mirare

The interpretation of the five concertos presented by Jean-François Heisser and his chamber orchestra offers an insight into the evolution of Beethoven’s style during the decisive ten years or so over which he composed them, on the cusp of the eighteenth and nineteenth centuries. In short, it demonstrates how the improvisatory virtuoso pianist of the first two concertos, conceived at the very end of the eighteenth century in the tradition of Mozart and Haydn asserted his credentials as a composer in his own right with the Third Concerto in the first years of the nineteenth century, before reaching a summit with the surprises of his last two works in the genre.
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Orchestre de Chambre Nouvelle-Aquitaine, Jean-François Heisser, Jean-Frédéric Neuburger – Olivier Messiaen: Des canyons aux étoiles (2022) [Official Digital Download 24bit/96kHz]

Orchestre de Chambre Nouvelle-Aquitaine, Jean-François Heisser, Jean-Frédéric Neuburger - Olivier Messiaen: Des canyons aux étoiles (2022) [Official Digital Download 24bit/96kHz] Download

Orchestre de Chambre Nouvelle-Aquitaine, Jean-François Heisser, Jean-Frédéric Neuburger – Olivier Messiaen: Des canyons aux étoiles (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:32:51 minutes | 1,59 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Mirare

Without a doubt, it is urgent to get back to essentials, to retrace the path from the canyons to the stars, to celebrate “the beauties of the earth (its rocks, its birdsongs), the beauties of the material sky, the beauties of the spiritual sky,” as Messiaen writes at the head of his score.
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