Isaac Birituro & The Rail Abandon – Small Small (2022) [Official Digital Download 24bit/96kHz]

Isaac Birituro & The Rail Abandon – Small Small (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 40:17 minutes | 808 MB | Genre: World, Afrobeat
Studio Masters, Official Digital Download | Front Cover | © Wah Wah 45s

This summer sees the return of the unique collaboration between Ghanain xylophonist Isaac Birituro and British singer-songwriter Sonny Johns, AKA The Rail Abandon. Having created something of a buzz back in 2019 with their debut album Kalba – gaining support along the way from Gilles Peterson, Cerys Matthews and Tom Ravenscroft to name but a few – after something of a hiatus, the duo teased us earlier this spring with the Lapaz EP in preparation for their new LP.

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Isaac Birituro & The Rail Abandon – Kalba Remixed (2019) [Official Digital Download 24bit/44,1kHz]

Isaac Birituro & The Rail Abandon – Kalba Remixed (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 24:09 minutes | 279 MB | Genre: Electronic, World, Afrobeat
Studio Masters, Official Digital Download | Front Cover | © Wah Wah 45s

Having released the album Kalba to huge critical acclaim, Wah Wah 45s are now ready to unleash the next stage of this unique cross-continental project, fronted by Ghanain xylophonist Isaac Birituro and Leeds based sing-songwriter and Grammy nominated producer Sonny Johns, AKA The Rail Abandon.

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Isaac Birituro & The Rail Abandon – Kalba (2019) [Official Digital Download 24bit/96kHz]

Isaac Birituro & The Rail Abandon – Kalba (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 40:22 minutes | 790 MB | Genre: Africa
Studio Masters, Official Digital Download | Front Cover | © Wah Wah 45s

Wah Wah 45s are very proud to announce the release of Kalba, the first album from Ghanaian xylophone master Isaac Birituro and Leeds-based producer and singer-songwriter Sonny Johns AKA The Rail Abandon. The boundary crossing duo were introduced to the world via the first two singles released in early 2019, Yesu Yan Yan and Für Svenja, and the reactions to the project have been overwhelmingly warm. There are many differences between Isaac and Sonny, but a powerful similarity – which gives Kalba its element of relatability – is that desire to hear the usual done unusually and play with the shared influence of the music from afar. Named after the town in North Ghana where Isaac resides, the album is a combination of differences; a magnifying glass over the Venn diagram of our lives, the unfathomable meeting of parallel lines. “It was clear to me that, though he played a traditional instrument in a traditional way, Isaac was influenced by the Western tinged music that filled the streets of Accra – in fact his father, Edmund, introduced him with “He plays the modern way!” Partly dismissive, mostly proud,” said Sonny. “And as this Viking sat before him played the guitar, it sounded too much like the stringed instruments of Mali for it to be just a coincidence.” There are so many stories behind each track on this album, but the common denominators are clearly the importance of community, of preserving and presenting local cultures, the ardent desire to contribute to changing the world around us, and, of course, the love and power of music created from a genuine place.

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