Giulia Nuti – J.S. Bach: The Six Partitas (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 02:40:17 minutes | 3,53 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Arcana
Skilfully crafted, meticulously executed andutterly enjoyable,Giulia Nuti’s solorecordingsincludethree anthologies of keyboard music, the last two released with Arcana. These albumsfeaturehistorically significant instruments carefully chosen by the artist to enhance the repertoirewith which they are associated: Le Coeur et l’Oreille (2017), recorded on the 1658 Louis Denis harpsichordand,more recently, The Fall of the Leaf (2022), featuring the splendid Italian “Rucellai” virginal built around 1575.
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Giulia Nuti, Chiara Zanisi – Bach: Sei suonate à cembalo certato è violino solo (2017)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:34:56 minutes | 1,86 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Arcana
The violinist Chiara Zanisi works with the finest early music ensembles, notably the Amsterdam Baroque Orchestra under Ton Koopman, with whom she has just finished a long tour performing the Six Brandenburg Concertos. She now devotes her first solo recording to Johann Sebastian Bach’s Six Sonatas for Harpsichord and Violin. Alongside her is Giulia Nuti, among the most brilliant harpsichordists and scholars in Italy, whose solo CD Les Sauvages: Harpsichords in pre-Revolutionary Paris (DHM) won a Diapason d’Or, among other awards. The kernel from which this project grew is their strongly shared idea that, in addition to great stylistic richness and invention, Bach’s music possesses an aura of magic and an almost divine form. Thus, in this valuable and elegant reading, it is clearly their intention to underline in the simplest way the grandeur of the writing. Even the choice of sound aesthetic, beautifully realised under the supervision of Fabio Framba, opts for the ‘real’ with a ‘pure’, ‘speaking’ sound, warm and full of harmonics. The attractions of this precious version of the Six Sonatas, played on a G. Gagliano violin of 1761 and a harpsichord by K. Hill, are enhanced by a bonus track: the Cantabile, un poco Adagio from the early version of Sonata VI in G major.
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Giulia Nuti – Les Sauvages – Harpsichords in Pre-Revolutionary Paris (2014)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:07:33 minutes | 1,30 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © deutsche harmonia mundi
Towards the end of the 18th century, Paris enjoyed a musical tradition that granted the harpsichord a central place in its repertoire. Instrument makers had responded to the demands of composers for all kinds of technical capacities from the harpsichord; thus the late French harpsichord was a keyboard instrument not unto itself but very different from the harpsichords of Italy, Southern Germany, and the rest of Europe. The music performed on this recording spans from the final years of the 1760s to the late 1770s, and was written, or published, in Paris.
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Giulia Nuti – The Fall of the Leaf (2022)
FLAC (tracks) 24 bit/88,2 kHz | Time – 56:23 minutes | 1,09 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Arcana
Celebrating the golden age of English keyboard music from the late sixteenth and early seventeenth centuries, this personal anthology features works by the greatest composers of the time. John Dowland’s beguiling Pavanes and Galliards, transcribed by Martin Peerson and William Byrd, are punctuated by John Tomkins’ dazzling song-variations, Thomas Morley and William Tisdall’s whirling dances, and ravishing madrigals set by Peter Philips and others. John Amner’s masterful O Lord, in Thee is all my trust contrasts with William Byrd’s evocative, chiming variations The Bells , showcasing the different styles of these composers.
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