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Roman Borisov, Gabriel Pidoux, Mozarteumorchester Salzburg and Howard Griffiths – Mozart Piano Concertos No. 11, 13 (KV 413 & 415) & Oboe Concerto KV 314 (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:32 minutes | 1,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alpha Classics
For the sixth volume of this series devoted to Mozart performances by the young generation of soloists, the pianist Roman Borisov, who won First Prize at the Kissinger KlavierOlymp in 2022 when he was the youngest participant in the competition, has recorded the Concertos K413 and K415 with the ORF Vienna Radio Symphony Orchestra. The French oboist Gabriel Pidoux, winner of the ‘Revelation’ award at the Victoires de la Musique Classique 2020, who recorded his first solo album for Alpha in 2022 (Romance, Alpha789), presents the famous Concerto K314, with the Mozarteumorchester Salzburg, conducted as always by Howard Griffiths.
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Gabriel Pidoux, Jorge Gonzales Buajasan – Romance (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 49:33 minutes | 870 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Alpha Classics
The French oboist Gabriel Pidoux, voted ‘Instrumental Soloist of the Year’ at the Victoires de la Musique Classique in 2020, has made a name for himself in both early and modern repertories. He now records his first solo album, accompanied by the pianist Jorge González Buajasan. It presents the works of two female and three male composers, beginning with Robert Schumann’s Three Romances, a masterpiece of chamber music with oboe, which Gabriel Pidoux has decided to juxtapose with the Three Pieces of Leopold Wallner (1847-1913), magnificent works which have never been recorded. Also on the programme is a transcription of Clara Schumann’s Three Romances . ‘These are pieces from the heart, which set the Romantic tone’, writes Gabriel Pidoux. ‘We follow them with the Poème of Marina Dranishnikova (1929-94), the only known piece by this Russian composer. It is a rather dark, very tormented piece, wholly Romantic although composed somewhat later, in the middle of the twentieth century.’ Finally, a transcription of Elgar’s famous Salut d’amour rounds off the programme.
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