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Le Caravansérail, Emmanuelle de Negri, Paul-Antoine Benos-Djian, Bertrand Cuiller – Domenico Scarlatti: Stabat Mater & Other Works (2022)
FLAC (tracks) 24 bit/192 kHz | Time – 01:16:20 minutes | 3,01 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
A model of daring harmonic and contrapuntal treatment, Domenico Scarlatti’s extraordinary Stabat Mater is one of the very few surviving examples of his music for the church. To place this unique masterpiece in context, Bertrand Cuiller and members of Le Caravansérail invite us to sample the composer’s unjustly neglected contribution to the genre of opera and secular cantata, tracing a fascinating itinerary that leads from Naples to Rome and on to Madrid.
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Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey – Gluck: Orfeo ed Euridice (Complete recording of the original version (Vienna 1762)) (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:25:15 minutes | 1,49 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon/ARCHIV Produktion
This is a full recording of the original Italian version (the “Vienna version” from 1762) of Gluck’s beloved take on the Orpheus myth, Orfeo et Euridice PLUS extra music written by Gluck for later performances of his opera. It includes virtuoso arias for Fagioli and as such represents a brilliant showcase for him and a collectible item for connoisseurs.
This is Franco Fagioli’s first ever recording of a complete opera in which he sings the title role and since, the role has become one of Franco’s calling cards in recent seasons. It is known for its absolutely gorgeous music, including one of opera’s most audience-pleasing tunes, the uber-famous aria “Che farò senza Euridice”.
This version of the opera (by far the most popular one) appears for the first time ever on period instruments on DG / Archiv, hence filling a major gap in our catalogue and is a substantial project featuring one of our exciting new signings in one of his finest roles.
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Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey – Gluck: Orfeo ed Euridice / Orpheo – Highlights Of The Versions For Vienna (1762) And Paris (1774) (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:37 minutes | 1,18 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon/ARCHIV Produktion
This is a full recording of the original Italian version (the “Vienna version” from 1762) of Gluck’s beloved take on the Orpheus myth, Orfeo et Euridice PLUS extra music written by Gluck for later performances of his opera. It includes virtuoso arias for Fagioli and as such represents a brilliant showcase for him and a collectible item for connoisseurs.
This is Franco Fagioli’s first ever recording of a complete opera in which he sings the title role and since, the role has become one of Franco’s calling cards in recent seasons. It is known for its absolutely gorgeous music, including one of opera’s most audience-pleasing tunes, the uber-famous aria “Che farò senza Euridice”.
This version of the opera (by far the most popular one) appears for the first time ever on period instruments on DG / Archiv, hence filling a major gap in our catalogue and is a substantial project featuring one of our exciting new signings in one of his finest roles.
Read more![Brice Sailly, La chambre claire, Emmanuelle De Negri - François Couperin: Les muses naissantes (2018) [Official Digital Download 24bit/88,2kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/09/12/v8fz24d5zgkfc_600.jpg?resize=500%2C500&ssl=1)
Brice Sailly, La chambre claire, Emmanuelle De Negri – François Couperin: Les muses naissantes (2018)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:07:49 minutes | 1,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Ricercar
This reverie offered by Brice Sailly in homage to François Couperin is presented in the guise of a trip to Arcadia, that utopian land which lies hidden in the heart of European geography. The selected harpsichord pieces, most of them evoking childhood and the birth of love, sit beside excerpts from the Concerts royaux that set the scene rather as Watteau might have done, leaving to the less well-known airs de cour the task of describing sentiments in words. Couperin discreetly whispers the most luminous of truths. Here all is benevolence, a smile on the lips, a light heart, and melancholy is gently dismissed in favour of consolation.
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Emmanuel Resche-Caserta, Ensemble EXIT, Ensemble Hemiolia, Emmanuelle de Negri – Trionfo Romano (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:04:13 minutes | 733 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Château de Versailles Spectacles
The most impressive public celebration in baroque Rome was given in honour of Louis XIV in 1686. To celebrate the undisputed protector of the Catholic Church, and one year later the successful operation on the anal fistula of the Great King, the French Ambassador organised a grandiose open-air event on the Pincian hill, between the Trinità dei Monti and the Piazza di Spagna. Corelli’s prestigious orchestra in full formation performed “Sinfonie” with trumpets and timpani, accompanied by fireworks. The virtuoso violinist Emmanuel Resche-Caserta reconstructs this extraordinary musical feat, restoring the cantata in honour of the King of France composed by Alessandro Melani. Here is a revival of the Roman baroque splendour that so marked the French court!
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