Johnny Cash

Johnny Cash – Highwayman 2 (1990/2018)
FLAC (tracks) 24 bit/44,1 kHz | Time – 33:12 minutes | 359 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Columbia Nashville Legacy

Waylon Jennings, Johnny Cash, Willie Nelson, and Kris Kristofferson, together they comprised of the outlaw country supergroup The Highwaymen. Their greatest hits song, “Silver Stallion” was the first single. This is the second Highwayman album recorded in 1990 and was nominated for a Grammy for Best Country Vocal Collaboration.
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Johnny Cash – Classic Original Singles 1955-1959 (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 48:43 minutes | 752 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © RevOla

John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American singer, songwriter, musician, and actor. Much of Cash’s music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. He was known for his deep, calm bass-baritone voice,[a] the distinctive sound of his Tennessee Three backing band characterized by train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark all-black stage wardrobe which earned him the nickname “The Man in Black”.
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Johnny Cash – Bear’s Sonic Journals: Live At The Carousel Ballroom, April 24 1968 (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:18 minutes | 1,32 GB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Legacy Recordings

The idea of a live album as a documentary is a naïvely outdated one. For decades, fans have understood that, if one wanted to hear a tip-to-tail, warts-and-all live performance by one of their favorite musicians, a bootleg would be just about the only way, since the “live” albums typically released by most acts were usually cobbled together from multiple performances (and sometimes even across multiple tours). This state of affairs means that while these releases are providing a simulacrum of the live experience, they never exactly transport the listener to any fixed place in time. Thankfully, though, “official bootlegs” like those being released as part of the Bear’s Sonic Journals series are not just providing historical documentation of a specific concert, but also a more fully immersive listening experience. After all, as it turns out, those “warts and all” that get removed in the overdub-and-edit process of many live albums are what can make them so vital and exciting. Most well-known as the sound engineer (and LSD purveyor) for the Grateful Dead, Owsley “Bear” Stanley also recorded hundreds of performances by other acts who performed in San Francisco. Stanley’s approach to live audio was revolutionary at the time, constantly iterating and optimizing both the in-room amplification and the mixing (and, by extension, recording) process, in the pursuit of a multi-sensory experience for a concert’s attendees. And while the recordings he made were largely a byproduct of his optimization, the resultant archives have turned out to be an extensive documentation of Bay Area concerts during the heyday of the counterculture’s most expansive period, which wasn’t just limited to rock ‘n’ roll. Bluegrass bands, country acts, Indian classical masters, jazz artists, and more provided sonic counterpoints to the psychedelia that dominated the scene. This particular set—recorded a few months after Cash’s legendary show at Folsom Prison, but a few weeks before the (edited and polished) live album of that set was released—is just one of those sonic counterpoints. Even though Cash tosses a couple of nods to his Haight Ashbury audience with some Dylan covers in the set list and a shoutout to Gordon Lightfoot who is in the crowd, the set is largely in line with what he was performing across the country at the time. That said, it’s an absolutely rollicking set, with an incredible amount of energy and dynamism, even in the quieter, more pensive moments. Jamming 28 tracks into just over an hour, Cash and the Tennessee Three are absolutely in prime form here, barrelling through a wide range of material that ironically gives lost cuts like “The Ballad of Ira Hayes” more breathing room than a 90-second version of “Ring of Fire.” The sonics are enveloping, dynamic and holistic, favoring clarity and immersion over separation and perfection (although the harmonica just pops out of the mix on “Orange Blossom Special”), and even though the mid-show June Carter portion is truncated a bit due to a tape change, this recording absolutely puts the listener in the middle of the room, right alongside the hootin’ and hollerin’ crowd of hippies. – Jason Ferguson
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Johnny Cash – The Christmas Spirit (1963)
FLAC (tracks) 24 bit/96 kHz | Time – 38:18 minutes | 400 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Columbia Nashville Legacy

Featured were four original songs by Cash, along with eight covers including takes of “I Heard the Bells on Christmas Day,” “Silent Night,” “Blue Christmas,” and others. This is a solidly enjoyable entry from Cash, and a must-have for die-hard aficionados of the country icon.
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Johnny Cash – With His Hot And Blue Guitar (Sun Records 70th / Remastered 2022) (1957/2022)
FLAC (tracks) 24 bit/96 kHz | Time – 27:17 minutes | 342 MB | Genre: Country
Studio Masters, Official Digital Download | Front Cover | © Sun Records

Johnny Cash with His Hot and Blue Guitar! is the debut studio album by American singer Johnny Cash, released on October 11, 1957. The album contained four of his hit singles: “I Walk the Line,” “Cry! Cry! Cry!,” “So Doggone Lonesome,” and “Folsom Prison Blues.”
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Johnny Cash – Sings The Songs That Made Him Famous (1958)
FLAC (tracks) 24 bit/96 kHz | Time – 29:10 minutes | 368 MB | Genre: Country
Official Digital Download – Source: HDTracks.com | Front Cover | © Sun Records

Originally released in 1958, Johnny Cash’s second album was a smash success, with singles such as “Walk The Line” and “Ballad of a Teenage Queen” shooting to the top of the charts and earning Cash a reputation as one of country’s greatest songwriters and performers. (more…)