Lithuanian State Symphony Orchestra, Māris Kupčs – Fridrich Bruk: Orchestral Music, Vol. 3 (2022) [Official Digital Download 24bit/44,1kHz]

Lithuanian State Symphony Orchestra, Māris Kupčs - Fridrich Bruk: Orchestral Music, Vol. 3 (2022) [Official Digital Download 24bit/44,1kHz] Download

Lithuanian State Symphony Orchestra, Māris Kupčs – Fridrich Bruk: Orchestral Music, Vol. 3 (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:06:46 minutes | 651 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Toccata Classics

This third instalment of the recent symphonic output of Fridrich Bruk (born in Ukraine in 1937 but a Finnish resident since 1974) brings two works of astonishing vitality for a composer in his eighties. Both of them have social undercurrents: Symphony No. 22 is driven by ecological concerns about the pollution of the world’s oceans, and No. 23 takes its material from folk-melodies of the Ingrians, a vanishing ethnic group on the Finnish- Russian border. The orchestral writing in both pieces is passionate and wildly inventive, a kaleidoscope of colour and counterpoint, sitting somewhere between Villa-Lobos and Pettersson in its profligate abundance.
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Lithuanian State Symphony Orchestra, Liepāja Symphony Orchestra, Māris Kupčs – Fridrich Bruk: Orchestral Music, Vol. 2 (2020) [Official Digital Download 24bit/96kHz]

Lithuanian State Symphony Orchestra, Liepāja Symphony Orchestra, Māris Kupčs - Fridrich Bruk: Orchestral Music, Vol. 2 (2020) [Official Digital Download 24bit/96kHz] Download

Lithuanian State Symphony Orchestra, Liepāja Symphony Orchestra, Māris Kupčs – Fridrich Bruk: Orchestral Music, Vol. 2 (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:17:52 minutes | 1,29 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Toccata Classics

Fridrich Bruk – born in Kharkov in 1937 and a Finnish resident since 1974 – made his name as a composer of tangos. But the heart of his music lies in a series of (to date) 21 symphonies, which have a strong narrative element, some reflecting Jewish themes, others inspired by Karelia and Finland. The three most recent together form a kind of meta-symphony premised on the persecution of the Jews in the first half of the twentieth century. Bruk’s kaleidoscopic use of orchestral colour, his angular but expressive melodies and his dramatic musical language reflect this urge to chronicle the outrage visited on his fellow Jews – and which directly impinged on his own life.
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