Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt – Brahms: The Piano Trios (2015) [Official Digital Download 24bit/96kHz]

Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt - Brahms: The Piano Trios (2015) [Official Digital Download 24bit/96kHz] Download

Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt – Brahms: The Piano Trios (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:23:06 minutes | 1,40 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Ondine

Award-winning violinist Christian Tetzlaff and pianist Lars Vogt are joined together with Tanja Tetzlaff in this exciting new recording of the Johannes Brahms (1833-1897) Piano Trios.
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Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt – Johannes Brahms – The Piano Trios (2015/2016) DSF DSD64

Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt – Johannes Brahms – The Piano Trios (2015/2016)
DSF Stereo DSD64/2.82MHz | Time – 01:22:57 minutes | 3,27 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: e-Onkyo | Booklet, Front Cover |  © CTI2xHD/Ondine Oy, Helsinki

Award-winning violinist Christian Tetzlaff and pianist Lars Vogt are joined together with Tanja Tetzlaff in this exciting new recording of the Johannes Brahms (1833-1897) Piano Trios.

The Brahms Piano Trios belong to the very core of the romantic chamber music repertoire. They span a period from the 1850s (the 1st version of Op. 8) to the 1880s, Op. 101 being completed during the last decade of Brahms’ active career as a composer. Piano Trio No. 1 was also revised by the composer as late as in 1889.

Christian Tetzlaff has been considered as one of the world’s leading international violinists for many years, and still maintains a most extensive performing schedule. Musical America named him “Instrumentalist of the Year” in 2005 and his recording of the violin concertos by Mendelssohn and Schumann, released on Ondine in 2011 (ODE 1195-2), received the “Preis der deutschen Schallplattenkritik”. Gramophone Magazine chose his recording of the Schumann Violin Sonatas with Lars Vogt (ODE 1205-2) as “Disc of the Month” in January 2014. In addition, in 2015 ICMA awarded Christian Tetzlaff as the “Artist of the Year”.

Chamber music plays a significant part in Tanja Tetzlaff’s career. She gives regular recitals in renowned concert series and festivals. In addition to successes in many international competitions, she has collaborated with world-renowed orchestras and conductors.

Lars Vogt was appointed the first ever “Pianist in Residence” by the Berlin Philharmonic in 2003/04 and enjoys a high profile as a soloist and chamber musician.

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Lars Vogt – Bach : Goldberg Variations, BWV 988 (2015) [Official Digital Download 24bit/48kHz]

Lars Vogt - Bach : Goldberg Variations, BWV 988 (2015) [Official Digital Download 24bit/48kHz] Download

Lars Vogt – Bach : Goldberg Variations, BWV 988 (2015)
FLAC (tracks) 24 bit/48 kHz | Time – 01:16:35 minutes | 648 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Ondine

Many concepts have been applied to the playing of Bach’s Goldberg Variations, BWV 988, on the piano rather than the harpsichord for which it was originally composed. There are readings that attempt to restrict the piano’s dynamic ambit to keep it close to that of a harpsichord, those that go full-on Romantic, and monumental takes that recognize the sheer unprecedented scope of the work. Fewer, though, are those that recognize the original story of the work’s origin, recounted by Bach’s early biographer Forkel: a Russian ambassador in Saxony, named Kaiserling, had trouble sleeping and prevailed upon a young pianist named Goldberg to serenade him to the land of dreams with a harpsichord, asking Bach to compose something for these sessions. The tale has been widely disbelieved, but there is no reason to suppose that quiet, intimate Goldberg Variations are any less valid than an epic one. That’s what’s here from German pianist Lars Vogt, who manages the neat trick of delivering a truly pianistic interpretation without turning it into a Romantic one. He does so by keeping the volume low throughout and by reining in the temptation to make the big minor-key variations at the middle and end into anguished dissonant cries. Instead they are moderate in tempo and quietly dreamy, to delightful effect, and one might indeed imagine the insomniac Russian count drifting off to them. In general Vogt’s treatment is straightforward, with nothing brought so far to the fore that it would interfere with the considerable contrapuntal detail that emerges naturally from the individual variations. With excellent engineering from Ondine, working in the Deutschlandfunk Chamber Music Studio in Cologne, this is a highly recommended tonic to grandiose Goldberg Variations played on whatever instruments.
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