Hilary Summers, Maarten Ornstein, Mike Fentross and Dudok Quartet Amsterdam – Circus Dinogad (2023) [Official Digital Download 24bit/96kHz]

Hilary Summers, Maarten Ornstein, Mike Fentross and Dudok Quartet Amsterdam – Circus Dinogad (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 50:33 minutes | 889 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Zefir

Welcome to the bewitching world of Circus Dinogad in which Welsh contralto Hilary Summers, the Dutch theorbo & bass clarinet duo Mike Fentross & Maarten Ornstein and the Dudok Quartet Amsterdam converge in a fusion of musical traditions.

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Maarten Ornstein, Tony Overwater, Wim Kegel – Jungle Boldie (2010/2015) DSF DSD64 + Hi-Res FLAC

Maarten Ornstein, Tony Overwater, Wim Kegel – Jungle Boldie (2010/2015)
DSD64 (.dsf) 1 bit/2,82 MHz | Time – 51:57 minutes | 2,05 GB
FLAC (tracks) 24-bit/96 kHz | Time – 51:57 minutes | 1,1 GB
Genre: Jazz | Studio Masters, Official Digital Download – Source: NativeDSDmusic | Booklet, Front Cover | © Turtle Records

The Jungle Boldie consists of three of Hollands most renowned jazz musicians. Overwater, Ornstein and Kegel met at the Royal Conservatory in the Hague during their studies and have been playing together ever since. They have the shared vision of what it is to play and perform ‘free’ music in the true sense of the word – creating a joyful interplay without any assumptions. “Jungle Boldie” features a pure sound painted by this unity, from the heart – in the strumming of strings,in the striking of sticks, in the sliding of screams.

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Kadri Tegelmann, Maarten Ornstein, Mike Fentross – Laula! (2021) [Official Digital Download 24bit/96kHz]

Kadri Tegelmann, Maarten Ornstein, Mike Fentross – Laula! (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 53:26 minutes | 927 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Zefir Records

“Laula!” is the third album by Mike Fentross and Maarten Ornstein; following their debut duo album, “Oblivion Soave” and having worked with Rima Khcheich on the second album “Ombre de mon amant”, they are once again collaborating with an extraordinary singer – the Estonian mezzo-soprano Kadri Tegelmann. She is not only a superb interpreter of the Baroque music, as featured here, but she also introduced Maarten and Mike to the deep and rich tradition of Baltic vocal music with its many folksongs, hymns and chants.

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Maarten Ornstein, Tony Overwater, Wim Kegel – Jungle Boldie (2010) DSF DSD64

Maarten Ornstein, Tony Overwater, Wim Kegel – Jungle Boldie (2010)
DSF Stereo DSD64/2.82MHz | Time – 51:57 minutes | 2,05 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover |  © Turtle Records

Pure sound painted by this unity, from the heart – in the strumming of strings, in the striking of sticks, in the sliding of screams…

The Jungle Boldie consists of three of Hollands most renowned jazz musicians. Overwater, Ornstein and Kegel met at the Royal Conservatory in the Hague during their studies and have been playing together ever since. They have the shared vision of what it is to play and perform ‘free’ music in the true sense of the word – creating a joyful interplay without any assumptions. The group have performed with many international artists including Pat Metheny, Ilse de Lange, Ack van Rooyen, Calefax, and David Murray – to name but a few.
Jungle Boldie started out as the Maarten Ornstein Trio and was founded in 1989, in 2000 the renamed themselves the Tony Overwater Trio and created an international stir when they relased their first album OP – a tribute to bassist Oscar Pettiford. The album featured flugelhorn player Ack van Rooyen and cellist Ernst Reyseger and won the 2001 Edison Award for Best Dutch Recording (Dutch Grammy). Their second project proved to be just as successful.

In 2005 the trio joined forced with the highly acclaimed Dutch classical reed quintet Calefax to play two suites by Duke Ellington: the famous Far East Suite and the lesser-known River Suite. The project was remarkable not only because of the crossover between classical and jazz and the choice of repertoire, but also for the fine arrangements made for this particular line up which, unusually, does not feature piano. The album Ellington Suites and the presentation concerts received massive media coverage.

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