London Symphony Orchestra, Sir Colin Davis – Berlioz: L’enfance du Christ (2007) [Official Digital Download 24bit/96kHz]

London Symphony Orchestra, Sir Colin Davis - Berlioz: L'enfance du Christ (2007) [Official Digital Download 24bit/96kHz] Download

London Symphony Orchestra, Sir Colin Davis – Berlioz: L’enfance du Christ (2007)
FLAC (tracks) 24 bit/96 kHz | Time – 01:36:30 minutes | 1,84 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © LSO Live

Described as a ‘sacred trilogy’, Berlioz’s oratorio L’enfance du Christ began as a short piece called Shepherds’ Farewell. It tells the story of the birth of Jesus and the journey of the Holy Family as they escape Bethlehem and head across Egypt to the city of Saïs. Unlike many of the composer’s more flamboyant works, it is an exquisite and gentle composition scored for relatively small forces.
(more…)

Read more

Valery Gergiev, Antoine Tamestit, Karen Cargill, London Symphony Orchestra – Berlioz: Harold en Italie (2015) [Official Digital Download 24bit/96kHz]

Valery Gergiev, Antoine Tamestit, Karen Cargill, London Symphony Orchestra - Berlioz: Harold en Italie (2015) [Official Digital Download 24bit/96kHz] Download

Valery Gergiev, Antoine Tamestit, Karen Cargill, London Symphony Orchestra – Berlioz: Harold en Italie (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:09 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © LSO Live

Violist Antoine Tamestit and mezzo-soprano Karen Cargill join forces with the London Symphony Orchestra and Valery Gergiev in the latest instalment of their Berlioz exploration.

Harold en Italie was composed in 1834 at the suggestion of Paganini (he wanted a showcase for his new viola). Inspired by Lord Byron’s poetic oddessy Childe Harold’s Pilgrimage Berlioz wrote of it that he ‘wanted to make the viola a kind of melancholy dreamer’. The cantata Cléopâtre was written for the 1829 Prix de Rome, and remains among Berlioz’ most neglected works.
(more…)

Read more

Luciano Pavarotti, Joan Sutherland, Piero Cappuccilli, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge – Bellini: I Puritani (1973/2013) [Official Digital Download 24bit/96kHz]

Luciano Pavarotti, Joan Sutherland, Piero Cappuccilli, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge - Bellini: I Puritani (1973/2013) [Official Digital Download 24bit/96kHz] Download

Luciano Pavarotti, Joan Sutherland, Piero Cappuccilli, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge – Bellini: I Puritani (1973/2013)
FLAC (tracks) 24 bit/96 kHz | Time – 02:54:05 minutes | 3,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Decca Music Group Ltd.

Pavarotti made only one studio recording of I Puritani. In 1973 he recorded the opera with Richard Bonynge conducting the London Symphony Orchestra and with Joan Sutherland as Elvira.
“Sutherland’s singing here is brighter and fresher than her earlier recording, with the lovely aria ‘Qui la voce’ no longer a wordless melisma…The recording is vivid and atmospheric and one marvels at Bellini’s gorgeous melodies…with Sutherland, Bonynge and all on electrifying form.” –The Penguin Guide
(more…)

Read more

Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Bellini: Beatrice di Tenda (1966/2013) [Official Digital Download 24bit/96kHz]

Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge - Bellini: Beatrice di Tenda (1966/2013) [Official Digital Download 24bit/96kHz] Download

Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Bellini: Beatrice di Tenda (1966/2013)
FLAC (tracks) 24 bit/96 kHz | Time – 02:27:46 minutes | 2,90 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Decca Music Group Ltd.

„Bellini’s penultimate opera – written for La Fenice, Venice, in 1833 – has never enjoyed the popularity of such works as La sonnambula, Norma and I puritani. Listening to this vintage Joan Sutherland recording dating from 1966, it is hard to fathom why. The story is strong and stirring – a sort of cross between Maria Stuarda and La Gioconda – and offers fine roles for the wronged titular heroine, her villainous husband Filippo, her platonic admirer Orombello and his would-be mistress, Agnese del Maino (a Princess Eboli avant la lettre). How odd that Sutherland never managed to persuade Covent Garden to mount it for her, especially with this glorious cast. The Decca set is historic because it offered the legendary Sutherland/Pavarotti collaboration for the first time on disc. Luciano is wonderfully stylish here, elegant and ringing: Nureyev, vocally-speaking, to Sutherland’s Fonteyn. La Stupenda was going through one of her ‘moony’, muddy-diction phases, but the vocalism is quite dazzling. It’s a joy to encounter Josephine Veasey in her only commercially recorded Italian role: velvet-toned, shining, she is Sutherland’s most lustrous mezzo rival in any bel canto recording. More recent recordings include a Rizzoli set – Mariana Nicolescu in the title role – and a brand new one starring Edita Gruberova on the ominously named Nightingale label, which I have not yet heard.“ –Hugh Canning, BBC Music Magazine
(more…)

Read more

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral” (2013) [Official Digital Download 24bit/192kHz]

London Symphony Orchestra, Josef Krips - Beethoven: Symphony No. 6 in F Major, Op. 68

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral” (2013)
FLAC (tracks) 24 bit/192 kHz | Time – 40:50 minutes | 1,38 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Everest

This beautiful “nature” symphony receives an exquisite performance at the hands of a noted Beethoven interpreter. The composer’s sounds of nature are reproduced with like naturalness in Everest’s incomparable recording.
Beethoven’s Pastoral Symphony lives up to its name in more ways than one. To begin with, it is the most relaxed of his nine symphonies. Sir Donald Francis Tovey has written of it that it “has the enormous strength of someone who knows how to relax.” Composed in 1808, hard upon the heels of the stormy, dramatic Fifth Symphony, it came as a sort of feminine companion to its definitely masculine predecessor.
It is not at all surprising that Beethoven should have written a work like the Pastoral. Throughout his life, his favorite pastime was taking long, solitary walks in the countryside, mostly in the vicinity of Vienna. It was during these quiet hours that he could commune with Nature, unhampered by his ever-increasing deafness. And it was these nature walks that inspired so much of his writing. Perhaps the most directly traceable manifestation of Nature’s influence upon the composer is the Sixth Symphony, with its imitations of the smooth-flowing brook, the bird-calls, the rustic peasant dances, the thunderstorm and the shepherd’s song.
(more…)

Read more

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 5 in C Minor, Op. 67 & Egmont Overture (2013) [Official Digital Download 24bit/192kHz]

London Symphony Orchestra, Josef Krips - Beethoven: Symphony No. 5 in C Minor, Op. 67 & Egmont Overture (2013) [Official Digital Download 24bit/192kHz] Download

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 5 in C Minor, Op. 67 & Egmont Overture (2013)
FLAC (tracks) 24 bit/192 kHz | Time – 42:05 minutes | 1,38 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Everest

In presenting a new recording of one of the world’s most popular symphonies, the Fifth Symphony of Beethoven, it is fitting that it should be conducted by a musician internationally acclaimed as one of the foremost Beethoven interpreters of our day, Josef Krips. All the dynamism of the music and its performance has been faithfully preserved through the magic of Everest sound.
(more…)

Read more

London Symphony Orchestra, Bernard Haitink – Beethoven: Symphony No. 3, Leonore Overture No. 2 (2006) [Official Digital Download 24bit/96kHz]

London Symphony Orchestra, Bernard Haitink - Beethoven: Symphony No. 3, Leonore Overture No. 2 (2006) [Official Digital Download 24bit/96kHz] Download

London Symphony Orchestra, Bernard Haitink – Beethoven: Symphony No. 3, Leonore Overture No. 2 (2006)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:13 minutes | 1,24 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © LSO Live

Much is made of the revolutionary nature of Beethoven’s Third Symphony. It marked the transition to a more complex symphonic world for the composer, and simultaneously embodied his admiration for the ideals of the French revolution: the symphony’s one-time dedicatee was Napoleon Bonaparte.

Napoleon had to be erased from the symphony’s title page once his overweening imperial ambition became known. It also suited Beethoven to ditch the reference, given that he could then earn a royal patron’s fee from another quarter (the ultimate dedicatee is Prince Joseph Franz Maximilian Lobkowitz). The concept of the third symphony as something ‘heroic’ nonetheless remained, and its published title became the ‘Sinfonia eroica’ instead of ‘the Bonaparte’.

The work is rightly admired for its ground-breaking attributes, formal innovations and harmonic shocks, but this particular recording has another revolutionary dimension. No stranger to Beethoven symphonies, Bernard Haitink took a completely new approach to this cycle, adopting more daring Beethovenian tempi as well as reining in the customarily full sound of the symphony orchestra to something sparer. The rhythmic audacity and percussive qualities of the work are that much clearer as a result, the reading nimbler. If Napoloen was the hidden hero of the symphony, the time in which he lived feels that much closer with this fabulously vigorous interpretation.

Beethoven’s opera ‘Fidelio’ was subject to revision a number of times and the composer wrote a total of four overtures for it. Only one of them became the official Fidelio overture, the other three bearing the title ‘Leonora”, an allusion to the opera’s heroine. Leonora Overture No. 2 was written for the performance of Fidelio in 1805, not quite two years after the completion of the Eroica. It makes an interesting foil for the symphony. –James Mallinson, LSO Live Producer
(more…)

Read more

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 3 in E-flat Major, Op. 55 ‘Eroica’ (1960/2013) [Official Digital Download 24bit/192kHz]

London Symphony Orchestra, Josef Krips - Beethoven: Symphony No. 3 in E-flat Major, Op. 55 'Eroica' (1960/2013) [Official Digital Download 24bit/192kHz] Download

London Symphony Orchestra, Josef Krips – Beethoven: Symphony No. 3 in E-flat Major, Op. 55 ‘Eroica’ (1960/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 44:57 minutes | 1,44 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Everest

Beethoven’s Eroica represents his symphonic declaration of independence from the domination of Haydn and Mozart. He spent two years composing it, polishing and refining each phrase until he had exactly what he wanted. The results must have proved startling to the symphony’s first hearers. Not only was it probably by far the longest symphony written up to that time but it had more daring innovations.
(more…)

Read more

London Symphony Orchestra, Josef Krips – Beethoven: Symphonies Nos. 1 & 8 (1960/2013) [Official Digital Download 24bit/192kHz]

London Symphony Orchestra, Josef Krips - Beethoven: Symphonies Nos. 1 & 8 (1960/2013) [Official Digital Download 24bit/192kHz] Download

London Symphony Orchestra, Josef Krips – Beethoven: Symphonies Nos. 1 & 8 (1960/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 53:07 minutes | 1,82 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Everest Records

It is not known exactly when Beethoven completed his First Symphony, as the autograph score was lost. It is known, however, when the symphony was first performed and what the critics thought of it. It premiered in Vienna in 1800, also on the program was a Mozart symphony, an aria and duet from Haydn’s Creation, an unspecified piano concerto by Beethoven, his Septet, and some improvisations at the piano by the composer. The critics were rather complimentary about all the works but the Beethoven symphony. The Eighth is the shortest of Beethoven’s symphonies, also probably the jolliest, with much of that “unbuttoned” humor so frequently ascribed to the composer.
(more…)

Read more

London Symphony Orchestra, Bernard Haitink – Beethoven: Symphonies Nos 4 & 8 (2006) [Official Digital Download 24bit/96kHz]

London Symphony Orchestra, Bernard Haitink - Beethoven: Symphonies Nos 4 & 8 (2006) [Official Digital Download 24bit/96kHz] Download

London Symphony Orchestra, Bernard Haitink – Beethoven: Symphonies Nos 4 & 8 (2006)
FLAC (tracks) 24 bit/96 kHz | Time – 57:17 minutes | 1,10 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © LSO Live

Coming between two of Beethoven’s most famous symphonies the Fourth Symphony can seem a relatively lightweight and cheerful work. Written for Count Franz von Oppersdorff, who wanted a symphony similar in vein to the Second Symphony it is a brusque and enjoyable work. Beethoven’s Eighth Symphony sees him in playful mood. Featuring humorous twists and turns and relatively brief movements, including the shortest movement of any of his symphonies, it is a lighthearted work.
(more…)

Read more

Maria João Pires, London Symphony Orchestra, Bernard Haitink – Beethoven: Piano Concerto No. 2 (2015) [Official Digital Download 24bit/96kHz]

Maria João Pires, London Symphony Orchestra, Bernard Haitink - Beethoven: Piano Concerto No. 2 (2015) [Official Digital Download 24bit/96kHz] Download

Maria João Pires, London Symphony Orchestra, Bernard Haitink – Beethoven: Piano Concerto No. 2 (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 30:55 minutes | 649 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © LSO Live

The LSO join forces with revered conductor Bernard Haitink and the celebrated pianist Maria João Pires in this revelatory recording of Beethoven’s Piano Concerto No.2. Haitink and the LSO’s previous Beethoven recordings have been hailed as landmark interpretations, and this new addition is sure to be welcomed into the catalogue. BachTrack described the performance as ‘music-making of the highest quality.’

Piano Concerto No 2 was composed during the 1790s when the young Beethoven was seeking to establish himself as a virtuoso pianist and composer. Subject to various revisions, the work was not published until 1801, by which time he had also published his Piano Concerto No 1.

The three-movement work opens with triumphant orchestral statements, which appear throughout the first movement and provide much of its flavour and developmental force. The music that follows is full of drama and contrast, showing off the soloist’s skill and displaying the young Beethoven at his best.
(more…)

Read more

Itzhak Perlman, London Symphony Orchestra, André Previn – Bartók: Violin Concerto No. 2 (2015) [Official Digital Download 24bit/96kHz]

Itzhak Perlman, London Symphony Orchestra, André Previn - Bartók: Violin Concerto No. 2 (2015) [Official Digital Download 24bit/96kHz] Download

Itzhak Perlman, London Symphony Orchestra, André Previn – Bartók: Violin Concerto No. 2 (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 37:51 minutes | 758 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Warner Classics

Unlike some of his older colleagues, such as Isaac Stern or Yehudi Menuhin, Itzhak Perlman has recorded very little music by Béla Bartók — the Violin Sonatas Nos.1 and 2, the Sonata for solo violin, the two Rhapsodies, the First Violin Concerto and the six Romanian Folk Dances are all notable by their absence from his discography, making this recording of the Second Violin Concerto all the more precious. Several of his eminent predecessors had already recorded this masterpiece, chief among them Yehudi Menuhin (in 1946 and 1953), Ivry Gitlis (1954) and Isaac Stern (1958). The young Perlman’s vision of the work, as conducted by André Previn, proved to be a landmark to match those that had gone before.
(more…)

Read more

Sir Colin Davis, London Symphony Orchestra – Beethoven: Fidelio (2006) MCH SACD ISO + Hi-Res FLAC

Sir Colin Davis, London Symphony Orchestra – Beethoven: Fidelio (2006)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 6.0 >1-bit/2.8224 MHz | Front Cover | 7.41 GB
FLAC Image+CUE 2.0 24bit/88.2 kHz | Front Cover | 1.96 GB

Best of 2007 Classical CDs ‘This thrilling performance was given in the Barbican last May when Sir Colin excelled himself in the power & nobility of his interpretation, with the LSO in terrific form, & the American soprano Christine Brewer sang with gleaming white-hot tone as Leonore. The final paean of joy at liberation is overwhelming. 1st-class recording quality.

(more…)

Read more

Anne Akiko Meyers, Keith Lockhart, London Symphony Orchestra – Serenade: The Love Album (2015) [Official Digital Download 24bit/96kHz]

Anne Akiko Meyers, Keith Lockhart, London Symphony Orchestra – Serenade: The Love Album (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:46 minutes | 1,31 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © eOne Music

Without much fanfare, Anne Akiko Meyers has risen to the top of the heap in American classical music; she was the best-selling traditional classical instrumentalist in the U.S. in 2014. She does nearly everything well and puts it across effectively: she has strong fundamentals, a good deal of stage charisma, great programming instincts, and a couple of extraordinary violins to which she has lifetime access, including the 1741 “Ex Vieuxtemps” Guarneri heard here. It’s unusual to hear this instrument, with its purring lower register, applied to the likes of Somewhere Over the Rainbow, but the truth is that she applies its capabilities in novel and entirely appropriate ways. Leonard Bernstein is at the center of the program, which sets it apart from the usual collections of sentimental pop tunes; Meyers effectively plays the more abstract Serenade After Plato’s Symposium against film themes and popular songs by Bernstein and other composers, with tango accents from Gade and Piazzolla to break things up. It’s an exceptionally engaging program that uses Meyers’ basically lyrical talents to the maximum, and her aims are perfectly complemented by the London Symphony under Keith Lockhart. That might seem an unusual combination, but once you listen it makes perfect sense. And the same can be said of Meyers’ playing in general. Luxuriantly melodic, and highly recommended.

(more…)

Read more

Artur Rubinstein, London Symphony Orchestra, Sir John Barbirolli – Chopin: Piano Concertos Nos. 1 & 2 (Remastered) (2020) [Official Digital Download 24bit/192kHz]

Artur Rubinstein, London Symphony Orchestra, Sir John Barbirolli - Chopin: Piano Concertos Nos. 1 & 2 (Remastered) (2020) [Official Digital Download 24bit/192kHz] Download

Artur Rubinstein, London Symphony Orchestra, Sir John Barbirolli – Chopin: Piano Concertos Nos. 1 & 2 (Remastered) (2020)
FLAC (tracks) 24 bit/192 kHz | Time – 59:51 minutes | 1,04 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Warner Classics

Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916. His conducting career began with the formation of his own orchestra in 1924, and between 1926 and 1933 he was active as an opera conductor at Covent Garden and elsewhere. Orchestral appointments followed: the Scottish Orchestra (1933–36), the New York Philharmonic (1936–42), the Hallé Orchestra (1943–70) and the Houston Symphony (1961–67). Barbirolli guest conducted many of the world’s leading orchestras and was especially admired as an interpreter of the music of Mahler, Sibelius, Elgar, Vaughan Williams, Delius, Puccini and Verdi. He made many outstanding recordings, including the complete Brahms and Sibelius symphonies, as well as operas by Verdi and Puccini and much English repertoire.
(more…)

Read more
%d bloggers like this: