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Markus Poschner, Orchestra Della Svizzera Italiana – Pyotr Ilyich Tchaikovsky, Symphony No. 5 & No. 6 (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:26:32 minutes | 1,49 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Claves Records
Markus Poschner studied at the University of Music and Performing Arts Munich with Hermann Michael. His mentors and patrons included Roger Norrington, Colin Davis and Jorma Panula.
From 2000 to 2006, Poschner was chief conductor of the Georgian Chamber Orchestra Ingolstadt. He then held the position of 1st Kapellmeister of the Komische Oper Berlin. There he worked with directors such as Hans Neuenfels, Peter Konwitschny, Andreas Homoki and Sebastian Baumgarten. In 2007, Poschner joined the Bremen Philharmonic and Theater Bremen as General Music Director. He has been chief conductor of the Orchestra della Svizzera italiana since 2015.
He has led the Bruckner Orchestra Linz since 2017. At the Landestheater Linz, he took over the opera productions Die tote Stadt by Korngold and Wagner’s Meistersinger von Nürnberg in the 2022/2023 season. In February 2023, it was announced that Poschner will lead the Basel Symphony Orchestra as chief conductor from 2025 and has signed a five-year contract
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Dennis Russell Davies, Orchestra della Svizzera Italiana – Maderna & Berio: Now, and Then (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:32 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © ECM
Don’t be fooled by the album cover: the music recorded here is NOT Maderna, but Frescobaldi, Gabrieli and a few other composers from the same era, only orchestrated by Maderna. Among these late Renaissance and baroque works, as re-written, can be found, as a kind of pillar whose meaning in the album rather defies comprehension, theSequenza XII by Berio which was initially conceived for a guitar solo and transcribed by the composer for guitar and chamber orchestra under the name of Chemins V. The whole work is about orchestrations, re-editions, translations from other eras. When it comes to Maderna and other old composers, the interest is neither musicological nor historical, as the orchestrations were done in the 20th Century, with 20th-Century orchestral techniques. Maderna’s work, dating from the 1950s to the 1970s, bears witness to the widespread interest in masters from the past, with new editions, exhumations, rediscoveries; and Monteverdi was played without overmuch concern for period instruments – even if Hindemith, for example, tried to perform L’Orfeo with what old instruments he was able to gather… Seen from this point of view, the Maderna orchestrations are almost recompositions, although without ever betraying or travestying the manuscript, as Stravinsky did with Pergolese: it sticks, for example, to a “baroque” orchestra from our times, without instruments which did not exist at the time. A truly interesting recording.
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Yann Beuron, Tassis Christoyannis, Orchestra della Svizzera Italiana, Markus Poschner – Saint-Saëns: Mélodies avec orchestre (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 58:02 minutes | 1,11 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alpha Classics
World premiere recording: Although the turn of the twentieth century marked the golden age of French song, the genre was generally accompanied on the piano and only rarely orchestrated by its composers. But Camille Saint-Saëns, a great lover of poetry, was also a champion of the orchestrated mélodie and the French coloristic style. He also wanted to counterbalance the overwhelming popularity of operatic arias in concert programmes. An immense admirer of Victor Hugo, Saint-Saëns set many of his poems to music, including L’Enlèvement, Rêverie, and Le Pas d’armes du Roi Jean, regarded as one of his masterpieces. Exoticism and a certain sense of the supernatural run through such songs as Danse macabre, one of the most popular pieces of classical music, but always heard nowadays either in its version for orchestra alone or performed by a singer with piano accompaniment. Of the twenty-five mélodies with orchestra listed in the catalogue of Saint-Saëns, nineteen are recorded here, all of them for the first time!
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