Laurent Naouri & Frédéric Loiseau – En sourdine (2020) [Official Digital Download 24bit/44,1kHz]

Laurent Naouri & Frédéric Loiseau – En sourdine (2020)
FLAC (tracks) 24 bit/44,1 kHz | Time – 43:34 minutes | 406 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alpha Classics

We are familiar with the flamboyant baritone Laurent Naouri, a distinguished exponent of the four villains in Les Contes d’Hoffmann from Paris to The Metropolitan Opera New York and an unforgettable Golaud in Pelléas et Mélisande. But here it is a much more intimate Naouri, the lover of mélodies by Fauré, Debussy and Poulenc, who invites us to a rendezvous: ‘Here is a repertory I’ve been performing for more than thirty years, sometimes not without a certain frustration: for how can you achieve the intimacy suggested by a poem like Baudelaire’s Le Jet d’eau – it almost pillow talk – when the vocal style forces you to “project” the voice? Although classical art song authorises you to sing piano or pianissimo, it’s still inconceivable to whisper in the listener’s ear. To whisper, you need a microphone, and there we leave the world of the mélodie and enter the world of “chanson”, as that term was understood at the beginning of the radio era. I had already been thinking about these questions for a few years when I met the jazz guitarist Frédéric Loiseau. We started off our collaboration with Les Berceaux, a “mélodie” that Yves Montand had already sung in a “chanson” style. Encouraged by the result, we looked for other songs that we felt could benefit from this intimate treatment’.

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Mathieu Romano, Orchestre des Frivolités Parisiennes, Laurent Naouri – Massenet: Don César de Bazan (1888 Version) (2020) [Official Digital Download 24bit/96kHz]

Mathieu Romano, Orchestre des Frivolités Parisiennes, Laurent Naouri – Massenet: Don César de Bazan (1888 Version) (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:51:58 minutes | 1,97 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Naxos

Don César de Bazan is an opéra-comique with a narrative of dashing Spanish chivalry and romance. Its plot revolves around deception and comedies of reversed identity, with a struggle between true nobility and wicked selfishness maintaining an animated momentum throughout. This was the young Jules Massenet’s first full-length opera and yet it is filled with the composer’s mature symphonic style, his gift for melody, feeling for the picturesque, and vivacity of rhythm. These distinctive qualities reveal an operatic feast whose time has at last arrived.

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