Gewandhausorchester Leipzig, Andris Nelsons – Bruckner: Symphonies Nos. 2 & 8 / Wagner: Meistersinger Prelude (2021) [Official Digital Download 24bit/192kHz]

Gewandhausorchester Leipzig, Andris Nelsons – Bruckner: Symphonies Nos. 2 & 8 / Wagner: Meistersinger Prelude (2021)
FLAC (tracks) 24 bit/192 kHz | Time – 02:30:42 minutes | 4,66 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)

Andris Nelsons and the Gewandhausorchester Leipzig continue their award-winning Bruckner cycle. This time the Symphonies are coupled with Wagner’s Meistersinger Prelude. The Orchestra and the Latvian Maestro recently announced the extension of their acclaimed partnership until 2027. In 2019 The Times (UK) raved about Andris Nelsons and the Gewandhausorchester’s visit to the BBC Proms, “He [Bruckner] really does have to be played very, very well if the spaces that suddenly open up around the notes are not to seem a slackening of tension. It was one of the outstanding features of Nelsons’s reading – among the best Bruckner interpretations I’ve heard – that they never did. Every standstill was pregnant with consequence; and, while one could relish the beauty of sound […] one felt the pacing hidden in the background. Detail was luxurious, but architecture paramount, and Nelsons’s unshowy approach profoundly impressive. One could almost believe one had come across that impossible thing: the ego-less conductor. No exhibitionism here. He revealed Bruckner, with a relentless vision that takes us into the strangest places, as greater than ever.”

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Gewandhausorchester Leipzig, Andris Nelsons – Bruckner: Symphony No. 4 – Wagner: Lohengrin Prelude (Live) (208) [Official Digital Download 24bit/192kHz]

Gewandhausorchester Leipzig, Andris Nelsons – Bruckner: Symphony No. 4 – Wagner: Lohengrin Prelude (Live) (208)
FLAC (tracks) 24 bit/192 kHz | Time – 01:19:35 minutes | 2,46 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)

2018 will be branded as “Gewandhausjahr”: Gewandhausorchester celebrates its 275th birthday and the inauguration of Andris Nelsons as new Gewandhauskapellmeister.

Andris Nelsons’ latest release with the Gewandhausorchester Leipzig, featuring Bruckner’s Symphony No. 4 and the Prelude to Act 1 from Wagner’s Lohengrin, was recorded live in concert and is the second installment in a multi-album Bruckner series on the Deutsche Grammophon label.

Bruckner’s Fourth Symphony is known as his “Romantic” Symphony. Bruckner himself chose this term after starting work on it in January 1874. “The music gives us an insight into Bruckner’s psyche and allows us to sense what he was feeling and thinking at the time of the work’s composition,” says Nelsons, and there is no denying that the symphony’s musical language is unusually personal and intimate.”

Andris Nelsons brings youthful energy, fluidity and rhythmic impulse, while still leaving room for Bruckner’s music’s monumental sound blocks that gives these works a completely new flavour.

By including selected instrumental works by Wagner in the Bruckner Symphony Cycle, his idea is to demonstrate the influences but more importantly their differences, for clearly the two men could not have been more disparate in character.

This second ambitious long-term recording project is consciously combined with the production of DG’s first complete Shostakovich cycle that Andris Nelsons is recording with the Boston Symphony Orchestra which has already been awarded with two Grammys as well as various other awards.

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Gewandhausorchester Leipzig & Herbert Blomstedt – Brahms: Symphonies Nos. 3 & 4 (2022) [Official Digital Download 24bit/96kHz]

Gewandhausorchester Leipzig & Herbert Blomstedt – Brahms: Symphonies Nos. 3 & 4 (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:20:37 minutes | 1,42 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © PentaTone

Maestro Herbert Blomstedt and the Gewandhausorchester Leipzig close their acclaimed PENTATONE Brahms cycle with the composer’s Third and Fourth Symphonies. Compared to the epic First and gloomily pastoral Second, Brahms’s Third Symphony is a glorious exploration of the chamber-musical possibilities of the symphony orchestra. While musical variation of elementary motifs already plays an important role in this work, Brahms shows his absolute mastery of that technique even more impressively in The Fourth. Blomstedt’s keen eye for analytical detail never goes at the cost of the music’s emotional resonance, and the Gewandhausorchester plays these symphonies glowingly, demonstrating their extraordinary ensemble sound.

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