Ferio Saxophone Quartet – Revive (2018) [Official Digital Download 24bit/96kHz]

Ferio Saxophone Quartet - Revive (2018) [Official Digital Download 24bit/96kHz] Download

Ferio Saxophone Quartet – Revive (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:05 minutes | 1,07 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos

For its second album on Chandos, the young Ferio Saxophone Quartet presents a set of unique arrangements of milestones from the baroque repertoire, from Corelli via Bach to Handel.
(more…)

Read more

Ferio Saxophone Quartet, Timothy End – Evoke (2021) [Official Digital Download 24bit/96kHz]

Ferio Saxophone Quartet, Timothy End - Evoke (2021) [Official Digital Download 24bit/96kHz] Download

Ferio Saxophone Quartet, Timothy End – Evoke (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:50 minutes | 1,01 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos

Evoke is the third album of the Ferio Saxophone Quartet, following their previous critically acclaimed albums Flux and Revive. In this recording the Quartet are joined by the pianist Timothy End for a programme of original works and arrangements for piano and saxophone quartet. Shostakovich’s Jazz Suite opens the proceedings, followed by Iain Farrington’s extremely descriptive Animal Parade. Next is Carmen Suite, a virtuosic arrangement of excerpts from Bizet’s opera, before the programme closes with the quintet Memorias by the Spanish composer Pedro Iturralde Ochoa. All the arrangements are by Iain Farrington and recorded here for the first time.
(more…)

Read more

Ferio Saxophone Quartet – Flux: Original Works for Saxophone Quartet (2017) [Official Digital Download 24bit/96kHz]

Ferio Saxophone Quartet - Flux: Original Works for Saxophone Quartet (2017) [Official Digital Download 24bit/96kHz] Download

Ferio Saxophone Quartet – Flux: Original Works for Saxophone Quartet (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:20:36 minutes | 1,25 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos

Having already won many prizes and awards (The Philharmonia/Martin Musical Ensemble, Royal Over-Seas League’s Ensemble Competition, Tunnell Trust Award) and appointed St John’s Smith Square Young Artist of the year for 2016 – 17, the Ferio Saxophone Quartet is Europe’s most exciting up-and-coming ensemble of its kind. This, its debut commercial CD, features original works written for saxophone quartet. Composers range from Gabriel Pierné and Jean-Baptiste Singelée to Eugène Bozza and Guillermo Lago (who wrote The Wordsworth Poems specially for the Quartet this year). Through this choice of repertoire, the Ferio Quartet is inviting listeners to experience a number of musical styles and moods, playing works from the time of the saxophone’s invention right up to the present day.
(more…)

Read more

Corvus Consort, Ferio Saxophone Quartet & Freddie Crowley – Revoiced (2022) [Official Digital Download 24bit/96kHz]

Corvus Consort, Ferio Saxophone Quartet & Freddie Crowley – Revoiced (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:28 minutes | 1,18 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos

Following its previous album Evoke, with the pianist Timothy End, the Ferio Saxophone Quartet returns with this exciting and innovative programme of works for saxophone quartet and voices. Founded and directed by Freddie Crowley, the Corvus Consort is a vocal ensemble based in the UK, which draws its members from a pool of young singers in the early stages of their professional careers. The project was inspired by the Quartet’s 2018 recording, Revive, an album of baroque transcriptions. Freddie Crowley writes: ‘Heinrich Schütz in the preface to his Geistliche Chor-Music, of 1648 (from which four of the items on this album are drawn) wrote: “You can perform some of these pieces […] with an organ or instruments on the choral parts along with a full choir.” The instruments he had in mind were not saxophones, of course, which would not be invented for another 200 years, but I suspect that he might have found them an excellent choice! Schütz intended his collection to be a demonstration of good composition without basso continuo, focussing on counterpoint as the foundation of compositional technique. It is these contrapuntal properties that make his and other baroque and Renaissance music so infinitely adaptable into new forms – transitioning effortlessly onto the saxophone, for example – and the same properties that underpin the four contemporary works on our album, all inspired in their own different ways by music of the Renaissance.’

(more…)

Read more
%d bloggers like this: