Simon Gaudenz & Jenaer Philharmonie – Mahler · Scartazzini: Complete Symphonies Vol. 3 (2024) [Official Digital Download 24bit/96kHz]

Simon Gaudenz & Jenaer Philharmonie – Mahler · Scartazzini: Complete Symphonies Vol. 3 (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 02:53:26 minutes | 3,00 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Odradek Records

Simon Gaudenz conducts the Jenaer Philharmonie in the third of a series of recordings of the complete Mahler Symphonies, interspersed with world-premiere recordings of pieces by Andrea Lorenzo Scartazzini that reflect each symphony and pay homage to Mahler’s soundworld. This third volume features Mahler’s Sixth and Seventh Symphonies, the Sixth preceded by Scartazzini’sOmen (2023), and the Seventh byOrkus, both composed in 2023.

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Simon Gaudenz & Jenaer Philharmonie – Mahler · Scartazzini: Complete Symphonies Vol. 2 (2023) [Official Digital Download 24bit/96kHz]

Simon Gaudenz & Jenaer Philharmonie – Mahler · Scartazzini: Complete Symphonies Vol. 2 (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 03:10:17 minutes | 3,20 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Odradek Records

Simon Gaudenz conducts the Jena Philharmonie in the second of a series of recordings of the complete Mahler Symphonies, interspersed with world-premiere recordings of pieces by Andrea Lorenzo Scartazzini that reflect each symphony and pay homage to Mahler’s soundworld. This second volume features Mahler’s Second and Third Symphonies, the Second preceded by Scartazzini’s orchestral Torso (2018) and Epitaph for choir and orchestra (2019) for soprano and orchestra, and the Third by Spirit (2019). The Jena Philharmonie is joined by a host of stellar artists: soprano Jana Baumeister, contraltos Evelyn Krahe and Ida Aldrian, and the Philharmonischer Chor der Jenaer Philharmonie Knabenchor der Jenaer Philharmonie, chorus master Berit Walther.

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Jenaer Philharmonie, Simon Gaudenz – Mahler · Scartazzini: Complete Symphonies (2023) [Official Digital Download 24bit/96kHz]

Jenaer Philharmonie, Simon Gaudenz - Mahler · Scartazzini: Complete Symphonies (2023) [Official Digital Download 24bit/96kHz] Download

Jenaer Philharmonie, Simon Gaudenz – Mahler · Scartazzini: Complete Symphonies (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 02:14:54 minutes | 2,29 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Odradek Records

Simon Gaudenz conducts the Jena Philharmonic Orchestra in the first of a series of recordings of the complete Mahler Symphonies, interspersed with world-premiere recordings of pieces by Andrea Lorenzo Scartazzini that reflect each symphony and pay homage to Mahler’s soundworld. This first release features Mahler’s Fourth and Fifth Symphonies, the Fourth preceded by Scartazzini’sIncantesimo (2020) for soprano and orchestra, and the Fifth byEinklang (2021).
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Oliver Triendl, Lina Johnson, Jenaer Philharmonie, Simon Gaudenz – Karl Weigl: Orchestral Works (2022) [Official Digital Download 24bit/96kHz]

Oliver Triendl, Lina Johnson, Jenaer Philharmonie, Simon Gaudenz - Karl Weigl: Orchestral Works (2022) [Official Digital Download 24bit/96kHz] Download

Oliver Triendl, Lina Johnson, Jenaer Philharmonie, Simon Gaudenz – Karl Weigl: Orchestral Works (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:08 minutes | 1,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © CPO

The orchestral songs by the now almost forgotten Viennese composer and late Romantic Karl Weigl date from 1916, while the Rhapsody for String Orchestra, although dating back to the String Sextet composed in 1906, was composed together with the Piano Concerto only in 1931 and, like the latter, betrays a progressive and yet completely organic, natural development. There are neither radical changes of direction nor any signs of stagnation in Weigl’s work. We can perhaps best see where Weigl was to be placed in the New Music of the twenties from the fact that the Composition Prize of the City of Vienna in 1925 was awarded to four prominent artists: Karl Weigl, Franz Schmidt, Alban Berg and Anton Webern. Weigl never reached the dissonant extremes of expression with his language as Alban Berg did, but the works on this CD show that he often ventured to the limits of his self-imposed scope. The Piano Concerto is the most unusual and original work on this CD, illustrating the transition from the tantalisingly seductive language of Weigl’s early Viennese works to a more powerful, definite tone.
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Benjamin Appl, Jenaer Philharmonie & Simon Gaudenz – Wolf: Orchesterlieder & Penthesilea (2022) [Official Digital Download 24bit/96kHz]

Benjamin Appl, Jenaer Philharmonie & Simon Gaudenz – Wolf: Orchesterlieder & Penthesilea (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 59:36 minutes | 1,06 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © CPO

I am too cowardly to be a proper composer, Hugo Wolf confessed to a Viennese friend when he was barely 28 years old. And the result of his introspection was not so wrong: everything in his life, not only composing, proceeded in explosive spurts. He wandered through the deepest emotional valleys, suddenly flew up into the highest regions, suffered agonies when he couldn’t think of anything to say, shouted his enthusiasm about a successful piece to the whole world and still managed to produce a respectable, albeit fragmentary oeuvre, from which the early poem Penthesilea after Heinrich von Kleist’s tragedy of the same name stands out as a symphonic masterpiece. The Austrian baritone Benjamin Appl and the Jena Philharmonic Orchestra, led by its principal conductor Simon Gaudenz, have prefaced this highly dramatic monolith with twelve selected songs, most of which were orchestrated by their author himself: a dozen small, finely polished gems based on texts by Goethe, Mörike and Heyse, whose subtle arrangements leave no doubt that Hugo Wolf would certainly have had the makings of a “proper composer”. Whether then, of course, the ingenious things would have been created that posterity owes to him – that is another matter.

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