Laurence Equilbey, Insula Orchestra – Mozart: Requiem in D Minor, K.626 (2014) [Official Digital Download 24bit/44,1kHz]

Laurence Equilbey, Insula Orchestra – Mozart: Requiem in D Minor, K.626 (2014)
FLAC (tracks) 24 bit/44,1 kHz | Time – 48:44 minutes | 459 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © naïve classique

Laurence Equilbey’s 2014 Naïve release of Wolfgang Amadeus Mozart’s unfinished Requiem in D minor belongs to the category of historically informed performances, both in the actual execution and in the intentions of the performance. Obviously, presenting the Requiem with her hand-picked choir Accentus, and Insula, a small orchestra that uses original 18th century instruments, defines it as a period interpretation, and all the stylistic norms are observed. From the glossy senza vibrato of the strings to the crisp drum strokes of the timpani, and from the pure, fluid counterpoint of the small choir to the tasteful embellishments of the vocal soloists, everything sounds correct and polished to perfection. Yet Equilbey goes beyond the latest ideas of period practice to something more germane to the historical context, because she uses the oldest performing version that exists, the much-disparaged completion by Franz Xaver Süssmayr. Hearing this version played in authentic Classical style (with only the slightest modifications for better voice-leading and orchestration), it is actually more convincing than several modern revisions, not merely because of the established provenance — we know that Mozart gave instructions to Süssmayr, and presumably, they were followed closely — but because no hypothetical sections or cleverly refashioned movements have been added. Ultimately, Süssmayr’s completion works brilliantly when played well in period style, and the idea that Mozart communicated the essential music to his student seems to be validated in this extraordinary reading. Equilbey has complete control over the performance, and her gradations of dynamics and sectional balance prove that the Süssmayr version can be wonderful when the right artists perform it. Naïve’s sound is a little variable at times, but over all, the balance between the singers and the orchestra is carefully maintained.

(more…)

Read more

Laurence Equilbey & Insula Orchestra – Magic Mozart (2020) [Official Digital Download 24bit/96kHz]

Laurence Equilbey & Insula Orchestra – Magic Mozart (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:17 minutes | 1,27 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Warner Classics

Is Mozart’s music truly magical? Insula orchestra is a firm believer and, to prove the point, offers an original cabaret-style entertainment based on The Magic Flute. Laurence Equilbey and her musicians invite the very best singers of Mozart and, for the second time, Cie 14:20, pioneers of “new magic”. On the Grande Seine stage at La Seine Musicale, magic will take pride of place, be it white, black or red like love.

(more…)

Read more

Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey – Gluck: Orfeo ed Euridice (Complete recording of the original version (Vienna 1762)) (2015) [Official Digital Download 24bit/96kHz]

Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey – Gluck: Orfeo ed Euridice (Complete recording of the original version (Vienna 1762)) (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:25:15 minutes | 1,49 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon/ARCHIV Produktion

This is a full recording of the original Italian version (the “Vienna version” from 1762) of Gluck’s beloved take on the Orpheus myth, Orfeo et Euridice PLUS extra music written by Gluck for later performances of his opera. It includes virtuoso arias for Fagioli and as such represents a brilliant showcase for him and a collectible item for connoisseurs.

This is Franco Fagioli’s first ever recording of a complete opera in which he sings the title role and since, the role has become one of Franco’s calling cards in recent seasons. It is known for its absolutely gorgeous music, including one of opera’s most audience-pleasing tunes, the uber-famous aria “Che farò senza Euridice”.

This version of the opera (by far the most popular one) appears for the first time ever on period instruments on DG / Archiv, hence filling a major gap in our catalogue and is a substantial project featuring one of our exciting new signings in one of his finest roles.

(more…)

Read more

Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey – Gluck: Orfeo ed Euridice / Orpheo – Highlights Of The Versions For Vienna (1762) And Paris (1774) (2015) [Official Digital Download 24bit/96kHz]

Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey – Gluck: Orfeo ed Euridice / Orpheo – Highlights Of The Versions For Vienna (1762) And Paris (1774) (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:37 minutes | 1,18 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon/ARCHIV Produktion

This is a full recording of the original Italian version (the “Vienna version” from 1762) of Gluck’s beloved take on the Orpheus myth, Orfeo et Euridice PLUS extra music written by Gluck for later performances of his opera. It includes virtuoso arias for Fagioli and as such represents a brilliant showcase for him and a collectible item for connoisseurs.

This is Franco Fagioli’s first ever recording of a complete opera in which he sings the title role and since, the role has become one of Franco’s calling cards in recent seasons. It is known for its absolutely gorgeous music, including one of opera’s most audience-pleasing tunes, the uber-famous aria “Che farò senza Euridice”.

This version of the opera (by far the most popular one) appears for the first time ever on period instruments on DG / Archiv, hence filling a major gap in our catalogue and is a substantial project featuring one of our exciting new signings in one of his finest roles.

(more…)

Read more
%d bloggers like this: