Daniel Johannsen, William Shelton, Miriam Feuersinger, Il Gardellino, Alexander Grychtolik – Bach: Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik) (2024) [Official Digital Download 24bit/96kHz]

Daniel Johannsen, William Shelton, Miriam Feuersinger, Il Gardellino, Alexander Grychtolik – Bach: Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik) (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:30:06 minutes | 1,74 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Passacaille

A once abandoned Passion project by J. S. Bach? Harpsichordist and conductor Alexander Grychtolik, together with the Il Gardellino Orchestra, embarks on a captivating artistic experiment with this presentation of the Passion Oratorio BWV Anh. 169. The starting point for the partial reconstruction attempt and the completion of the work is the surviving libretto by the poet Picander from 1725. This unique endeavor draws the audience into a profound exploration of human empathy with the poignant suffering of Jesus and sheds light on a passion aesthetic we had not seen previously in Bach’s repertoire.

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Miriam Feuersinger, Klaus Mertens – Dialog-Kantaten (2023) [Official Digital Download 24bit/96kHz]

Miriam Feuersinger, Klaus Mertens – Dialog-Kantaten (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:01:28 minutes | 1,08 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Christophorus

Bach’s dialog cantatas occupy a very special place in his vast oeuvre of cantatas: As if in a personal dialog, the “Christian soul” (soprano) and “Christ” (bass) enter into a dialogue, designed by Bach as a spiritual “love duet”, which Miriam Feuersinger and Klaus Mertens interpret here in the most intimate way imaginable. The two cantatas Ich geh und suche mit Verlangen BWV 49 and Liebster Jesu, mein Verlangen BWV 32 are complemented by Christoph Graupner’s oboe concerto in C major GWV 302, performed by oboist Elisabeth Grümmer.

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