Takács Quartet, Clarice Assad and Julien Labro – Takacs Assad Labro (2024) [Official Digital Download 24bit/88,2kHz]

Takács Quartet, Clarice Assad and Julien Labro – Takacs Assad Labro (2024)
FLAC (tracks) 24 bit/88,2 kHz | Time – 53:58 minutes | 932 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Yarlung Records

My friend Clarice Assad called me out of the blue a few months after our album Confessions earned a GRAMMY® nomination. Clarice had written the title tracks on the album, which Laura Strickling sang magnificently. “Bob,” Clarice said, “I have an idea….” I have learned that anytime Clarice has an idea, I’m interested. “I wrote a piece for Takács Quartet and bandoneón virtuoso Julien Labro. It’s a wild piece. The five of them have been performing it all over the world on tour, and I think you would like it. Actually, I know you would like it. Julien also wrote a companion piece, and the third work is by Bryce Dessner. I think you know Bryce; he lives in Paris. What a trio!” I responded that it sounded wonderful. “I want you to record these three works, plus another piece I have in mind for violin and piano. When can we do it?” Hence began one of Yarlung’s most adventurous (and I hope you will agree, successful) collaborations in the label’s nineteen year history.

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Jason Vieaux, Julien Labro – Infusion (2016) [Official Digital Download 24bit/96kHz]

Jason Vieaux, Julien Labro - Infusion (2016) [Official Digital Download 24bit/96kHz] Download

Jason Vieaux, Julien Labro – Infusion (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:48 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Azica Records

The word “fusion” as a musical genre identifier, is a loaded term. At worst, it conjures images of endlessly self-indulgent electric guitar solos, overactive drummers buried deep behind epic drum kits, and seven string electric basses strapped up way too high. At best, it has given us timeless albums that were more sui generis than the mere mashup of distinct styles that it implies. With their album Infusion, Jason Vieaux and Julien Labro suggest a subtle alternative path to stylistic integration; the effectively present several diverse performance approaches all under a concert music umbrella. Taking a staple of modern guitar chamber repertoire like Radames Gnattali’s Suite Retratos and infusing it with aspects of different improvising traditions leaves Gnattali’s structural context in place. In their arrangement of the Tears for Fears classic, “Everybody Wants to Rule the World,” Vieaux diligently reproduces various components of the multi-track original while infusing it with a soloing approach drawn from jazz. In Labro’s arrangement of Piazzolla’s “Escualo,” the two infuse the song with contemporary references that blend with the original material. Also featured is Leo Brouwer’s Tres Danzas Concertantes, which has been adapted by Julien Labro for this recording. Brouwer has drawn from Afro Cuban sources throughout his career, infusing his concert music with the vibrant rhythms and characteristic harmonic flavors of his native culture.
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