G.A.P. Ensemble – J.S. Bach & Shostakovich Salvation (2024) [24Bit-44.1kHz] FLAC [PMEDIA] ⭐️

G.A.P. Ensemble - J.S. Bach & Shostakovich Salvation (2024) [24Bit-44.1kHz] FLAC [PMEDIA] ⭐️ Download

G.A.P. Ensemble – J.S. Bach & Shostakovich Salvation (2024) [24Bit-44.1kHz] FLAC [PMEDIA] ⭐️
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:19:18 minutes | 725 MB | Genre: Classique
Studio Masters, Official Digital Download | Front Cover

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G.A.P. Ensemble – J.S. Bach & Shostakovich: Salvation (2024) [Official Digital Download 24bit/44,1kHz]

G.A.P. Ensemble – J.S. Bach & Shostakovich: Salvation (2024)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:19:18 minutes | 729 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Brilliant Classics

‘I play Bach every day,’ said Shostakovich in 1950, at an event to mark the bicentenary of Bach’s death. ‘For us, Bach’s legacy is an embodiment of flaming emotion, soulful humanity and true humanism, which stands in contrast to the dark world of raw evil and contempt for humanity.’

Taking their inspiration from these words, and from the palpable influence of Bach on the solid forms and fluent counterpoint of Shostakovich’s own music, this quartet of musicians presents an entirely original pairing of the two composers, in which cantata arias and a major song-cycle are linked and interspersed by instrumental interludes.

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G.A.P. Ensemble, Emilio Percan, Oriol Aymat Fusté, Luca Quintavalle & Christian Euler – Wilms: Piano Quartets & Piano Trio (2023) [Official Digital Download 24bit/44,1kHz]

G.A.P. Ensemble, Emilio Percan, Oriol Aymat Fusté, Luca Quintavalle & Christian Euler – Wilms: Piano Quartets & Piano Trio (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:19:57 minutes | 712 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Brilliant Classics

Thanks to recordings such as this one, the figure of Johann Wilhelm Wilms (1772-1847) is increasingly coming into focus and prominence as a notable contemporary of Beethoven who deserves better than his previous obscurity. In 1807, the Allgemeine musikalische Zeitung described the Wilms as ‘one of the most ingenious, spirited, and best educated artists’ of his generation: a judgment borne out by the this trio of high-spirited chamber works.

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